Thirteen years after the original Robocop, Delta City, considered to be "The Safest Place On Earth!", has become a futuristic city owned and operated by OCP, and RoboCop, Alex Murphy has ... See full summary »
In 2028 Detroit, when Alex Murphy - a loving husband, father and good cop - is critically injured in the line of duty, the multinational conglomerate OmniCorp sees their chance for a part-man, part-robot police officer.
A mad scientist transfers his mind to a wicked robot, which then embarks on a program of kidnaping, rape and murder, during which a female detective is killed. To fight the robot, the ... See full summary »
Canada's only sci-fi and fantasy television awards show. SPACE's annual celebration of genre entertainment. In a sea of boring television award shows, the SPACEYS is the only one that ... See full summary »
Thirteen years after the original Robocop, Delta City, considered to be "The Safest Place On Earth!", has become a futuristic city owned and operated by OCP, and RoboCop, Alex Murphy has begun to feel his age. Murphy finds himself nearly obsolete, and must deal with the fact that his now-grown son James is an OCP executive, unaware that his father is still alive. Also, Murphy's former partner, John Cable, has returned to Delta City as its new Security Commander. But slowly, new enemies arise, and Murphy and Cable begin an investigation into a mysterious villain known as the Bone Machine, unaware that they are coming dangerously close to exposing an evil group of OCP executives known as The Trust... which James Murphy is a part of. Desperate to prevent their sinister plans from being revealed, The Trust programs Murphy to kill John Cable... Written by
This mini-series exists outside the continuity established in the RoboCop (1987) films. One of the main differences being that while many characters in the film franchise know that Alex Murphy was transformed into RoboCop, in the mini-series, this is a closely guarded secret. Another example of the divergence in continuity would be that in the mini-series, Murphy is not killed on his first day of active duty in Detroit. See more »
At the end of the second part, Meltdown, this quote is given: "The danger of the past was that men became slaves. The danger of the future is that man may become robots." The film credits it to Thoreau, which is impossible, as the word "robot" did not enter the English language until more than sixty years after Thoreau's death. This quote is actually from Erich Fromm. See more »
I'd be lying if I claimed I didn't like and enjoy, if not necessarily all, then definitely parts, of this
This has got stuff going for it. It ignores the two sequels, and uses the Verhoeven movie as the basis(it, in fact, appears to be in love with it, and uses it wherever possible, most noticeably in the spoken lines), that proves they had the right idea. The satire is also quite present(albeit it tries too hard, worst in the last credits, where it could not possibly be more obvious that they're talking directly to the audience, not to mention how it often underestimates their smarts, and spells it out, same as in the second flick). Moreover, there are plenty of gunfights, as well as some martial arts and car-chases(not all of these are fantastic, if they tend to stay above the level of passable). Each episode seems to start with a bang(there are those that would call them grabs for attention). On paper, this sounds an awful lot better than it is, which is not at all to say that it is all poor. It has several scattered things wrong with it, that unfortunately add together and make the whole less than excellent. For example, the plot is good, and remains so through the mini, but there are perhaps a subplot or a couple over the amount there should be, and not everything pays off(a shame, considering the concepts they at least begin to cover). The pacing can be uneven. While there among the characters are truly interesting ones, others are caricatures, and they get considerable screen time. I will say that this keeps getting even better and bigger, without losing anything, throughout, I didn't think they'd be able to top themselves, however, they went and did just that. The very ending, though parts formulaic and tough to swallow, had something great and well-thought out, in my opinion. The performances are so-so(I personally got a kick out of getting to see Geraint Wyn Davies again), and this is not devoid of screamy acting. This does hold a number of *really* awesome moments. There is unintentionally silly material herein. This is exciting sometimes, and certainly had me thrilled, although not constantly. Why do people continue to use small arms fire against RoboCop, and when will they realize it is utterly and completely ineffective? They cover up the limitations and constraints reasonably. There are repetitive actions(get used to seeing a certain individual storm out with determination). The effects are well-done, meanwhile, no one is going to be fooled and not be able to figure out what's CGI and what isn't. The music is... well, let me put it this way, either they saw the title role as a bit of a cowboy, or the composer is big on Ennio Morricone(hey, who could blame them?). Obviously I hope it's the former, but it didn't always seem staged or filmed to fit that. There are marvelous developments and situations found in this. The writing is a mixed bag, both dialog and story. There is violence, and it could be called excessive, in tone and volume. This I would say is genuinely disturbing a handful times, whether or not that is positive is up to the viewer. I recommend this series to any fan of the first of the cinema-releases, and/or of the iron-clad law-man... be aware that there are areas of this that are going to underwhelm; if you can stand those, you're in for multiple cool, fun sequences and not half bad science fiction. 5/10
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