Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
Four stories... one city. A dark comedy about crime in the big city: EL TORZON - two friends are smoking grass in their car, when they're caught by a corrupt Judicial Police Officer; VIDA ... See full summary »
After the corrupt former Mayor is killed by the peasants, poor janitor Juan Vargas is appointed new Mayor of a desert town in central Mexico. Although he tries to bring the motto of the ruling party to town (modernity, peace and progress) he realizes soon that there's nothing to do against corruption... except to become corrupt. Step by step, helped by his pistol, Juan Vargas becomes the law and the worst Major in the town's history. Written by
Maximiliano Maza <firstname.lastname@example.org>
When he meets the Gringo for the first time, Juan Vargas says his name is "Emilio Gabriel Fernández Figueroa" recalling Golden Age's director Emilio Fernández and cinematographer Gabriel Figueroa. See more »
No me hables en inglés hijo de la chingada; ahora si, pinche gringo, se acabó la deuda externa!
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To understand "La Ley de Herodes" and its historical significance, it is necessary to consider a study of the backdrop behind its production and release. LDH is a product of the decadence of the crumbling, rotting 70-year old regime of the Institutional Revolutionary Party (PRI). The 90s were frantic years in Mexico. The Zapatista uprising, the murder of the PRI's presidential candidate/next president (apparently by his own party), the "Tequila Effect" recession, several political murders and former president Salinas' exile (as well as his brother's arrest for money laundering)... all these events created a dissatisfaction so huge that forced the government to loosen its freedom of expression. It would have been impossible to release this movie, or to listen to Molotov's angry music without the bitter complacency of the government. And in a way, LDH signals the end of the PRI regime and its ousting from the executive in the year 2000. Mexico is undergoing change. It's slow, and it's painful, but it's happening. The PRI has not fully disappear, though. You can now see the Juan Vargas figure clinging in congress,trying to obstruct change, holding to its last source of power. A wonderful mambo score, by the way.
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