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Directed by | |||
| Sam Raimi | |||
Writing credits(WGA) | ||
| Billy Bob Thornton | (written by) & | |
| Tom Epperson | (written by) | |
Produced by | |||
| Grant Curtis | .... | associate producer | |
| Sean Daniel | .... | executive producer | |
| Gregory Goodman | .... | executive producer | |
| James Jacks | .... | producer | |
| Gary Lucchesi | .... | producer | |
| Tom Rosenberg | .... | producer | |
| Ted Tannebaum | .... | executive producer | |
| Robert G. Tapert | .... | executive producer (as Rob Tapert) | |
| Richard S. Wright | .... | co-producer | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Jamie Anderson | (director of photography) | ||
Film Editing by | |||
| Arthur Coburn | |||
| Bob Murawski | |||
Casting by | |||
| Deborah Aquila | |||
Production Design by | |||
| Neil Spisak | |||
Set Decoration by | |||
| Marthe Pineau | |||
Costume Design by | |||
| Julie Weiss | |||
Makeup Department | |||
| Kelly Jefferson | .... | assistant makeup artist (as Kelley Gore Jefferson) | |
| Emanuel Millar | .... | hair styling designer (as Manny Millar) | |
| Morag Ross | .... | makeup artist: Ms. Blanchett | |
| Morag Ross | .... | supervising makeup artist | |
| Monty Schuth | .... | assistant hair stylist | |
| Deborah Ball | .... | hair stylist (uncredited) | |
| Jeff Goodwin | .... | special makeup effects artist (uncredited) | |
| Chris Varosky | .... | makeup artist (uncredited) | |
Production Management | |||
| Mary Courtney | .... | production supervisor (as Mary J. Courtney) | |
| Gregory Goodman | .... | unit production manager | |
| James McQuaide | .... | post-production supervisor | |
| Richard S. Wright | .... | unit production manager (uncredited) | |
Art Department | |||
| C. Scott Baker | .... | assistant art director | |
| David Becton | .... | greensperson | |
| Erin Fite | .... | art department coordinator | |
| Patrick Fuhrman | .... | set dresser | |
| Gloria Ann 'Twinkle' Groover | .... | greensperson | |
| Stephanie Kern | .... | paint foreperson | |
| Andy Krish | .... | lead person | |
| Martin Lasowitz | .... | property master | |
| Scott A. Lawson | .... | set dresser (as Scott Lawson) | |
| Rebecca Leonard | .... | paint foreperson | |
| Jeffrey Lynch | .... | conceptual artist | |
| Jeffrey Lynch | .... | storyboard artist | |
| Thomas Michael Ryan | .... | general foreperson (as Michael Ryan) | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Martin Smith | .... | greensperson | |
| David Stephan | .... | storyboard artist | |
| Drew Sywanyk | .... | on-set dresser | |
| Jess Tucker | .... | set dressing buyer | |
| Angie Woodard | .... | property assistant | |
| Michael Zadresny | .... | assistant property master (as Mike Zadrosny) | |
| Chris Crowder | .... | foreman (uncredited) | |
| Susan Dennis | .... | assistant property buyer (uncredited) | |
| J. Luther Jones III | .... | carpenter (uncredited) | |
| Stephanie Macomber | .... | stand-by painter (uncredited) | |
| William Scot Noonan | .... | propmaker (uncredited) | |
| Thomas Michael Ryan | .... | foreman (uncredited) | |
| Scott D. Warner | .... | propmaker (uncredited) | |
Sound Department | |||
| Mark Allen | .... | sound effects editor | |
| Robert Batha | .... | first assistant sound editor | |
| Kelly Cabral | .... | supervising sound editor | |
| C. Douglas Cameron | .... | boom operator | |
| Kerry Ann Carmean | .... | sound effects editor (as Kerry Carmean) | |
| Mark Choi | .... | adr editor (as Mark Hushik Choi) | |
| Valerie Davidson | .... | foley editor | |
| Robert Fernandez | .... | sound mixing engineer | |
| Robert Fernandez | .... | sound recording engineer | |
| Paul Flinchbaugh | .... | assistant sound editor | |
| Nerses Gezalyan | .... | foley mixer | |
| Kimaree Long | .... | dialogue editor | |
| Gerard K. Marino | .... | additional sound recordist | |
| James Moriana | .... | foley artist (as Jimmy Moriana) | |
| Ed Novick | .... | production sound mixer | |
| Kelly Oxford | .... | adr editor | |
| Andy Potvin | .... | stereo sound consultant: Dolby | |
