Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a jail sentence in prison. His book, "From the Inside", upon which the film is based, was a best-seller.
Near the Everglades, the "river of grass," lives Cozy (named for her father's favorite drummer), lonely, in a loveless marriage, ignoring her kids. She fantasizes being a dancer, an acrobat... See full summary »
A young man who was sentenced to seven years in prison for robbing a post office ends up spending three decades in solitary confinement. During this time, his own personality is supplanted by his alter-ego, Charles Bronson.
It tells the story of Romulus, his beautiful wife, Christina, and their struggle in the face of great adversity to bring up their son, Raimond. It is a story of impossible love that ultimately celebrates the unbreakable bond between father and son.
Chopper tells the intense story of Mark "Chopper" Read, a legendary criminal who wrote his autobiography while serving a murder sentence in prison. His book, From the Inside, upon which the film is based, was a best-seller. Written by
An important shot of Chopper walking down the street towards the camera, in slow-motion, and with everyone else in the shot out of focus is filmed in exactly the same manner as a similarly important shot of Travis Bickle in Taxi Driver (1976). See more »
The courthouse office behind Chopper in the courthouse scene when Jimmy is cross examining Chopper, is the same person as the prison officer at the end of the movie at Risdon jail. See more »
Look, all I can tell you is what I've already told Mister Beasley: none of us saw anything. It was just one of those things: Bluey Barnes was reading a magazine; Ambrose Hatcheson was taking a piss; Johnny Price was washing his hands; Jimmy Loughnan was watching a bullant crawl across the table, and I was watching Jimmy watching the bullant.
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I have to disagree with those that say this is for Aussie's only. Chopper is an amazing piece of filmmaking in nearly every regard and goes beyond the limitations of vernaculars. I had to laugh at the review that dismissed it as sophomoric tripe and attempts supporting his argument citing the film's lack of realism in violence. Although based on a real man this is storytelling cinema not documentary. There is an obvious element of gross exaggeration in most of the scenes of violence in Chopper, which serve a purpose (or, more specifically, several purposes). Chopper is obviously incapable of telling the truth or even hearing the truth.
It is, at first, difficult to figure out why so many are drawn to Chopper (and not at all difficult to see why so many wish him dead). Within the first few moments Eric Bana establishes Chopper's character in a way that reveals the off kilter charisma that some simply cannot resist. Those Chopper seems to get along with best are those on the periphery, those who don't invest too much whom he seems intent on impressing. Those too involved with him are locked into his doom because simply no one is able to keep up with the mythological figure Chopper has created himself (or tries create himself) into.
Darkly humorous, brutal, yet not without pathos the film rightly focuses on its central character and lives up to the unlikely hero's motto: never let the truth get in the way of a good yarn. "Chopper" is a fascinating film filled several amazing performances even in smaller roles (e.g., Jimmy's chain smoking, junkie, white trash, pregnant "fiancée" stumbling to the floor to pick up a sawed off shot gun in the hallway).
Not for everyone, but those who get this sort of thing will be richly rewarded.
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