Young Trevor McKinney, troubled by his mother's alcoholism and fears of his abusive but absent father, is caught up by an intriguing assignment from his new social studies teacher, Mr. Simonet. The assignment: think of something to change the world and put it into action. Trevor conjures the notion of paying a favor not back, but forward--repaying good deeds not with payback, but with new good deeds done to three new people. Trevor's efforts to make good on his idea bring a revolution not only in the lives of himself, his mother and his physically and emotionally scarred teacher, but in those of an ever-widening circle of people completely unknown to him. Written by
Jim Beaver <email@example.com>
At one moment, a poster on the wall in Trevor's bedroom can be seen. It displays Goldberg, a famous professional wrestler, at the time wrestling in WCW. See more »
After Trevor runs away, Arlene is talking to the police and says if she had a car, she'd be looking for him. Later, she even asks Eugene to drive her around to look for Trevor because she had no car, but earlier in the movie, Jerry fixes her truck, so she had no need to ask someone else for a ride. See more »
I thanked him and there were some very specific orifices in which I was told to shove my thanks. He told me, "Just pay it forward." Three big favors for three other people. That's it.
So it's like a pass-it-on thing, then. Wait a minute. You and this lowlife are in this chain of do-gooders, some kind of Mother Theresa conga line? That's a little New-Agey for you, isn't it? Sort of Tibetan? What, are you in a cult?
If you mention my name, you'll be selling your kidneys to pay for your lawsuit. ...
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Pay It Forward is a prime example of what films are supposed to do: make you laugh a little, cry a lot, and profoundly affect you in a way that keeps you thinking about the movie for weeks afterwards. I saw it at a special preview screening and was blown away. My friends and I sat through the entire credits because we were so taken by what we had seen. Kevin Spacey, Helen Hunt, and the phenomonal Haley Joel Osment once again give performances worthy of Oscars. I only hope there isn't some "retaliation" of sorts because of their previous wins and nominations because they deserve it again this year. But the big winner here is director Mimi Leder who has moved from action films into great cinema. She demonstrates the fine tuned skills she showed while directing ER. As I sat there, one eye kept a close watch of the story while the other marveled at the beautiful direction of every scene. They have my vote for Best Picture, Director, Actor, Actress, Supporting Actress, and Screenplay. Awe-inspiring!!!!
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