| Scarlett Johansson | ... | Suzanne - at 15 | |
| Nastassja Kinski | ... | Margit | |
| Raffaella Bánsági | ... | Suzanne - Infant | |
| Tony Goldwyn | ... | Peter | |
| Ágnes Bánfalvy | ... | Helen (as Ági Bánfalvy) | |
| Zoltán Seress | ... | George | |
| Klaudia Szabó | ... | Maria - at 4 | |
| Zsolt Zágoni | ... | Russian Soldier | |
| András Szöke | ... | Istvan | |
| Erzsi Pásztor | ... | Ilus | |
| Carlos Laszlo | ... | Boy on Train | |
| Bori Kereszturi | ... | Suzanne - at 3 (as Boru Keresztúri) | |
| Péter Kálloy Molnár | ... | AVO Officer (as Péter Kállóy Molnár) | |
| Zsuzsa Czinkóczi | ... | Teri | |
| Balázs Galkó | ... | Jeno | |
| Kata Dobó | ... | Claire | |
| Éva Szörényi | ... | Eva (as Éva Soreny) | |
| Don Pugsley | ... | Cafe Supervisor | |
| Vladimir Mashkov | ... | Frank | |
| Lisa Jane Persky | ... | Pattie | |
| Colleen Camp | ... | Dottie | |
| Kelly Endresz-Banlaki | ... | Suzanne - at 6 (as Kelly Endrész Bánlaki) | |
| Imola Gáspár | ... | Stewardess | |
| Tatyana Kanavka | ... | Girl in Airport | |
| Mae Whitman | ... | Maria (at 10) | |
| Lorna Scott | ... | Neighbor with Poodle | |
| Sandra Staggs | ... | Saleswoman | |
| Jacqueline Steiger | ... | Betty | |
| Robert Lesser | ... | Harold | |
| Lou Beach | ... | Party-goer | |
| Marlee Jackson | ... | Sheila - at 7 | |
| Emmy Rossum | ... | Sheila - at 15 | |
| Timothy Everett Moore | ... | Paul | |
| Joshua Dov | ... | Richard | |
| Larisa Oleynik | ... | Maria - at 18 | |
| Kati Bács | ... | Woman #1 at Market | |
| Zsuzsa Száger | ... | Woman #2 at Market | |
| rest of cast listed alphabetically: | |||
| Andras Banlaki | ... | (uncredited) | |
| Éva Gárdos | ... | Suzanne Sandor in Family Picture - at 6 (archive footage) (uncredited) | |
| Peter Janosi | ... | German Customs Officer (uncredited) | |
Directed by | |||
| Éva Gárdos | (as Éva Gardos) | ||
Writing credits | ||
| Éva Gárdos | (written by) (as Éva Gardos) | |
Produced by | |||
| Colleen Camp | .... | producer | |
| Teri Fettis-D'Ovidio | .... | associate producer (as Teri Fettis D'Ovidio) | |
| Jay Firestone | .... | executive producer | |
| Patricia Foulkrod | .... | co-producer | |
| Adam Haight | .... | executive producer | |
| Stephanie Poole | .... | associate producer | |
| Eric Sandys | .... | co-executive producer | |
| Tony Thatcher | .... | co-executive producer | |
| Bonnie Timmermann | .... | producer | |
| Andrew G. Vajna | .... | executive producer | |
Original Music by | |||
| Cliff Eidelman | |||
Cinematography by | |||
| Elemér Ragályi | (director of photography) | ||
Film Editing by | |||
| Margaret Goodspeed | (as Margie Goodspeed) | ||
Casting by | |||
| Elizabeth Lang | (as Liz Lang Fedrick) | ||
Production Design by | |||
| Alex Tavoularis | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | (as Beatrix Aruna Pásztor) | ||
| Vanessa Vogel | |||
Makeup Department | |||
| Carole Antouri | .... | first assistant makeup artist: Los Angeles | |
| Sandy Bailey | .... | hair stylist: Los Angeles | |
| Tara Brooks | .... | makeup assistant: Los Angeles | |
| Egonné Endrényi | .... | hair swing: Budapest | |
| Egonné Endrényi | .... | makeup swing: Budapest | |
| Jánosné Kajtár | .... | key hair stylist: Budapest (as Jánosné Kajtár Bogyó) | |
| Nina Kraft | .... | key makeup artist: Los Angeles | |
| Violet Ortiz | .... | key hair stylist: Los Angeles | |
| Klári Szinek | .... | hair swing: Budapest (as Klára Szinek) | |
| Klári Szinek | .... | makeup swing: Budapest (as Klára Szinek) | |
| Katalin Tomola | .... | key makeup artist: Budapest | |
| Rebecca Wachtel | .... | makeup artist: Los Angeles (as Rebecca Lynn Wachtel) | |
| Brandon Waggoner | .... | hair stylist: Los Angeles | |
Production Management | |||
| Károly Fehér | .... | unit manager: Budapest | |
| Tamás Hutlassa | .... | unit production manager: Budapest | |