| Michael Rayle | .... | cable person | |
| Brad Sherman | .... | sound re-recording mixer | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer (as Melissa S. Hofmann) | |
| Steve Smith | .... | assistant sound engineer | |
| Lauren Stephens | .... | dialogue editor | |
| Jon Title | .... | supervising sound editor | |
| Drew Webster | .... | digital sound mix technician | |
| Jeffrey Wilhoit | .... | foley artist (as Jeff Wilhoit) | |
| Greg Zimmerman | .... | foley recordist | |
| Brian Basham | .... | adr recordist (uncredited) | |
| Kimaree Long | .... | adr editor (uncredited) | |
| Jeff Toyne | .... | additional sound recordist (uncredited) | |
Special Effects by | |||
| Michelle Crawford | .... | special effects laborer | |
| Vern Hyde | .... | special effects coordinator | |
| Scott Mobley | .... | special effects technician | |
| Lisa Reynolds | .... | special effects foreperson | |
Visual Effects by | |||
| Kelly G. Crawford | .... | editor: Illusion Arts Inc. | |
| Peter Donen | .... | visual effects supervisor | |
| Syd Dutton | .... | visual effects supervisor: Illusion Arts Inc. | |
| David Dwiggins | .... | effects photography supervisor | |
| Fumi Mashimo | .... | animator: Illusion Arts Inc. (as Fumi Mashimo) | |
| Kelvin McIlwain | .... | matte artist: Illusion Arts Inc. | |
| Kenneth Nakada | .... | matte artist: Illusion Arts Inc. | |
| Henric Nieminen | .... | effects photography coordinatior (as Heinric Niemenin) | |
| Catherine Sudolcan | .... | producer: Illusion Arts | |
| Bill Taylor | .... | visual effects: Illusion Arts Inc. | |
| Mike Wassel | .... | matte artist: Illusion Arts Inc. (as Michael Wassel) | |
| David S. Williams Jr. | .... | lead compositor: Illusion Arts Inc. | |
| Chris Crowell | .... | digital compositor (uncredited) | |
| Ken Dackermann | .... | digital compositor (uncredited) | |
| Jim Pearson | .... | underwater coordinator (uncredited) | |
Stunts | |||
| Gregory Brunkalla | .... | stunts | |
| James M. Churchman | .... | stunts (as Jim Churchman) | |
| Kathy Dicker | .... | stunts | |
| Christina Ritzi | .... | stunts | |
| Steven Ritzi | .... | stunts (as Steve Ritzi) | |
| Ramsey Scott | .... | stunts | |
| Brandon Sebek | .... | stunt double: Giovanni Ribisi | |
| Mark Stefanich | .... | stunt coordinator | |
| Chad Stahelski | .... | stunts (uncredited) | |
Casting Department | |||
| Leigh French | .... | voice casting | |
| Shay Griffin | .... | location casting (as Shay Bentley-Griffin) | |
| Dianne Lynn | .... | location casting | |
| Melissa Maxfield | .... | location casting | |
| Kelly O'Brien | .... | casting assistant | |
| Cristi Rickey | .... | extras casting coordinator | |
| Tricia Wood | .... | casting associate | |
| Chad Darnell | .... | location casting assistant (uncredited) | |
| David Pollison | .... | casting associate (uncredited) | |
Costume and Wardrobe Department | |||
| Layne Brightwell | .... | supervising costumer (as Layne Brightwell-Werner) | |
| Dorothy Masters | .... | costumer | |
| Dorothy Masters | .... | seamstress | |
| Wendy Moynihan | .... | costumer | |
| Hope Slepak | .... | costume supervisor (as Hope B. Slepak) | |
| Sanford Slepak | .... | assistant costume designer (as Sandy Slepak) | |
Editorial Department | |||
| Winnie Cheng | .... | post-production coordinator | |
| Catherine L. Cusimano | .... | assistant editor (as Catherine Cusimano) | |
| Paul Hart | .... | first assistant editor | |
| Phil Hetos | .... | color timer | |
| Peter Kwong | .... | apprentice editor | |
| Michael Rafferty | .... | first assistant editor (as Mike Rafferty) | |
| Theresa Repola Mohammed | .... | negative cutter | |
| Ewa Zbroniec | .... | assistant editor | |
| Harry Muller | .... | color timer (uncredited) | |
Music Department | |||
| Robert Fernandez | .... | scoring mixer | |
| Andrew Hausmann | .... | score coordinator | |
| Tanya Noel Hill | .... | music editor | |
| Chris Innis | .... | music editor | |
| Simon James | .... | music contractor | |
| Derrick Lefebvre | .... | score coordinator | |
| Christopher S. Parker | .... | music coordinator | |
