An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
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1999  
1 win & 4 nominations. See more awards »
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An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

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An orphan named Oliver Twist meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

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An adaptation of the classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.

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An orphan boy in 1830's London is abused in a workhouse, then falls into the clutches of a gang of thieves.

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Cast

Series cast summary:
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 Mrs. Mann 4 episodes, 1999
David Ross ...
Sam Smith ...
John Grillo ...
 Mr Grimwig 3 episodes, 1999
Charlotte Le Moignan ...
 Young Rose Fleming 3 episodes, 1999
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Alex Crowley ...
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 Homely Maid 2 episodes, 1999
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 Mr. Fleming 2 episodes, 1999
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Morgan Jones ...
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 Agnes Fleming 2 episodes, 1999
David Bark-Jones ...
Laura Grace Cockroft ...
 Chertsey Maid 2 episodes, 1999
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 Edwin Leeford 2 episodes, 1999
Rosalind March ...
 Mrs. Corney 2 episodes, 1999
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 Woodcroft 2 episodes, 1999
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 Mr. Sowerberry 2 episodes, 1999
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 Blacksmith Bignall 2 episodes, 1999
Alan Pentony ...
Hilary Sesta ...
 Martha, Female Pauper 2 episodes, 1999
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Storyline

Based on Charles Dickens' novel, this adaptation traces the childhood of an orphan whose mother dies giving birth to him in an English work-house in the 1820s. Little Oliver Twist, already abused, starved and overworked, is apprenticed to an undertaker and runs away to London after being bullied by an older apprentice. There, he is taken in by Fagin, a fence and thief-trainer, and his gang of pickpockets. He is befriended by Nancy, a good-hearted prostitute, and meets her lover, the brutal housebreaker Bill Sikes. But attempts by the gang to discredit him result in his being taken in by Mr. Brownlow, a wealthy and charitable man, who proves the catalyst for Oliver's discovery of his background and identity. Here Alan Bleasdale's dramatisation differs from Dickens' novel, in that Oliver does not fall into Brownlow's hands by coincidence, and we already know his back story: he's the child of a young woman named Agnes Fleming and her married lover, Edwin Leeford, who dies while on a trip... Written by G.M. Baxter

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Release Date:

8 October 2000 (USA)  »

Also Known As:

Оливър Туист  »

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(4 parts)

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Did You Know?

Trivia

The very flowery wording in the episode titles is based on the language which Charles Dickens used for the chapter titles in his original novel "Oliver Twist". See more »

Quotes

Mrs. Bedwin: Giles. Brittles is ill.
Giles: No he's not, ma'am. He's always like this.
Mrs. Bedwin: Brittles is ill and we had to call a doctor out.
Rose: Oh no!
Mrs. Bedwin: Um, we have to hide Oliver!
Giles: No. You don't have to hide him, ma'am. The boy's in my room. The master hasn't been in my room since the turn of the century.
Brittles: But there's a boy in your room now, Mr. Giles.
[a loud crash is heard off-camera]
Brittles: Ow!
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Connections

Version of Oliver Twist (1912) See more »

Soundtracks

Fantasia for Piano 4 Hands in F Minor
Music by Franz Schubert
Played onscreen by Michael Kitchen
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User Reviews

 
Absolutely marvelous!
13 June 2006 | by See all my reviews

I am a huge Dickens fan. I have read Oliver Twist, and have even written college papers on the novel. This movie is by far the best version of Oliver Twist ever made (this includes David Lean's movie, the Polanski version, and the musical). The casting is superb; Robert Lindsay (Fagin) is one of the best character actors I have ever seen, Michael Kitchen plays Mr. Brownlow to perfection, and Andy Serkis (Bill Sykes) brings out every ounce of Bill's brutal personality with excellent feel for the character. Yes, the movie necessarily takes what the novel originally revealed in the last pages (concerning Oliver's parentage and the mystery surrounding his birth) and more fully dramatizes it; this is the nature of the beast. Making movies about books is difficult enough, especially with Dickens' panache for complicated plots. But this version of the movie brings out every element of Dickens' story with taste and excellence. One of the best Dickens adaptations out there.


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