IMDb > Hana to hebi (1974)

Hana to hebi (1974) More at IMDbPro »


Overview

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6.6/10   55 votes
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Director:
Writers:
Oniroku Dan (novel)
Yôzô Tanaka (writer)
Contact:
View company contact information for Hana to hebi on IMDbPro.
Release Date:
22 June 1974 (Japan) more
Genre:
Plot Keywords:
User Reviews:
outrageous and stupendous piece of film making more (2 total)

Cast

  (Credited cast)
Naomi Tani ... Tôyama, Shizuko
Nagatoshi Sakamoto ... Tôyama, Senzô
rest of cast listed alphabetically:
Hijiri Abe ... Haru
Hiroko Fuji ... Katagiri,Miyo
Yasuhiko Ishizu ... Katagiri, Makoto
Akira Takahashi
Kôji Yashiro
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Additional Details

Also Known As:
Flowers and Snakes (literal English title)
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Runtime:
74 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
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Certification:
Company:

Fun Stuff

Movie Connections:
Version of Hana to hebi (2004) more

FAQ

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5 out of 6 people found the following review useful.
outrageous and stupendous piece of film making, 1 February 2008
10/10
Author: christopher-underwood from Greenwich - London

Trying to sort out just which of this series in which is quite a task with three versions made in the 80s and then two remakes in this decade by Takashi Ishii, also under the title of Flower and Snake. I remember having a video with the title Flower and Snake 4 and believe that must have been the first Ishii film with the numbering ignoring the very first film. And after that preamble, on to the original 1974 Flower and Snake ( the box of which incorrectly credits Ishii with the direction!). Unlike the Ishii films which have all the tight bondage scenes but are a bit, sexed up, shall we say, this is very grim indeed at times. Having said that, one of the more gruelling scenes involving an extensive forced enema, the sequence is ultimately played for laughs! But then the first bondage rape scene ends up being played as romantic, so be prepared for anything and never imagine you will be able to anticipate a good Japanese film maker. Devastating and philosophical, horrifying and whimsical by turns, this outrageous and stupendous piece of film making ultimately presents us with the most controversial of images as the bound slave visibly controls her 'masters' and as the film closes on a freeze frame as cynical as any Bunuel, she recruits another.

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