Three years after he last terrorized his sister, Michael Myers confronts her again, before traveling to Haddonfield to deal with the cast and crew of a reality show which is being broadcast from his old home.
Six years after Michael Myers last terrorized Haddonfield, he returns there in pursuit of his niece, Jamie Lloyd, who has escaped with her newborn child, for which Michael and a mysterious cult have sinister plans.
Serial Killer Michael Myers is not finished with Laurie Strode, and their rivalry finally comes to an end. But is this the last we see of Myers? Freddie Harris and Nora Winston are reality programmers at DangerTainment, and are planning to send a group of 6 thrill-seeking teenagers into the childhood home of Myers. Cameras are placed all over the house and no one can get out of the house... and then Michael arrives home! Written by
(at around 42 mins) When Myles is at the party in the office checking out the web broadcast, a guy and a girl bust in and intend to have sex there. What we hear the guy say doesn't match up with his mouth movements. See more »
You've heard of the tunnel. The one we all go through sooner or later. At the end, there's a door. And waiting for you on the other side of that door is either Heaven or Hell. This that door.
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Katee Sackhoff's name is misspelled in the opening credits--the "k" is left out. See more »
AAWWFFUULLLL doesn't even begin to describe it. I went in expecting something else. But in the Big Brother era, sooner or later there would come a movie about it.
Listing all thte things that bothered me would be too boring, but the main thing is the predicability. The movie's end is known beforehand halfway in the movie. You could guess thousands of things before they happened.
The casting is really, really, really bad. The only ones that emerge are Luke Kirby, Tyra Banks and the eternal Jamie Lee Curtis. The scary scenes aren't scary; the setting is ridiculous and the screenplay: tedious. The only scenes that had potential were Jamie Lee Curtis's cameo and the girls death chase in the basement, not for director's talent, but for John Carpenter's. For his truly fantastic and everlasting Halloween theme.
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