Based on Charles Dickens' novel, this adaptation traces the childhood of an orphan whose mother dies giving birth to him in an English work-house in the 1820s. Little Oliver Twist, already ...
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In a storm, in a workhouse, to a nameless woman, young Oliver Twist is born into parish care where he's overworked and underfed. As he grows older his adventures take him from the ... See full summary »
Oliver's mother, a penniless outcast, died giving birth to him. As a young boy Oliver is brought up in a workhouse, later apprenticed to an uncaring undertaker, and eventually is taken in ... See full summary »
James A. Marcus,
Charlotte Bronte's classic novel is filmed yet again. The story of the Yorkshire orphan who becomes a governess to a young French girl and finds love with the brooding lord of the manor is ... See full summary »
Young Pip is expected to become a blacksmith, but, hating the soot and smoke, he secretly dreams of becoming a gentleman. When he meets the mysterious Miss Havisham and her haughty niece ... See full summary »
Some very greedy and selfish relatives are all after the failing old Martin Chuzzlewits money. He is surrounded by all these sycophantic relatives that he truly despises whilst ill, each ... See full summary »
Based on Charles Dickens' novel, this adaptation traces the childhood of an orphan whose mother dies giving birth to him in an English work-house in the 1820s. Little Oliver Twist, already abused, starved and overworked, is apprenticed to an undertaker and runs away to London after being bullied by an older apprentice. There, he is taken in by Fagin, a fence and thief-trainer, and his gang of pickpockets. He is befriended by Nancy, a good-hearted prostitute, and meets her lover, the brutal housebreaker Bill Sikes. But attempts by the gang to discredit him result in his being taken in by Mr. Brownlow, a wealthy and charitable man, who proves the catalyst for Oliver's discovery of his background and identity. Here Alan Bleasdale's dramatisation differs from Dickens' novel, in that Oliver does not fall into Brownlow's hands by coincidence, and we already know his back story: he's the child of a young woman named Agnes Fleming and her married lover, Edwin Leeford, who dies while on a trip... Written by
The very flowery wording in the episode titles is based on the language which Charles Dickens used for the chapter titles in his original novel "Oliver Twist". See more »
I will not peach on Nancy!
She just peached on us!
[Charley punches him and the boys fight]
[Dodger yanks him up]
Now, I'm gonna go back now and tell Fagin what you done. And then, I'm gonna go with him. Maybe we'll hide now and go tomorrow. But you got nowhere to go and no where to hide
[Dodger slaps Charley]
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I am a huge Dickens fan. I have read Oliver Twist, and have even written college papers on the novel. This movie is by far the best version of Oliver Twist ever made (this includes David Lean's movie, the Polanski version, and the musical). The casting is superb; Robert Lindsay (Fagin) is one of the best character actors I have ever seen, Michael Kitchen plays Mr. Brownlow to perfection, and Andy Serkis (Bill Sykes) brings out every ounce of Bill's brutal personality with excellent feel for the character. Yes, the movie necessarily takes what the novel originally revealed in the last pages (concerning Oliver's parentage and the mystery surrounding his birth) and more fully dramatizes it; this is the nature of the beast. Making movies about books is difficult enough, especially with Dickens' panache for complicated plots. But this version of the movie brings out every element of Dickens' story with taste and excellence. One of the best Dickens adaptations out there.
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