6.6/10
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53 user 54 critic

Telmisseomding (1999)

In Seoul, parts not matching of severed copses of three men are found in cars and bags left in public spaces. Detective Cho, who is under investigation of the Internal Affairs, is assigned ... See full summary »

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(as Youn-hyun Chang)

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, (as Youn-hyun Chang) | 3 more credits »

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Cast

Cast overview:
...
Detective Cho
...
Chae Su-Yeon
Hang-Seon Jang ...
Detective Oh
...
Seungmin Oh
Seok-Hwan An
Cheol-Ho Park
...
Kim Ki-yeon
Hwan-Jun Lee
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Storyline

In Seoul, parts not matching of severed copses of three men are found in cars and bags left in public spaces. Detective Cho, who is under investigation of the Internal Affairs, is assigned to lead the investigation with his team. When the identities of the men are discovered, the police finds that the artist Su-Yeon Chae, who lives with her friend Seungmin Oh, had been lover of the men. Detective Cho and his force protect Su-Yeon and follows the leads based one the information she tells, while the killer executes other victims. However, Cho discloses very dark secrets in the end, finding the real motives of the murderer. Written by Claudio Carvalho, Rio de Janeiro, Brazil

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Motion Picture Rating (MPAA)

Rated R for strong bloody violence and gruesome images, some language and nudity | See all certifications »

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Release Date:

13 November 1999 (South Korea)  »

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1.85 : 1
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Did You Know?

Connections

References Tarzan (1999) See more »

Soundtracks

Songs Without Words, op. 19, no. 6
Written by Felix Mendelssohn-Bartholdy
Performed by Annie D'Arco
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User Reviews

A Thinking-Person's Thriller
14 January 2003 | by (USA) – See all my reviews

I've read the other comments and was surprised by the vast differences of opinion. This was a fantastic movie. It's not Seven and it's not Silence of the Lambs. It's all it's own. I'm an Anglo-American, but have grown up in Hawaii, a deeply Asian-influenced region. I think that makes a big difference in how you receive this movie. It has obvious American undertones, but sustains an Asian cultural subtext that some may not understand. The gore is secondary. Dialogue, too. Movement, real acting and phenomenal shooting makes this an event, not just a movie. The director, actors and even the lighting crew is showing us, not telling us a fantastic story.

The troubled cop beginning of this movie might feel problematic to some, but if you think about it, it really is telling you to not believe everything you think. You think this is going to be a film about one thing and it is about another thing. You think the killer is one character and it is another. Using all available to the genre and medium, the director wastes nothing. He uses music, cinemotagraphy, location, lighting and pacing to convey time, feeling and motive or inspiration if you will. Nothing is rushed and nothing is obvious. I loved that the longing the cop and the "victim" have for each other is so subtle, so quiet. It's almost smoldering and chaste at the same time.

The twists are fantastic, too. You are lead in one direction and you think, "Ah, ha. That's who I thought it was." and then you are told that is not correct. You are left second-guessing yourself to the very end.

A lot of people may feel unsatisfied with the ending because it doesn't tie everything up in a pretty bow. Why did the killer kill? What happens next? How did it happen? I like that. There is nothing more disturbing than being treated like a bumbling idiot by a director or screen writer. I want to think. I want to question. Just like the old saying if you have to have a joke explained to you, you don't get it. This movie needs no explanation. It needs critical thinking people to watch it. Just like reality, not everything is explained. This is a thinking-person's thriller. I certainly hope Hollywood does not re-make this film. It is perfect the way it is with it's Asian sensibilities and rhythm. I loved it!

It certainly is one of the best movies I've seen in a long time and probably the best thriller in recent memory.


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