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Four frames of simultaneous action that alternately follow a smitten lesbian lover as she obsesses over her partner's dalliances and the tense goings-on of a Hollywood film production company.

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2 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Onyx Richardson
...
...
Victoria Cohen
...
Lester Moore
...
Sikh Nurse
...
Rose
...
Therapist
Andrew Heckler ...
Auditioning Actor
...
Renee Fishbine
...
Randy
Daphna Kastner ...
Auditioning Actor
Patrick Kearney ...
Drug House Owner
Elizabeth Low ...
Penny - Evan's Assistant
...
Bunny Drysdale
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Storyline

The primary story with this movie is that it is shown in four simultaneously filmed ninety-three minute single shot takes (in other words, shown in four quadrants), with the actual plot secondary. The four cameras follow the players involved, with two or more of the four cameras sometimes filming the exact same scene from different angles and thus different perspectives. The audio on each of the four quadrants is turned up and down based on which quadrant(s) the viewer should pay most attention to at any given time. The actual plot, which takes place in Hollywood, involves the pre-production by Red Mullet Productions for the movie "Bitch from Louisiana". The production team is in an executive meeting to discuss several aspects of the movie, including problems with one of their own, Alex Green, who has been missing in action from much of the production and this meeting. Alex's problems stem from his substance abuse and philandering, his wife Emma who is contemplating leaving him, of ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Four cameras. One take. No edits. Real time. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for drug use, sexuality, language and a scene of violence | See all certifications »
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Details

Country:

Language:

Release Date:

28 April 2000 (USA)  »

Also Known As:

Time Code  »

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend:

$93,148 (USA) (28 April 2000)

Gross:

$945,041 (USA) (9 June 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The film was shot 15 times, over two weeks, one continuous take each time. See more »

Goofs

When the masseur goes into the film studio and up to the front desk, you can see one of the other cameras coming in on the right of him, just before the camera turns away. See more »

Quotes

Evan Wantz: Darren, why do they call it a budget?
Darren: They call it a budget so you don't budge from it.
See more »

Connections

Spoofed in Food Code (2000) See more »

Soundtracks

Comfort Of Strangers (instrumental)
(uncredited)
Written by Mike Figgis & Anthony Marinelli
Performed by Mike Figgis & Anthony Marinelli
Produced by Mike Figgis & Anthony Marinelli
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User Reviews

 
Too many degrees of freedom
25 November 2002 | by (Oregon) – See all my reviews

There is a rule in science that for an experiment to be meaningful, all the variables must be controlled but one. That rule could be applied to experimental cinema, too; at least it should have been applied to this film.

Time Code combines two experiments, one that has promise, and one that is doomed. The promising experiment involves multiple screens following different parts of the story in "real" time. The doomed experiment involves requiring actors to script and direct themselves.

In addition, this movie was shot in four simultaneous uninterrupted takes. Maybe this was an experiment, too, but it is comparable to live theater, which is not exactly a novelty. It is neither a good thing nor a bad thing -- and should be a matter of complete indifference to the audience, as long it works. Instead of cutting from scene to scene, our attention shifts from screen to screen.

The four-screen experiment did work reasonably well here, especially on DVD, where one can instantly back up to catch bits one missed. The multi-view device might even have been truly excellent in this film, had it not been for the other experiment -- the Absentee Director.

A feature movie is not an improv sketch. There is a reason that an army has one general, and that a movie has one director. Although each of these endeavors requires the effort and cooperation of many talented people, both a military campaign and a feature film must be focused on one person's vision and goals.

Time Code has the same fatal flaw as Dancing at the Blue Iguana. Each actor was instructed to invent his own character, and then to direct himself. In Time Code each performer was evidently told to make of his character a recognizable Hollywood stereotype. The result: eight variations on "coke-snorting pretentious but sycophantic loser," who all walk stiffly through their parts like zombies trying to perform soap opera. I cannot imagine how desperate a viewer would have to be, in order to care about any of them.

I suppose this should not reflect badly on the performers, although it cannot have helped their careers. I have seen most of them in other films, and they are all capable actors. It does reflect dismally on the director. Where was he hiding while the four cameras were running? Maybe he was busy watching four tumble dryers at the laundromat up the street.

Time Code might be worth a peek on dollar-day at the video store -- which is how I found it. Otherwise, forget it. 3/10.


16 of 21 people found this review helpful.  Was this review helpful to you?

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Recent Posts
Any good? smeggegi5000
How many takes?? shulme
Too many options?? AdmiringWig
Disappointed? coolmatth
similaraties to Muhlolland Drive? tfrazier
Experimental? jesphorson_steve
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