| Rob Morrow | ... | Jonathan Neumann | |
| Randy Quaid | ... | Phil Chadway | |
| Paul Sorvino | ... | Frank Rizzo | |
| Cynthia Preston | ... | Kate Johnson | |
| G.W. Bailey | ... | K.C. | |
| Al Waxman | ... | Art Zugler | |
| Beau Starr | ... | Detective Marshall | |
| Barry Wiggins | ... | Detective King | |
| Chuck Shamata | ... | Vinnie | |
| Louis Di Bianco | ... | Deep Nightstick | |
| Melissa DiMarco | ... | Sandra Durano | |
| Bruce McFee | ... | Detective Harris | |
| Joe Pingue | ... | Detective Regossi | |
| Philip Granger | ... | John Reilly | |
| Hayley Tyson | ... | Sharon Chadway | |
| Patrick Patterson | ... | Chief Inspector Golden | |
| Christian Potenza | ... | Danny O'Brien | |
| Richard Clarkin | ... | Scala | |
| rest of cast listed alphabetically: | |||
| Ryan Rajendra Black | ... | Alberto (as Ryan Black) | |
| Joanne Boland | |||
| Michael Copeman | ... | Jack Reynolds | |
| Jason Jones | ... | Prosecutor | |
| Kelsa Kinsly | ... | Reporter | |
| Chantal Lonergan | ... | Chelsea | |
| Mayumi Rinas | ... | Mrs. Gonzalez | |
| Juan Carlos Velis | ... | Miguel Gonzalez | |
| Scott Walker | ... | Fire Chief | |
Directed by | |||
| Roger Young | |||
Writing credits(WGA) | ||
| Daniel Helfgott | (written by) | |
Produced by | |||
| Daniel Helfgott | .... | executive producer | |
| Fritzi Horstman | .... | associate producer | |
| Janet Turner | .... | executive producer | |
| Roger Young | .... | executive producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| Donald M. Morgan | |||
Film Editing by | |||
| Benjamin A. Weissman | |||
Casting by | |||
| Victoria Burrows | |||
| Stephanie Gorin | |||
Production Design by | |||
| Jeff Ginn | |||
Set Decoration by | |||
| Kent McIntyre | |||
Costume Design by | |||
| Ruth Secord | |||
Makeup Department | |||
| Rachel Affolter | .... | assistant makeup artist | |
| Vann E. Gouweleeuw | .... | key makeup artist | |
Production Management | |||
| Daniel Hank | .... | production manager: Philadelphia | |
| Ross Leslie | .... | assistant production manager | |
Art Department | |||
| Jason Herriott | .... | key scenic | |
| Garry Honcharuk | .... | property master | |
| Mark Kravjansky | .... | props | |
| Paul Lenart | .... | lead set dresser | |
| Erica Milo | .... | sets buyer | |
Sound Department | |||
| Suzanne Angel | .... | adr supervisor | |
| Bob Costanza | .... | sound effects editor | |
| G. Michael Graham | .... | supervising sound editor | |
| Peter Reale | .... | sound re-recording mixer | |
Stunts | |||
| Robert C. Shannon | .... | water safety | |
Camera and Electrical Department | |||
| Gabriele DiChiara | .... | gaffer | |
| Ava Gerlitz | .... | still photographer | |
| Mike Gowland | .... | generator operator | |
| Alex Jordan | .... | lighting technician | |
| Mark Silver | .... | key grip | |
| Glen Treilhard | .... | focus puller | |
| Kit Whitmore | .... | camera operator | |
Editorial Department | |||
| Sylvia Grant | .... | assistant editor | |
| Craig Hayes | .... | assistant editor | |
Music Department | |||
| Tom Boyd | .... | musician: oboe soloist | |
| Penka Kouneva | .... | lead orchestrator | |
| Stephen M. Rowe | .... | music editor | |
Other crew | |||
| Heather Anderson | .... | assistant: Rob Morrow | |
| Tera Goldblatt | .... | production assistant | |
| Susan James | .... | assistant production coordinator | |
| Winnifred Jong | .... | script supervisor | |
| Danny Pawlick | .... | dialect coach | |
| Burton Sharp | .... | adr group coordinator | |
| Alison Wells | .... | unit publicist | |
| Ralph Berge | .... | production executive (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| 'Rampage' scene in the film | montyofalamein |
| THIN BLUE LINE | brunogino100 |
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| Call Northside 777 | Fracture | A Mighty Heart | Midnight Court | Crime of Passion |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
From the beginning on, it was clear that this was going to be a weak film. The acting was very bad to mediocre (Rob Morrow, who made me think of the Dustin Hoffman of the 1970s). The screenplay was even worse. It got a little better but towards the end, the whole film collapsed badly. I haven't really understood what part the female characters in this story had to play. The last scene on the graveyard was an anti-climax. Oliver Stone or A.J. Pacula would have made a different story, if they had found the material worthwhile at least. A waist of time.