Two kids take a book from a trash can. They begin to read the story of a poor neighborhood in Mexico City. Carpenter Pepe "El Toro" (Infante) lives with his daughter Chachita (Munoz) and ... See full summary »
Evita Muñoz 'Chachita',
Poor, hungry peasant Macario longs for just one good meal on the Day of the Dead. After his wife cooks a turkey for him, he meets three apparitions, the Devil, God, and Death. Each asks him... See full summary »
A kid runs away from boarding school to watch the cave where a bunch of bandits hide. The bandits discover and chase him but the kid escapes. He returns to the school but it's been ... See full summary »
Family honor, greed, machismo, homophobia, and the dreams of whores collide in a Mexican town. Rich, elderly Don Alejo is poised to sell the town for a profit, needing only to buy a ... See full summary »
Benjamin Garcia, Benny, is deported from the United States. Back home and against a bleak picture, Benny gets involved in the narco business, in which has for the first time in his life, an... See full summary »
Gabriel (Demian Bichir) is a filmmaker in Mexico City, where he is a victim of crime and violence sometimes even three times a day. This is a black comedy that shows the extreme situation ... See full summary »
Luis Felipe Tovar
Agent Jesus Juarez (aka Chucho) has always played the Devil in his town's Nativity Play. This Christmas, when the new pastor of the church recasts the role, the two men engage in a battle between good and evil.
13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother ... See full summary »
Ambar is a trip that goes beyond the certainties of reality to reveal an astounding world governed only by imagination. When a famous hunter and his young apprentice go on an expedition ... See full summary »
Juan (Armendariz) lives in a trash depository in Mexico City. He knows Lila (Pereyra), a drug addict rich girl who reminds him of his long lost daughter. Lila is kidnapped by drug dealers ... See full summary »
Pedro Armendáriz Jr.,
Daniel Giménez Cacho
After the corrupt former Mayor is killed by the peasants, poor janitor Juan Vargas is appointed new Mayor of a desert town in central Mexico. Although he tries to bring the motto of the ruling party to town (modernity, peace and progress) he realizes soon that there's nothing to do against corruption... except to become corrupt. Step by step, helped by his pistol, Juan Vargas becomes the law and the worst Major in the town's history. Written by
Maximiliano Maza <firstname.lastname@example.org>
Was the first Mexican film that shown the name of the official Party (Partido revolucionario Institucional or P.R.I.). In past times, filmmakers had to change the name of the party to avoid the censorship. See more »
No me hables en inglés hijo de la chingada; ahora si, pinche gringo, se acabó la deuda externa!
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To understand "La Ley de Herodes" and its historical significance, it is necessary to consider a study of the backdrop behind its production and release. LDH is a product of the decadence of the crumbling, rotting 70-year old regime of the Institutional Revolutionary Party (PRI). The 90s were frantic years in Mexico. The Zapatista uprising, the murder of the PRI's presidential candidate/next president (apparently by his own party), the "Tequila Effect" recession, several political murders and former president Salinas' exile (as well as his brother's arrest for money laundering)... all these events created a dissatisfaction so huge that forced the government to loosen its freedom of expression. It would have been impossible to release this movie, or to listen to Molotov's angry music without the bitter complacency of the government. And in a way, LDH signals the end of the PRI regime and its ousting from the executive in the year 2000. Mexico is undergoing change. It's slow, and it's painful, but it's happening. The PRI has not fully disappear, though. You can now see the Juan Vargas figure clinging in congress,trying to obstruct change, holding to its last source of power. A wonderful mambo score, by the way.
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