Young siblings Abby and Ethan are adopted by outwardly perfect parents Eve and Raymond Goode, only to find that that their new guardian's remote mansion is far from the idyllic abode that it initially appears to be.
FBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase becomes more personal.
Michael returns home from military school to find his mother happily in love and living with her new boyfriend. As the two men get to know each other, he becomes more and more suspicious of the man who is always there with a helpful hand.
When Ruby Baker's parents are killed in a car accident, she and her brother, Rhett, must travel to Malibu, to live with Terrence and Erin Glass, their former neighbors. At first, all seems well. Ruby is making new friends at school and Rhett is getting more video games and flashy toys than he's ever had in his life. When Ruby speaks to her family's estate lawyer, he tells her that her parents have left Rhett and her $4 million. Suddenly, Ruby begins to notice odd behavior from Terry and Erin. Written by
Robert Rosado <email@example.com>
This was the first film that would be theatrically released after the terrorist attacks on September 11th, 2001. See more »
When the kids are in the police car, the first shot from inside reveals a shotgun pointed upward between the front seats in the middle of the car. The shotgun disappears and reappears in subsequent shots. See more »
Scared the living crap out of me!
Meryl Streep, that girl was not.
Who's Meryl Streep?
Oh, Zoe, she's like Katie Holmes to our parents, okay?
So, what's next ladies?
I have to go home.
Yeah, make... make that a that a block from home. I can't have another close encounter with my parents. They think I'm home in bed...
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The first few images of the film appear as if they are made of glass. See more »
Involving story, smart performances, and effective atmosphere overcome a hole-laden script. *** (out of four)
THE GLASS HOUSE / (2001) *** (out of four)
By Blake French:
"The Glass House" takes place in a beautiful, luxurious glass mansion complete with swimming pools, expensive artwork, high-tech security systems, and just about everything else. The wealthy occupants, Terry and Erin Glass (Stellan Skarsgard and Diane Lane), become legal guardians of sixteen-year old Rudy (Leelee Sobieski) and eleven-year old Rhett (Trevor Morgan), when the kids' parents die in an automobile accident.
Terry and Erin were the best friends of the children's parents. They welcome their new guests into a world of wealth, glamour, and fun. Soon enough, however, Rudy notices strange quirks about these seemingly friendly folks. Is Terry secretly watching Rudy change her clothes? Is Erin addicted to prescription drugs, or is she a diabetic? Was her parents' death an accident, or a diabolical act of murder? Trust becomes as transparent as the glass surrounding this family.
"The Glass House" opened to mostly negative reviews, and not without probable cause. The setup provides an intriguing, imaginative situation, but everything happens so quickly the film forgets character introduction. First time-feature director Daniel Sackheim helms a hole-laden script by Wesley Strick that creates more plot holes than Swiss cheese. The film derives into involving material, but lacks the focus to play out these plot points.
While Daniel Sackheim and Wesley Strick create a movie that lacks the timeliness and intelligence of a first-rate, edge-of-your-seat thrill ride, "The Glass House" does offer good suspense and a plot that reveals itself with tantalizing sinister hints and increasing tension. It keeps us guessing, even if this diabolical fairy tale is anything but surprising.
Leelee Sobieski has been in a lot of movies lately, and that's not a coincidence. She is a very talented actress, and she carries "The Glass House" through many plot miscalculations. Trevor Morgan, seen in "Jurassic Park 3," adequately supports Sobieski's thorough, convincing performance. The very gifted Diane Lane and Stellan Skarsgard cover their sinister motives with pretentious personalities, but inject a mysterious, menacing undercurrent.
"The Glass House" also provides a fresh, unique outlook on villains. Instead of causing trouble, these characters get themselves into trouble, which eventually makes them dangerous. Innovative, original twists like these are what make this movie worth a look. They say those who live in glass houses should not throw stones, but the villains in "The Glass House" do, and it's only a matter of time before everything shatters and breaks apart. It's quite involving watching these events come about, especially through a character driven story.
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