Russ Duritz is a wealthy L.A. image consultant, but as he nears 40, he's cynical, dogless, chickless, estranged from his father, and he has no memories of his childhood. One night he surprises an intruder, who turns out to be a kid, almost 8 years old. There's something oddly familiar about the chubby lad, whose name is Rusty. The boy's identity sparks a journey into Russ's past that the two of them take - to find the key moment that has defined who Russ is. Two long-suffering women look on with disbelief: Russ's secretary, Janet, and his assistant, the lovely Amy, to whom Rusty takes a shine. What, and who, is at the end of this journey? Written by
Rusty annoys Russ by singing John Jacob Jingleheimer Schmidt over and over. The same happened in Disney's RocketMan (1997). See more »
While Russ confronts Rusty sitting in the chair, just after Russ turn off the TV, the boom operator is reflected in the T.V. See more »
Why wouldn't your eight-year-old self time travel here to give you a hand? You're obviously in trouble. He could straighten you out!
You think he's here to straighten *me* out?
Well of course! You didn't think it was the other way around, didja?
Maybe he's here for you to teach him some things... but maybe he's here for you to remember some things, ever thought about that?
Not until just now, no.
Look, you're turning forty tomorrow, you haven't acquired a single thing of real ...
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So..what's keeping them from making more like this?
From a perspective that it is possible to make movies that are not offensive to people with strong moral values, this one is definitely worthwhile. This is the second Bruce Willis film in a row that manages to tell its story with no nudity, off-color humor, profanity, or gratuitous violence. (I refer of course to The Sixth Sense.) Both movies are engaging on more than one level. This one is appropriate for children as well, although as others have pointed out, it isn't a flick FOR kids.
I was bothered that the time travel device that drives this plot is never explained, except that we know Russell himself initiates it as a 70 year old. Also, why does his dying mother have to come to school to get him when he wins the fight; why, if as his older self says, he has to fight that kid again and again for the next few years does his mother not have to come and get him every time, and why he doesn't learn to kick butt in the process. I also found the score rather annoying and not always appropriate to the action on stage.
Good use of the red plane as metaphor, however.
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