| Kevin Scott | ... | John Wilright | |
| Jennifer Laird | ... | Susan (as Jennifer Llaird) | |
| Alan Wylie | ... | Bill | |
| Barbara Ward | ... | Linda | |
| John Burke | ... | Ted | |
| Diane Conti | ... | Model (as Diana Conti) | |
| Nancy McCormick | ... | Nancy | |
| Ann Muench | ... | Annie | |
| Stanley Seidman | ... | Rudy Allen | |
| Sean Spencer | ... | Tom | |
| Jon Tolliver | ... | Eckhardt | |
| Mark Zalk | ... | Dr. Ross | |
| rest of cast listed alphabetically: | |||
| June Roberts | ... | Peg (uncredited) | |
Directed by | |||
| Harry Wuest | |||
Writing credits | ||
| Eliza McCormick | (screenplay) | |
Produced by | |||
| Harry Wuest | .... | producer | |
Cinematography by | |||
| Charles Caffall | (photography) | ||
Sound Department | |||
| Garry A. Harris | .... | sound (as Gary Harris) | |
| John Hechtman | .... | sound | |
Other crew | |||
| Gary Martin | .... | design | |
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| Blow-Up | The Life of David Gale | Infamous | The Josephine Baker Story | Click: The Calendar Girl Killer |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Something Weird Video paired this film with "The Psycho Lover" on DVD, which was a slight misfortune to this film. "The Psycho Lover" is one of the company's most ridiculously entertaining sleazefests, so almost any movie would be difficult to follow it up with. "Heat of Madness" is a no-budget and slowly paced little roughie film. Its very tame, which makes it understandable why some exploitation fans have been disappointed with it. There's little to no nudity and there's only one actual scene of violence. I can imagine vintage 42nd street frequenters being let down.
Still, I actually enjoyed this film for several reasons. First off, the lack of explicit sex and violence makes me wonder if the filmmakers had other things on their mind. This is furthered by the sympathetic main female character and a tortured artist whose descent into madness is shown effectively. In fact, this film works much better as a character study. It seems that it would be much better if it wasn't limited by the zero dollar budget. Plus, the minimalist atmosphere makes the film get under your skin.
Again, despite the lack of exploitation elements, I was intrigued by the film throughout. Its a failure maybe, but an interesting one. If anything, it proves that these low budget exploitation films are one of the most important roots of modern day independent film-making. (6/10)