Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a jail sentence in prison. His book, "From the Inside", upon which the film is based, was a best-seller.
A Melbourne family is very happy living where they do, near the Melbourne airport (according to Jane Kennedy, it's "practically their back yard"). However, they are forced to leave their ... See full summary »
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
Based on Shaolin folklore and set during the transition period between the Sui Dynasty and the Tang Dynasty. When the Tang emperor is betrayed by one of his generals, the son of one of his ... See full summary »
Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a murder sentence in prison. His book, From the Inside, upon which the film is based, was a best-seller. Written by
Well-known Australian singer/songwriter Billy Thorpe was strongly opposed to the use of his version of "Somewhere Over The Rainbow" in the opening credits. The makers chose to use "Don't Fence Me In" instead. Interest in the writers of the latter song was increased substantially by the song's use over shots of a prison. See more »
At Tanya's house you see the car lights are on as Chopper goes to her front door. When he comes back and beats the car in frustration - they are off. See more »
I have to disagree with those that say this is for Aussie's only. Chopper is an amazing piece of filmmaking in nearly every regard and goes beyond the limitations of vernaculars. I had to laugh at the review that dismissed it as sophomoric tripe and attempts supporting his argument citing the film's lack of realism in violence. Although based on a real man this is storytelling cinema not documentary. There is an obvious element of gross exaggeration in most of the scenes of violence in Chopper, which serve a purpose (or, more specifically, several purposes). Chopper is obviously incapable of telling the truth or even hearing the truth.
It is, at first, difficult to figure out why so many are drawn to Chopper (and not at all difficult to see why so many wish him dead). Within the first few moments Eric Bana establishes Chopper's character in a way that reveals the off kilter charisma that some simply cannot resist. Those Chopper seems to get along with best are those on the periphery, those who don't invest too much whom he seems intent on impressing. Those too involved with him are locked into his doom because simply no one is able to keep up with the mythological figure Chopper has created himself (or tries create himself) into.
Darkly humorous, brutal, yet not without pathos the film rightly focuses on its central character and lives up to the unlikely hero's motto: never let the truth get in the way of a good yarn. "Chopper" is a fascinating film filled several amazing performances even in smaller roles (e.g., Jimmy's chain smoking, junkie, white trash, pregnant "fiancée" stumbling to the floor to pick up a sawed off shot gun in the hallway).
Not for everyone, but those who get this sort of thing will be richly rewarded.
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