| Scott Michael Nabat | .... | post-production supervisor (as Scott Nabat) | |
Special Effects by | |||
| György Cseh | .... | special effects: Budapest | |
| Gabor Kiszelly | .... | special effects: Budapest (as Gábor Kiszelly) | |
| Ferenc Ormos | .... | special effects: Budapest | |
Visual Effects by | |||
| Christopher Dusendschon | .... | digital imaging: THDX (uncredited) | |
| Christopher Dusendschon | .... | in-show optical process and effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
| David Fred Masselink | .... | optical effects line-up (uncredited) | |
Stunts | |||
| Ferenc Hauser | .... | stunts: Budapest | |
| Sándor Boros | .... | stunt actor (uncredited) | |
| Miklós Pardányi | .... | stunts (uncredited) | |
| Akos Schenek | .... | utility stunts (uncredited) | |
Casting Department | |||
| Mara Bihari | .... | extras casting: Budapest | |
| Ferenc Fiedler | .... | additional casting: Budapest | |
| László Janicsek | .... | casting consultant: Budapest | |
| Zsófi Kelemen | .... | extras casting assistant: Budapest | |
| Ágota Kovács | .... | casting: Budapest | |
| Mária Kulcsár | .... | additional casting: Budapest | |
| Debe Waisman | .... | extras casting: Los Angeles (as Debbe Waisman) | |
| Alison E. McBryde | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Nancy Au | .... | costumer: Los Angeles | |
| Rochelle Best | .... | costumer: Los Angeles | |
| Krisztina Fekete | .... | assistant wardrobe master: Budapest (as Kriszta Fekete) | |
| Kimberly Johnson | .... | costumer: Los Angeles | |
| Sandra Spiwak-Wallin | .... | costumer: Los Angeles | |
| Krisztina Vavrinecz | .... | wardrobe master: Budapest | |
Editorial Department | |||
| Kate Hoffman | .... | post-production associate | |
| Heather Persons | .... | first assistant editor | |
| Michael Rafferty | .... | additional editor | |
| Catherine Rankin | .... | negative cutter | |
| Katalin Urszuly | .... | post-production assistant | |
| Noemi Mehrli | .... | post-production assistant (uncredited) | |
| Ricardo Olivero | .... | color timer (uncredited) | |
Music Department | |||
| Page Bilski | .... | musician: solo cello | |
| Meade Crane | .... | musician: solo piano | |
| Denny Diante | .... | music supervisor | |
| Cliff Eidelman | .... | conductor | |
| Sam Hofstedt | .... | music recordist | |
| Penka Kouneva | .... | additional orchestrator | |
| Penka Kouneva | .... | music preparation | |
| Lesley Langs | .... | music editor | |
| Kathy Nelson | .... | special music consultant | |
| Patrick Russ | .... | orchestrator | |
| David Sabee | .... | orchestra contractor | |
| David Sabee | .... | score reader | |
| Joe Saraceno | .... | music consultant | |
| Mischa Schmidt | .... | musician: solo violin | |
| Armin Steiner | .... | music scoring mixer | |
| Brian Valentino | .... | assistant music engineer | |
Thanks | |||
| Jack Baran | .... | the producers and director wish to thank | |
| Burt Berman | .... | the producers and director wish to thank: Paramount Pictures | |
| Arlene Bernstein | .... | the producers and director wish to thank | |
| Matthew C. Beville | .... | the producers and director wish to thank (as Mike Beville) | |
| Betsy Blankett Milicevic | .... | the producers and director wish to thank (as Betsy Milicevic) | |
| Dorothy Camp | .... | the producers and director wish to thank | |
| Wilson Camp | .... | the producers and director wish to thank | |
| Eleanor Coppola | .... | the producers and director wish to thank | |
| Frank Darabont | .... | the producers and director wish to thank | |
| Aida Gaboyan | .... | the producers and director wish to thank | |
| Emily Goldwyn | .... | the producers and director wish to thank | |
| John Goldwyn | .... | the producers and director wish to thank | |
| David Hankins | .... | the producers and director wish to thank: Miles O'Fun | |
