Jake Vig (Burns) is a consummate grifter about to pull his biggest con yet, one set to avenge his friend's murder. But his last scam backfired, leaving him indebted to a mob boss (Hoffman) and his enforcer.
The film tells the story of Russian emigree and the only survivor from ship crash Yanko Goorall and servant Amy Foster in the end of 19th century. When Yanko enters a farm sick and hungry ... See full summary »
When "American Psycho" was released early in 2000 it reaffirmed author Bret Easton Ellis as the controversial "bad boy" of contemporary American Fiction. "This is Not an Exit" reveals the world inhabited by Ellis. In HD.
After her mother commits suicide, nineteen year old Lucy Harmon travels to Italy to have her picture painted. However, she has other reasons for wanting to go. She wants to renew her ... See full summary »
One stormy Glasgow night Dorothy and Petula's lives are inextricably thrown together, bonded by a common flaw. Dorothy's on the run from her boyfriend and Petula should be doing the same. Evasion, blackmail, murder, betrayal, revenge and a suitcase loaded with a million quid... it's all there... and then some. Written by
Written by Pablo Beltrán Ruiz (as Pablo Beltran Ruiz) / Norman Gimbel
Performed by Dean Martin
Licensed courtesy of Capitol Records Inc
Published by (c) 1953 E.M.M.I. Mexico
(c) 1954 by Peer International Corp., USA
Latin-American Music Publishing Co. Ltd., London See more »
Dorothy (Susan Lynch) is out to the movies when she encounters Petula (Rachel Weisz) being abused by her boyfriend Brian McMinn. Dorothy is dealing with her own unstable boyfriend Tony. She knocks out Brian and the girls bring him back to Dorothy's flat. The women become fast friends. He wakes up and falls down killing himself. Dorothy doesn't want to go to jail and Petula comes up with a plan to dispose of the body. Before that happens, Dorothy's dog bites off Brian's finger and she decides to demand ransom with Petula's help. The simple self-defense accident spirals out of control.
It tries to be a hip brash black comedy. Unlike other British crime dramas of that era, this doesn't have quite the same energy or cool style as Guy Ritchie. It's not funny enough. It has a bit of blood and violence but can't compete against anything from Tarantino. It doesn't have anything outstanding other than Lynch and Weisz. These are great actresses but there isn't enough to push this movie over the top.
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