Mako and her girl friends enter a dispute with rival street gangsters The Eagles, a band of racist macho pigs led by the evil Baron, who hate half-breeds (descendents of afro-American and ... See full summary »
Two Japanese men help a Vietnam war deserter escape from Japan for Sweden. They plan to fund the escape by selling LSD pills. After word of the drug deal gets spread around they find themselves fending off rival gangs.
A young boy tries to cope with rural life circa 1950s and his fantasies become a way to interpret events. After his father tells him stories of vampires, he becomes convinced that the widow... See full summary »
After being cruelly set up and deceived by Sugimi (Natsuyagi Isao), a conniving and crooked detective she had whole-heartedly fallen in love with (and subsequently lost her virginity to...), Matsushima Nami's desire for revenge knows no bounds. Her failed attempt at stabbing Sugimi on the steps of the Tokyo Metropolitan Police Headquarters results in her doing hard time in a female prison run by sadistic and horny male guards. To Sugimi's surprise, Matsushima refuses to testify against him and his connections to the mob, and now the sheer fact that she knows such secrets makes her a liability. So Sugimi and the Japanese mafia orchestrate a plan whereby Matsushima will succumb to an "accidental" death in prison. They enlist the help of Kagiri, another female inmate with ties to both Sugimi and the mafia, thus their formidable plan is quickly set in motion. Little do they realize, however, how hotly Matsushima's desire for revenge burns within her. Written by
This first installment in the Sasori (scorpion) series featuring Kaji Meiko and is much more of a exploitation movie than the follow up. That means girls running around naked in punishment for whatever lack of discipline and getting raped by idiot prison guards.
Showing the making of Matsu the vengeful prisoner, we understand her motives quite well and it turns out to be a dense action movie.
In the end though this is more or less a display of sadistic torture in both a campy way and a more artistic way. As such it is not quite my cup of tea.
Kaji Meiko is not as developed as an actress as in her later movies here, but still puts up a good show, and a brilliant antihero although inferior to the more psychedelic Jailhouse #41 follow up.
3 of 4 people found this review helpful.
Was this review helpful to you?