"The Scarlet Pimpernel" The King's Ransom/The Scarlet Pimpernel and the Kidnapped King (1999)

User Rating:

6.8/10   

Director:

Edward Bennett

Writers:

Richard Carpenter (written by) and
Baroness Emmuska Orczy (books)

TV Series:

"The Scarlet Pimpernel" (1999)

Original Air Date:

7 November 1999 (Season 1, Episode 3)

Genre:

Adventure | Drama

Plot:

Plot Keywords:

Character Name In Title | Swashbuckler | Betrayal | Mask | Revolution

Cast

Stuart Fox	...	Monsieur Jouvin
Sarah Berger	...	Madame Jouvin
Dalibor Sipek	...	The Dauphin
Suzanne Bertish	...	La Touraine
Jonathan Coy	...	Prince of Wales
Richard E. Grant	...	Sir Percy Blakeney
Elizabeth McGovern	...	Marguerite Blakeney
Anthony Green	...	Sir Andrew Ffoulkes
Beth Goddard	...	Lady Suzanne Ffoulkes
Jerome Willis	...	Baron Valdemar
Martin Shaw	...	Chauvelin
Ron Donachie	...	Arturo Mazzarini
Gerard Murphy	...	Planchet
Ronan Vibert	...	Robespierre
Winter Ave Zoli	...	Cecile

Series Cast

These people are regular cast members. Were they in this episode?

Frank Baker	...	Chairman
Nicholas Gecks	...	Auguste Didier
Osheen Jones	...	Arnauld
Pavel Kríz	...	Officer (uncredited)
Ben Lemel	...	Assassin
Harry Meacher	...	Count de Martignac
Bhasker Patel	...	Khalid
Daniel Rous	...	(uncredited)
Peter Russell	...	Administrator
Kuba Schwarz	...	Chief guard
Steve Speirs	...	Sgt. Bibot
Zdenek Srstka	...	Executioner (uncredited)
Bill Stewart	...	Jean Claude
Gillian Cally	...	Countess de Martignac
Caroline Hayes	...	Maid
Clare McCarron	...	Woman
Mandy More	...	Mrs. Tanner
Petra Spindler	...	Suzanne (as Petra Kulikova)

Also Known As:

"The Scarlet Pimpernel": A King's Ransom (UK)

Country:

UK | Canada

Language:

English

Color:

Color

Movie Connections:

Follows "The Scarlet Pimpernel" (1999)

Soundtrack:

La Marseillaise

The worst part of this is the Scarlet Pimpernel!

*** This comment may contain spoilers ***

Orczy's 'Eldorado' - the rescue of the Dauphin, at least, and not the torture of Percy - meets 'Scaramouche'. I'm very frustrated by this series: if it was an original concept with brand new characters, I would be able to watch it without reservation, but using Sir Percy and Marguerite, and then not developing them fully enough or even following the author's template, seems lazy. If so many elements of the novels bother the writer of this version, why not just leave the story to the 1934 and 1982 adaptations, and write something new? Richard E. Grant seems better suited for the role of Chauvelin, with his dark hair, neat figure, penchant for wearing sombre clothes, and even his talent for delivering snide one-liners - yet he is cast as Sir Percy. Superficial details aside, the Scarlet Pimpernel is even robbed of his talent for rescuing people from the Revolution: one woman he promises to save is later drowned, because Sir Percy interrogates her at her place of work, lacking any attempt at a disguise, in front of a room-full of people! It's almost as if the basic concept of Orczy's romantic hero was deemed too embarrassing to be translated onto modern day screens, and so the whole point of the character has been whittled down, nearly beyond recognition. Marguerite is another failing: Elizabeth McGovern is badly miscast as the young, beautiful French actress, desperately in love with her husband. There is no chemistry whatsoever, and indeed, the Blakeney's marriage is treated as such an aside from the novels that Marguerite dies off-screen at the start of the second series. Grant's Percy actually better suits a bachelor lifestyle, and so I wasn't particularly bothered that such an intrinsic part of Orczy's Scarlet Pimpernel series was lost (as I perhaps would have been, with better acting). This reworking of 'Eldorado', giving Chauvelin a meatier, slightly ambiguous role in the rescue of the young Dauphin, works well, aside from the occasional plot hole (in the first episode, Marguerite is on her way to the guillotine before being rescued by her husband, thus making her a fugitive, who probably shouldn't be welcomed back to the stage by Robespierre quite so readily!) Marguerite and Percy's rather too public falling out is a clever trick - at least in this alternate Scarlet Pimpernel universe - which plays with Chauvelin's desires. And I liked the element of truth behind the malicious comments aimed at Marguerite and Suzanne as French émigrés marrying English lords! The best thread of the plot, however, has to be La Touraine as a dual identity to greatly envy Sir Percy's! Suzanne Bertish is fantastic as the arrogant and bitter grand dame of the French theatre, who masquerades as a legendary swordsman - and that this subplot is not to be found in any of the novels perfectly illustrates how this series should have abandoned any claim that it was based on the work of the Baroness Orczy, as being compared to the written version insults what is best about both the books and the show.