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Dead bodies are being found in the New York harbor. The police have no clues nor suspects until Nick and his colleague realize the killer is a giant octopus. Everybody, especially the ... See full summary »
Michael Reilly Burke,
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After a military plane crash near a small American town, a giant man-eating snake set off on a killing spree. The locals must find a way to eliminate the snake with the help of a scientist who knows about the snake and terminates it.
Casper Van Dien
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During the Cuban Missle Crisis, a Russian sub is sunk while en route to Havana. As the sub goes down, the hold is breached and barrels full of some mysterious substance tumble out. Years later, an American nuclear submarine is transporting a captured terrorist to the States. The terrorist's henchmen, however, are planning to hijack the sub and rescue their leader. Meanwhile, a large, unidentified creature is approaching the sub at high speed... Written by
Jean-Marc Rocher <email@example.com>
This film was a personal voyage for the director, who wanted to use the film as a vehicle to overcome his fear of octopi. Unfortunately, he succumbed to his fear and killed himself quite soon after the release of the movie. See more »
During the escape, someone makes a remark about the impending explosion of the submarine Roosevelt "...turning this thing into calamari." Calamari is squid, not octopus. See more »
Uneven, jumbled, with an occasional visit by the title creature
Starts off with a Soviet sub being lost in 1962 while on its way to Cuba. Cut to four decades later.
There's confusing hi-jinks, political intrigue, and traitors aboard an American sub that find the old sub. There's also a giant Octopus wandering around that makes periodic (and oddly timely) attacks, whenever it serves to thicken the plot. A spy is aboard the sub, and endeavors to uhhh, umm, do something bad I guess. The script doesn't make it clear, and the novice acting by the cast doesn't help, either.
Then the sub meets up with a cruise ship (!) What? Oh, and more spies show up too. The script darts around so much you'll get dizzy trying to follow it.
The final scene is about the only part that has anything of interest happen, as the Octopus makes his finest appearance. He's pretty nasty looking, as the director loves to take CGI shots into his mouth, as he attacks. Most of what you see is sloppy CGI, but at least you get to see something happen after waiting through the entire movie.
A goofy, bargain basement movie, good for sporadic moments of chaos and comedy.
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