Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry ... See full summary »
A homely maid and a scarred ex-GI meet at the cottage where she works and where he was to spend his honeymoon prior to his accident. The two develop a bond and agree to marry, more out of ... See full summary »
J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it out the window, it lands on poor ... See full summary »
One stormy Glasgow night Dorothy and Petula's lives are inextricably thrown together, bonded by a common flaw. Dorothy's on the run from her boyfriend and Petula should be doing the same. Evasion, blackmail, murder, betrayal, revenge and a suitcase loaded with a million quid... it's all there... and then some. Written by
I felt like I had to leap to the defence of Beautiful Creatures' after what everyone had been saying about it. I made it my film of the month in my college magazine film pages. I loved it! I think that not only is it a great British film but a great film full stop. I know it only survived two weeks and was slated by the critics. I think perhaps lots of people were put off by the director's claims of it's dark humour and general shockingness whereas in reality (or unless I am unknowingly deeply psychologically disturbed) it wasn't all that bad. It does deserve it's certificate rating though, I wouldn't go that far.
I found it a welcome antidote to the recent deluge of lad's gangster/thriller flicks. It was fresh and much freer than any of those films. With good reason it has been compared to Thelma and Louise' but as far as I can see it has more in common with the Wachowski brothers' Bound'. Susan Lynch and Rachel Weisz were excellent. Their characters of Dorothy and Petula never came close to being your stereotypical man's-eye women. This reversal on the general way of gangster/thriller films was great stuff. The film was unapologetically British, the very British sense of humour was one of it's best points. Americans do not spare our feelings with their cruel characterisations of British people - why do our films have to America-friendly?
I think it's a shame no-one really gave a chance cos far as I'm concerned you've missed out on one of the warmest, funniest and most realistic films.
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