MOVIEmeter
SEE RANK
Down 61 this week

Timecode (2000)

 -  Drama  -  28 April 2000 (USA)
6.3
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.3/10 from 5,440 users   Metascore: 65/100
Reviews: 140 user | 73 critic | 31 from Metacritic.com

Four frames of simultaneous action that alternately follow a smitten lesbian lover as she obsesses over her partner's dalliances and the tense goings-on of a Hollywood film production company.

Director:

Writer:

(story)
Watch Trailer
0Check in
0Share...

User Lists

Related lists from IMDb users

a list of 43 titles
created 19 May 2011
 
a list of 43 titles
created 07 Oct 2012
 
a list of 38 titles
created 23 Nov 2012
 
a list of 22 titles
created 6 months ago
 
a list of 46 titles
created 1 month ago
 

Related Items

Search for "Timecode" on Amazon.com

Connect with IMDb


Share this Rating

Title: Timecode (2000)

Timecode (2000) on IMDb 6.3/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Timecode.
2 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Drama
    1 2 3 4 5 6 7 8 9 10 5.4/10 X  

Confused, non-linear film tells the sexual story of a film director from his life at age 5, age 12, age 16, a man embarking on his first film in 1950's Tunisia, and finally to his current ... See full summary »

Director: Mike Figgis
Stars: Julian Sands, Saffron Burrows, Stefano Dionisi
Magnolia (1999)
Drama
    1 2 3 4 5 6 7 8 9 10 8/10 X  

An epic mosaic of interrelated characters in search of love, forgiveness, and meaning in the San Fernando Valley.

Director: Paul Thomas Anderson
Stars: Tom Cruise, Jason Robards, Julianne Moore
The Ice Storm (1997)
Drama
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

1973, suburban Connecticut: middle class families experimenting with casual sex, drink, etc., find their lives out of control.

Director: Ang Lee
Stars: Kevin Kline, Joan Allen, Sigourney Weaver
Drama
    1 2 3 4 5 6 7 8 9 10 8.4/10 X  

The drug-induced utopias of four Coney Island people are shattered when their addictions become stronger.

Director: Darren Aronofsky
Stars: Ellen Burstyn, Jared Leto, Jennifer Connelly
Boogie Nights (1997)
Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

The story of a young man's adventures in the Californian pornography industry of the late 1970s and early 1980s.

Director: Paul Thomas Anderson
Stars: Mark Wahlberg, Julianne Moore, Burt Reynolds
Drama
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

Young Esteban want to become a writer and also to discover the identity of his father, carefully concealed by the mother Manuela.

Director: Pedro Almodóvar
Stars: Cecilia Roth, Marisa Paredes, Candela Peña
Comedy | Drama | Sci-Fi
    1 2 3 4 5 6 7 8 9 10 8/10 X  

An insurance salesman/adjuster discovers his entire life is actually a T.V. show.

Director: Peter Weir
Stars: Jim Carrey, Ed Harris, Laura Linney
Talk to Her (2002)
Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 8/10 X  

Two men share an odd friendship while they care for two women who are both in deep comas.

Director: Pedro Almodóvar
Stars: Rosario Flores, Javier Cámara, Darío Grandinetti
Drama
    1 2 3 4 5 6 7 8 9 10 8.8/10 X  

Upon admittance to a mental institution, a brash rebel rallies the patients to take on the oppressive head nurse.

Director: Milos Forman
Stars: Jack Nicholson, Louise Fletcher, Michael Berryman
Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

This film documents the effects of a tragic bus accident on the population of a small town.

Director: Atom Egoyan
Stars: Ian Holm, Sarah Polley, Caerthan Banks
Sling Blade (1996)
Drama
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Karl Childers, a simple man hospitalized since his childhood murder of his mother and her lover, is released to start a new life in a small town.

Director: Billy Bob Thornton
Stars: Billy Bob Thornton, Dwight Yoakam, J.T. Walsh
The Hours (2002)
Drama
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

The story of how the novel "Mrs. Dalloway" affects three generations of women, all of whom, in one way or another, have had to deal with suicide in their lives.

Director: Stephen Daldry
Stars: Meryl Streep, Nicole Kidman, Julianne Moore
Edit

Cast

Cast overview, first billed only:
...
...
Onyx Richardson
...
...
Victoria Cohen
...
Lester Moore
...
Sikh Nurse
...
Rose
...
Therapist
Andrew Heckler ...
Auditioning Actor
...
Executive
...
Randy
Daphna Kastner ...
Auditioning Actor
Patrick Kearney ...
Drug House Owner
Elizabeth Low ...
Penny - Evan's Assistant
...
Bunny Drysdale
Edit

Storyline

L.A., real time. From her limo, the wealthy Lauren eavesdrops on her lover Rose's tryst with movie producer Alex Green. The assignation takes place in his company's screening room between meetings. Alex's wife walks from therapy to his office, tells him she's leaving him, weeps in a bookstore restroom, and walks home with a cocaine-sniffing actress friend for what may lead to sex. Alex is drinking, wants to quit work and move to Tuscany, laughs at pretentious movie pitches, and puts off Rose when she asks for an audition. A film director sees Rose and decides she's perfect for his next picture; she takes a screen test. She's ecstatic and calls Lauren: jealousy takes over. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