| Kinga Hazai | .... | the producers and director wish to thank | |
| Gary Hovey | .... | the producers and director wish to thank | |
| Jim Inman | .... | the producers and director wish to thank | |
| Mark Kaplan | .... | the producers and director wish to thank: Miles O'Fun | |
| Bob Klima | .... | the producers and director wish to thank | |
| Jeffrey Konvitz | .... | the producers and director wish to thank | |
| Carlos Laszlo | .... | the producers and director wish to thank (as Carlos Weiner) | |
| Robert Lesser | .... | the producers and director wish to thank | |
| Thomas Lopinski | .... | the producers and director wish to thank | |
| Jim McBride | .... | the producers and director wish to thank | |
| Alison E. McBryde | .... | the producers and director wish to thank (as Alison McBryde) | |
| Debra McDermott | .... | the producers and director wish to thank | |
| Djorge Milicevic | .... | the producers and director wish to thank | |
| Christopher Monger | .... | the producers and director wish to thank | |
| Sherry Moraef | .... | the producers and director wish to thank | |
| Suzanne Moss | .... | the producers and director wish to thank | |
| Iván Márk | .... | the producers and director wish to thank | |
| William L. Nagle | .... | the producers and director wish to thank (as William Nagle) | |
| Otto Nemenz | .... | the producers and director wish to thank | |
| Lisa Marie Presley | .... | the producers and director wish to thank | |
| Priscilla Presley | .... | the producers and director wish to thank | |
| Paul Rodriguez | .... | the producers and director wish to thank | |
| Rick Rosenthal | .... | the producers and director wish to thank: Grakal, Root & Rosenthal | |
| Ray Ruff | .... | the producers and director wish to thank | |
| Charlotte Thomas | .... | the producers and director wish to thank | |
| Tracy Tynan | .... | the producers and director wish to thank | |
| Janos Varga | .... | the producers and director wish to thank | |
| Susan Watson | .... | the producers and director wish to thank | |
| Rex Weiner | .... | the producers and director wish to thank | |
| Eitan Yanleni | .... | the producers and director wish to thank | |
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Having had friends who made the escape from Hungary in what similar fashion during the 1956 uprising I could fully relate to the events that took place during the inspiring American Rhapsody. The stories were similar...in the real life one I knew it involved a married couple and the husbands brother. They had escaped as far as a canal that needed to be crossed to reach Austria. At the last moment the man who was to transport them demanded more money. He only complied when my friends brother put a gun on him and told him to row.
American Rhapsody covers the escape from Hungary and the eventual uniting of the family members, but it involves much more. In it you are seen that the importance of family can be over shadowed by the care and love provided by a surrogate family. The performances of the actresses playing Suzanne are all excellent, but the girl who portrayed her as a five year old child in Hungary and her arrival in California,n Kelly Endelez-Banaki was particularly outstanding. Her performance will be remembered. I found Nastassja Kinshi and Tony Goldwin to also be very real. It is a very rewarding film.
Another commentator compared the film to "Sunshine," another film developing a somewhat similar story but isolated on the Jewish community of Hungary. It is a longer more powerful story, and one that I have had Jewish friends tell me in someways is to horrific in its treatment of Hungarian Jews. Whatever both films, though carrying a somewhat similar theme are excellent examples of the cruelty in man and also in human humanity.