A fairy godmother magically turns Cinderella's rags to a beautiful dress, and a pumpkin into a coach. Cinderella goes to the ball, where she meets the Prince - but will she remember to leave before the magic runs out?
Of all the beautiful stories ever told none are more interesting than Gulliver's Travels. How Gulliver set out on a journey and was shipwrecked on an island, where he found strange people, ... See full summary »
Alice dozes in a garden, awakened by a dithering white rabbit in waistcoat with pocket watch. She follows him down a hole and finds herself in a hall of many doors. A key opens a small door... See full summary »
Scenes. 1. The Route to the Depths of Perdition (a Dazzingly Sensational New Effect.) 2. The Fantastical Ride. 3. The Gloomy Pass. 4. The Stream. 5. The Entrance to the Lower Regions. 6. ... See full summary »
As scene as pleasing as incomprehensible. A juggler summons two chairs, which come to the stage jumping and twirling around. Across the back of these chairs the operator places a sheet of ... See full summary »
An art film brings a strongly actual topic in a very original way, a topic that interferes with the theme of intercultural dialog of two different cultures in the European context. two men,... See full summary »
It sure helps if you know the story of "Robinson Crusoe", as this really is NOT a complete or even comprehensible recreation of the story. Instead, Georges Méliès recreates several scenes from the film. However, they really don't have any explanation as to what's occurring, no intertitle cards (they were not yet invented) and is very fragmentary. However, I still give it a relatively high score because there are complex sets (for 1903) and lots of costumes. While today none of this looks very exciting, for 1903, the film maker really outdid himself and this was, believe it or not, a high budget production. Just try watching some other 1903 films and you'll see what I mean. I also wonder if perhaps originally this might have been an longer and less fragmentary film. Who knows?
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