You are looking at a movie screen split into four parts. You will see a tale of sex and power, captured by four different cameras. You will witness a story told in real time, without any edits. You will experience the first movie ever told in four dimensions. See more »

Genres:

Drama

Motion Picture Rating (MPAA)

Rated R for drug use, sexuality, language and a scene of violence | See all certifications »
Edit

Details

Country:

Language:

Release Date:

28 April 2000 (USA)  »

Also Known As:

Time Code  »

Box Office

Budget:

$4,000,000 (estimated)

Opening Weekend:

$93,148 (USA) (28 April 2000)

Gross:

$945,041 (USA) (9 June 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

|

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

The film was shot 15 times, over two weeks, one continuous take each time. See more »

Goofs

Cameraman reflected on an elevator door as he follows Emma after the therapist sequence. See more »

Quotes

Darren: Did you look at Tower Records, cause they just re-released ABBA's greatest hits.
See more »

Connections

References The Color Purple (1985) See more »

Soundtracks

Single
Written by Ben Watt and Tracey Thorn
Performed by Everything But The Girl
Courtesy of Atlantic Recording Corp.
By Arrangement with Warner Special Products/Virgin Records Limited
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
A film doesn't have to be revolutionary for it to be brilliant.
2 October 2000 | by (dublin, ireland) – See all my reviews

Mike Figgis does a Robert Altman. Except, instead of creating a large narrative of interconnecting plot strands, he puts them all on four split screens. Is this therefore more subversive than Altman? I don't think so - Altman's method is an attack on Hollywood linearity, on conventional methods of 'connection'; his characters exist is the same space but are emotionally etc. miles apart. The characters in 'Short Cuts', like the city of L.A. itself, are a mass without a centre. Figgis, for all the supposed diffusion of his visual strands, actually reunites, glues together Altman's ruptures. In this way it might seem a more optimistic kind of film. It isn't.

'timecode' is being touted as a revolution in cinema, a new way of watching films. Instead of watching one screen and being led by a director, we are given four, and asked to make our choices. I was surprised at how panicked I was at this in the first 20 minutes, darting between scenes, wondering which one I should follow. This forced me out of the film much more disturbingly than anything by Fassbinder or Godard. But this alienation is deceptive. Firstly we are not really bombarded by four narratives - put 'pierrot le fou', 'diary of a country priest', 'vampyr' and 'branded to kill' on four screens, then you'd be confused. Figgis leads you all the way, gives you an illusion of choice, but rarely fulfils it. The focus is on one screen at a time - either the soundtrack is turned up loudest, the plot is more interesting, whatever. For long periods of time, you can safely ignore other scenes because there is nothing going on - for about 20 minutes, for example, Lauren sits in a limousine listening to a bug planted on Rose; this leaves us free to watch another screen and see what she's listening to. Other scenes are merely tedious - eg Emma droning to her shrink (a nod to Godard's 'week end', that famous end of cinema?) - so that you gladly look elsewhere. It is possible to listen to one scene, and flit around at the others to catch up on what's going on.

What I'm saying is, 'timecode' is not a difficult experience - after the initial adjustment, you watch the film as you would any other, especially as all the stories converge and are really only one story. Even at the beginning, the feeling is less one of Brechtian alienation than akin to being a security guard faced with a grid of screens - you rarely think about the physical processes of film or performance, as you would in a Dogme or Godard film.

So if 'timecode' is less revolutionary than it seems, that doesn't mean it isn't a brilliant film, a real purse in a pig's ear of a year (or whatever the expression is). One reason for this is the four-screen structure: I would have to watch it a few more times, but I was very conscious of the orchestration of the screens, the way compositions, or camera movements, or close-ups etc., in one screen were echoed, reflected, distorted in the others - a true understanding of this miraculous formal apparatus would, I think, give us the heart of the film, and bely the improvised nature of the content. Figgis is also a musician - he co-composed the score - and the movement here, its fugues and variations are truly virtuosic, almost worthy of my earlier Altman comparison.

But the content is great fun too. At first I was disappointed at the self-absorbed drabness of the material, the idea that we shouldn't be made to work too hard because we've enough to deal with the four screens. And, it is true, that the stories rarely transcend cliche. But, such is the enthusiasm of the performers (people like Salma Hayek obviously relishing slightly more useful roles than the bilge they're usually stuck in); the precision of the structure; the mixture of comedy and pathos, and the way the style facilitates both, that you're convinced you're watching a masterpiece. Quentin's massaging and Ana's pitch are two of the funniest things I've seen in ages, while Stellan Skarsgard's rich performance stands out all the more for its brittle surroundings.


25 of 36 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Any good? smeggegi5000
How many takes?? shulme
Too many options?? AdmiringWig
Disappointed? coolmatth
similaraties to Muhlolland Drive? tfrazier
Experimental? jesphorson_steve
Discuss Timecode (2000) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?