| Photos (see all 2 | slideshow) |
| Nicholas Ball | ... | William Peters | |
| Rachel Davies | ... | Emma Peters | |
| Brian Croucher | ... | George Evans | |
| Patricia Maynard | ... | Jean Evans (as Pat Maynard) | |
| Milton Johns | ... | A.J. Powers | |
| Emma Ridley | ... | Sophie Peters | |
| Joanne White | ... | Sophie (Older) | |
| George Tovey | ... | Old Man | |
| Una Brandon-Jones | ... | Old Woman | |
| Jo Warne | ... | 1st Mother | |
| Sarah Keller | ... | 2nd Mother | |
| Max Mason | ... | Journalist | |
| Anna Perry | ... | Journalist | |
| Marilyn Finlay | ... | Sister | |
| rest of cast listed alphabetically: | |||
| Gary Bond | ... | (uncredited) | |
| Episode Crew |
Directed by | |||
| Francis Megahy | |||
| Tom Clegg | (uncredited) | ||
Writing credits(in alphabetical order) | ||
| David Lloyd | teleplay | |
Produced by | |||
| Brian Lawrence | .... | producer | |
| David Reid | .... | producer | |
| Roy Skeggs | .... | producer | |
Original Music by | |||
| James Bernard | |||
Cinematography by | |||
| Norman Warwick | |||
Film Editing by | |||
| Robert C. Dearberg | (as Bob Dearberg) | ||
Casting by | |||
| Eileen Garstka | |||
Production Design by | |||
| Carolyn Scott | |||
Makeup Department | |||
| Alan Brownie | .... | makeup artist | |
| Betty Sherriff | .... | hair stylist | |
Production Management | |||
| Ron Jackson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Munro | .... | assistant director | |
| Tom Clegg | .... | assistant director (uncredited) | |
Art Department | |||
| Bob Bell | .... | assistant art director | |
| Richard Rooker | .... | assistant art director | |
Sound Department | |||
| Stuart Edwards | .... | sound | |
| Jack T. Knight | .... | dubbing editor (as Jack Knight) | |
| Otto Snel | .... | dubbing mixer | |
| Bryan Tilling | .... | dubbing editor | |
Special Effects by | |||
| Ian Scoones | .... | special effects | |
Camera and Electrical Department | |||
| Chic Anstiss | .... | camera operator (as Rodney Anstiss) | |
| Steve Birtles | .... | gaffer | |
Costume and Wardrobe Department | |||
| Laura Nightingale | .... | costume supervisor | |
Music Department | |||
| Marcel Durham | .... | music editor | |
| Philip Martell | .... | music supervisor | |
Other crew | |||
| Jack Gill | .... | presenter | |
| Marjorie Lavelly | .... | continuity | |
| Margaret Nicholas | .... | production assistant | |
| Anthony Read | .... | story editor | |
| Mike Widd | .... | production accountant | |
| Callum McDougall | .... | production runner (uncredited) | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Horror section | IMDb UK section | Add this title to MyMovies |
Perhaps not the absolute greatest entry in the Hammer House of Horror series, but it surely wins the award for most inventively titled episode! "The House that Bled to Death" I could yell out this title all day without ever getting tired of it! And besides the wondrous title, this short movie also benefices from a solidly written screenplay and a handful of genuinely suspenseful moments. It might require an extra viewing before you fully understand the peculiar end-twist, but it's definitely an original idea for a horror short. The story opens with images of an elderly couple drinking tea in their middle-class house. The husband sadistically kills his wife and several years later the "cursed" house is still for sale. A young couple and their cherubic daughter move in and start to restore it, but mysterious events occur and affect especially the young Sophie. Her beloved cat is killed an even her birthday party gets ruined when one of the house's pipes suddenly sprays blood all over the guests (a particularly chilling sequence, this one!). Is the old house really haunted? Or maybe the seemly helpful neighbors cause all the horror? The answers to these questions are provided in the original and fairly unpredictable climax and there's even room for a real shock at the very end. The tension is masterfully built up and the titular house is filled with eerie scenery, like the pair of rusty machetes used by the husband to slay his wife. Little warning though, the sequence with the cat is hard to watch when you're an animal lover. In conclusion, another winner for Hammer's short-running TV series!