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Takashi Ishii (manga series Tenshi no harawata)
Takashi Ishii (screenplay)
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Release Date:
7 July 1979 (Japan) See more »
Angel Guts: Nami
 (From LateFilmFull. 25 February 2009, 2:11 AM, PST)

User Reviews:
Superb, surreal, erotically charged "pink" classic See more (7 total) »


  (in credits order)
Eri Kanuma ... Nami Tsuchiya
Takeo Chii ... Tetsuro Muraki
Mimi Sawaki ... Namiko (as Miiko Sawaki)
Miyako Yamaguchi ... Ran
rest of cast listed alphabetically:
Kyôko Aoyama ... Miya
Masato Furuoya ... Man who attacked Ryoko
Rie Hayashi ... Yu Kozono
Ryoichi Kusanagi ... Mah-boh
Yûichi Minato ... Man who attacked Minako
Minako Mizushima ... Ryoko
Saburô Shôji ... Man who attacked Ryoko
Hiroshi Unayama ... Nakazawa

Directed by
Noboru Tanaka 
Writing credits
(in alphabetical order)
Takashi Ishii  manga series Tenshi no harawata
Takashi Ishii  screenplay

Produced by
Naoya Narita .... planner
Yoshihiro Yûki .... producer (as Yoshihiro Yuuki)
Original Music by
Cinematography by
Masaru Mori 
Film Editing by
Jun Nabeshima 
Production Design by
Yoshie Kikukawa 
Art Direction by
Yoshie Kikukawa 
Second Unit Director or Assistant Director
Toshiharu Ikeda .... assistant director
Sound Department
Osamu Inoue .... sound
Camera and Electrical Department
Shin Shinkawa .... lighting technician

Production CompaniesDistributors

Additional Details

Also Known As:
"Angel Guts: Nami" - USA (DVD title)
See more »
Japan:98 min
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Filming Locations:

Did You Know?

Movie Connections:
Followed by Angel Guts 6: Red Flash (1994)See more »


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2 out of 5 people found the following review useful.
Superb, surreal, erotically charged "pink" classic, 26 April 2005
Author: fertilecelluloid from Mountains of Madness

Third and superb installment in the ANGEL GUTS series takes a tonal leaf from the pages of director Koji Wakamatsu.

Eri Kanuma is sensational, beautiful and a smoldering figure of naive sexuality as Nami, a woman who is writing a series of articles on women who have been raped. Although she is a pushy, insensitive reporter, her writing has raised the circulation of "The Woman", the magazine she writes for, so she is given carte blanche to take her journalistic ambitions where her heart desires.

While watching this outing, it is inevitable that Nami herself will be raped; much of the film's suspense is borne out of this erotic inevitability. Moreso than the previous two episodes in the series, the relentless raping here is highly eroticized and depicted with high style. The imagery is never less than fascinating and provocative, and the morality presented is certainly worthy of debate.

Director Noboru Tanaka conveys the underlying surrealism of Takashi Ishii's screenplay effortlessly and inventively. The choice of angles, lighting, constant use of rain and attention to carnal detail makes for a wild, purifying experience.

Ms. Kanuma more than adequately portrays a woman drawn to the "horrors" she reports. Initially repulsed by the details of the sexual assaults, she, ultimately, becomes fascinated by the imagined sexual frisson of the crimes.

Takeo Chii turns in a worthwhile portrait of an ex-book editor (Muraki) who is searching for a woman who left him for her rapist; Muraki's relationship with Nami possesses an uneasiness that adds a good deal of suspense to their many scenes together.

A pseudo-office rape is a stand-out sequence, as is the molestation of a nurse by a man in a grotesque mask.

Tanaka creates a carnal carnival of forbidden delights and pushes every aspect of every scene to the limit with worthwhile results.

A lengthier installment than most, ANGEL GUTS: NAMI possesses a courage rarely seen beyond the perimeters of Japanese cinema.

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