| Ann Perry | ... | Millie Murphy (uncredited) | |
| Marland Proctor | ... | Brad Murphy (uncredited) | |
| Ray Sebastian | ... | Jimmy the Director (uncredited) |
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| Introducing Dorothy Dandridge | Drop Out | Tobacco Roody | Country Cuzzins | The Dirty Mind of Young Sally |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Whether going as a BLUE MOVIE or a DIRTY MOVIE, this low-effort junker is notable only as a forerunner of what would essentially kill the sexploitation genre -reverting to the all-sex form of loops.
The ostensible plot is merely mistaken identity, as neighbor Brad stumbles onto a porn film set and is enlisted into the action. His wife Millie later pursues him and she joins in too. That's all she wrote.
It's isn't much fun watching the action from the vantage point of a second camera behind the on-screen cameraman and the director. Latter yells out all the directions for the performers to follow, strictly boring. Of course, this director also samples Millie's assets for himself.
Film does supply enough full frontal nudity to get a 1968 audience in the mood, but it's a lame effort. Busty heroine Ann Myers does her thing, and it's interesting to note that she was there in the early days of softcore, featured in the classic HOUSE ON BARE MOUNTAIN and even the inserts made by Francis Coppola on his first nudie gig.
This is strictly a skin show, not sexy.