A Chinese conjurer stands next to a table, it becomes two tables. A fan becomes a parasol, lanterns appear and disappear. The conjurer spins the open parasol in front of himself, and a dog ... See full summary »
A juggler enters upon the scene, picks up a skull, throws it into the air, catches it in his hands, where it is transformed into a handkerchief. The handkerchief, after being twirled about ... See full summary »
The background of this picture represents a scene along the beautiful river Seine in Paris. A gentleman enters, and taking a blackboard from the side of the picture, he draws on it a sketch... See full summary »
It's hard to really understand this film unless you turn on the optional commentary track. It begins with an old Jewish man struggling as he walks. You learn, through the use of a double-exposure, that the man witnessed Christ being led to the crucifixion and refused him water. Now, he's cursed to wander through eternity--and there is no let up to his misery. He sees what he's done repeatedly, is attacked by Satan and the elements conspire against him--all in repayment for his sin.
While the set appears very crudely done (almost quaint), this is the norm for 1904--and that is why it all appears very stagy. But, it makes nice use of the double-exposure and is decent for its time.
I wondered, however, if this was film was perhaps based on some folk tale (I've never heard of it). So I checked and found the story began sometime around the 13th century and the man was cursed to do this until Christ's second coming. Perhaps this story was created to explain the displaced Jewish people (who had no homeland for almost 1900 years) or was in some way antisemitic--I have no idea. But here in the States, it's a story I would assume very, very few would recognize.
0 of 1 people found this review helpful.
Was this review helpful to you?