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Two convicts, one charismatic (Willis) and the other a hypochondriac (Thornton), break out of prison and immediately start a bank robbing spree, kidnapping bank managers, spending the night with their families, then going with the managers in the morning to rob the banks. Using a dim-witted stunt man as their getaway driver and lookout, the three successfully pull off several jobs (even gaining the attention of a television show about American criminals), and become known as "The Sleepover Bandits." Things are going great until the bank managers begin to realize that the robbers are non-violent and therefore no threat to them or their employees, changing the game for the Bandits. To add to the complications, a bored & unhappy housewife (Blanchett) ends up in the hands of the criminals, and begins to have romantic feelings for both Willis and Thornton, causing a sticky love triangle. Written by
John Sacksteder <email@example.com>
Hans Zimmer was the only choice for the music composing. However, Zimmer was just finishing Hannibal (2001) and Pearl Harbor (2001) at the time in London, and he already committed himself to Black Hawk Down (2001), which was recorded in the US. Barry Levinson said that he would move the film for a later release, waiting for the German composer, since they are good friends since Rain Man (1988). Zimmer politely refused it. See more »
In the opening scene in the LA bank, Joe fires his shotgun into the ceiling. He ejects the spent shotgun shell; the sound heard on the sound track is a handgun or rifle cartridge case hitting the floor. See more »
I don't want to rob banks for the rest of my life! The stress level is just too damn high.
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This could've been just another "Bonnie and Clyde"-style crime caper, but it's more than that. "Bandits" starts out as a slick action-comedy and evolves into a sweet romantic comedy. When I found out Barry Levinson was the director, I assumed the film would be at least halfway decent. Levinson has a keen eye for character development, and that's one of the things that interested me. Normally, a film like this would be consisted of cut-and-dry, stereotypical characters, but we gradually fall in love these three characters. After reading the rave reviews (Joel Siegel voted this as one of the best films of the year), despite poor box office numbers, I had high expectations for this film--higher than they were after watching the trailer. For some reason, this just doesn't look like a film that would receive 4-star reviews. Now that I have seen it, I can't regard it as a 4-star film, but it's good and entertaining and I wasn't disappointed.
Bruce Willis and Billy Bob Thornton make a great team--they really have an impeccable chemistry. I hope to see them teamed up again in the future. They have the potential to be the next Martin and Lewis. Billy Bob especially steals the film, playing a neurotic Woody Allen-type. He is absolutely hilarious! Bruce flashes his trademark grin and speaks in his usual soft tone, but his role doesn't exactly require the talents of Pacino or DeNiro. Still, Bruce is entertaining and his constant banter with Billy Bob makes the experience even more entertaining. And last but not least, I will mention Cate Blanchett, who gives another incredible performance. I was lucky enough to rent 2 Cate Blanchett movies--this film and "The Gift"--by coincidence. I got to see her sweet, charming performance in "Bandits" as well as her powerful dramatic performance in "The Gift." Just watching those 2 films, gives me a great idea of her scope as an actress. It's sometimes hard to believe she's an Australian actress. How she pulls off such an impeccable American accent--I don't know. I think if I were to hear her speak in an Australian accent, I'd think she's feigning it. Well, Blanchett perfectly completes the trio of actors, and has a great chemistry with the 2 male leads. And it's great to see that Willis, Thornton and Blanchett all seem like they're having fun.
When first watching this movie, I found some of the bank robberies--though very slick and original--to be quite implausible. If the film wasn't as charming and likable, I'd probably have a difficult time suspending disbelief. But then I found out the story of the "Sleepover Bandits" was actually based on a real duo of bank robbers. Of course, this is nowhere close to a biopic and most of the story is obviously fiction, the concept of these two guys sleeping over the bank managers' houses and robbing their banks the next morning was based on truth. Why these managers didn't call the cops while the two guys weren't watching or why they didn't try to strangle the two guys in their sleep--I don't know. The truth really is stranger than fiction. But the bandits did have an interesting gimmick: they only robbed banks, since the money belonged to the government; they never snatched money from people's pockets. There's actually a scene in the movie in which they bust out of prison and rob a lady's car. Willis hands the lady her pocketbook and says, "Don't forget your pocketbook."
The film evolves into a romantic comedy during the second half. I guess that's why audiences were disappointed--they probably expected a sheer action-comedy/crime caper and not a romantic comedy. But I think the fact that the screenwriter and Levinson stretched this out into a romantic comedy made it all the more better. It added new dimensions, and helped us better fall in love with these amiable characters. It was fun watching the strong and macho Willis vie lanky pushover Thornton over the love of alluring Blanchett. It creates an interesting conflict, and spawns some very funny scenes.
The film concludes, picking up from where it left off in the beginning--which is the two bandits pulling off their last bank robbery. The twist ending is nifty and unpredictable, and left me satisfied. Though this is basically a feel-good comedy that kept me smiling, there's no cheap schmaltz or trashy sentiment. That's what happens when you're under the wing of a great director. This is not an excellent film, like some critics said--I don't think any movie that contains Blanchett's horrible rendition of "Walk on By" deserves to be regarded as "excellent" (Cate should DEFINITELY stick to acting!)--but it's good, solid entertainment. And I love the use of U2's "Beautiful Day"!
My score: 7 (out of 10)
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