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A Nightmare (1896)
"Le cauchemar" (original title)

 -  Short  -  1896 (France)
6.7
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A man sleeps fitfully then dreams that a lovely woman is sitting at the foot of his bed. He reaches to embrace her and she becomes a minstrel, then Pierrot. The clown gestures to the moon ... See full summary »

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Title: A Nightmare (1896)

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Storyline

A man sleeps fitfully then dreams that a lovely woman is sitting at the foot of his bed. He reaches to embrace her and she becomes a minstrel, then Pierrot. The clown gestures to the moon that becomes huge and bites the dreamer's hand. In fright, the man punches the moon, which returns to his proper place in the sky, only to be replaced by all three visions - woman, minstrel, and Pierrot. Finally the man wakes, his bed a shambles. What to do now? Written by <jhailey@hotmail.com>

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pierrot | minstrel | moon | bed | sleep | See more »

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1896 (France)  »

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A Nightmare  »

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Trivia

Georges Méliès:  [moon]  becomes anthropomorphic and tries to eat the main character, and is punched away by him See more »

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Referenced in Le cauchemar de Méliès (1988) See more »

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User Reviews

Tricks within Dreams
28 June 2009 | by See all my reviews

This, "A Nightmare", is one of Georges Méliès's earliest films. It's one of his first films to feature a formula he would return to for many of his subsequent productions, from "The Bewitched Inn" (L'Auberge ensorcelée (1897)) to "The Black Imp" (Le Diable noir (1905)). The setup is simply a man trying to sleep despite nightmares or bizarre happenings to his surroundings (often, furniture and such moving, disappearing and appearing). These films provided Méliès with plenty of opportunities for his trick effects--mostly stop-substitutions (or substitution-splicing).

"A Terrible Night" (Une Nuit terrible (1896), an earlier film by Méliès, is the earliest available example of this genre, but that film didn't contain any filmic trick effects. Another previous film of his, "The Vanishing Lady" (1896), had stop-substitution tricks presented within a magic trick. "A Nightmare" features a different device to present its magic--that is, dreams. In later films, Méliès would also introduce fairies, malevolent wizards and other devices (i.e. science fiction and aliens in the case of the more elaborate "A Trip to the Moon") to present his trick effects, which allowed them to be at least within something resembling a narrative.

The most noteworthy of the dream images, I think, is the moon with a face, which bites the protagonist's hand. Méliès would again use the moon in such films as "The Astronomer's Dream" (1898) and "A Trip to the Moon" (1902). Additionally, this film contains five backdrop changes, all accomplished through editing, as with the character appearances and disappearances. The film was shot in the open air, as indicated by the shadows. The early history of film is scattered with knockoffs of Méliès's films; for example, one of the more popular early films remaining today, "Dream of a Rarebit Fiend" (1906) was clearly a product of this genre "A Nightmare" helped initiate.


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