| Robert Puff | .... | music preparation | |
| Jasper Randall | .... | scoring coordinator | |
| Adam Stern | .... | conductor | |
| Paul S. Henning | .... | orchestrator (uncredited) | |
| Bill Liston | .... | orchestrator (uncredited) | |
| Flavio Motalla | .... | score producer (uncredited) | |
Transportation Department | |||
| Cindy Parker | .... | transportation coordinator | |
| J.L. Parker | .... | transportation captain | |
| Robert Ballentine | .... | transportation (uncredited) | |
| Christie Chaplin | .... | driver (uncredited) | |
| Roy A. Grace | .... | driver (uncredited) | |
| Chuck Graydon | .... | driver (uncredited) | |
Thanks | |||
| Peter Afterman | .... | thanks | |
| Robert L. Benun | .... | thanks | |
| Sue Binder | .... | thanks | |
| Andrew Boyd | .... | thanks | |
| Christine Buckley | .... | thanks | |
| Robert Burke | .... | thanks | |
| John Edward | .... | thanks | |
| Jim Goodkind | .... | thanks | |
| Virginia Longmuir | .... | thanks | |
| Klein Mayes | .... | thanks | |
| David Pollison | .... | thanks | |
| W.R. Portee | .... | thanks (as Dr. W.R. Portee) | |
| Jay M. Self | .... | thanks: Savannah Film Commission (as Jay Self) | |
| Rhooby Sue | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Cate Blanchett's performance alone make this solid thriller worth watching. I saw her in this movie, and I became baffled as to why she wasn't considered for an Oscar nomination. She carries this film on her shoulders, and never once budges. Not only does she totally get rid of her Australian accent and perfectly don a Southern accent, but she gives a deep, powerful performance as the innocent widow, Annie Wilson, who is looked down by many in her community but simply wants to share her psychic gifts with her willing clients. Blanchett communicates great emotion with a simple facial expression.
Of course, I also have to give it up for the multi-talented supporting cast. Though most of them, with the exception of Hilary Swank, couldn't really nail down the Southern accent, they are absolutely terrific. The only actor I felt was miscast was Katie Holmes. Not only is her accent phony and over-the-top, but she just seems too young and innocent for the role. Giovanni Ribisi, on the other hand, is a revelation. I knew, ever since his breakthrough performance in "Suburbia," that he had great promise as an up-and-coming actor, but in "The Gift" he delivers his most powerful performance up-to-date. I would even argue that he deserved an Oscar nod. He constantly stirs up sympathy in his audience, despite his mental instability and momentary outbursts of anger. I was also extremely impressed with Keanu Reeves, who delivers a genuinely haunting performance. It's times like this where I just can't fathom why many people still insist on picking on Keanu, regarding him as dull and cardboard. Personally, I thought he was great ever since his emotional performance in "Permanent Record." But he better demonstrates his versatility as an actor as the abusive Donny. He made his debut, as a villain, in the throwaway thriller "The Watcher," but I found him much more haunting in this role. Plus, he sports a rugged look, totally shedding his pretty-boy image. Greg Kinnear is good and subtle, and Hilary Swank continues to flaunt her brilliant acting abilities as the vulnerable wife of Donny who constantly takes beatings from him, yet still maintains her love for him.
The story is very intriguing, revolving around a cast of colorful characters. This isn't a "scary" movie as it somewhat looks in the previews, but it is full of mystery and thrills, without cheaply going for shock value. There is a nifty twist at the end, which is credible and not thrown from left field, but the plot isn't packed with surprises. We're simply going along on an emotional journey, through the mind of our protagonist, Annie, and that's how the tension is created. Sam Raimi creates a haunting mood and Billy Bob Thornton wrote a fine script. The story is easy-to-follow, and not as mind-bending as some of these other supernatural thrillers. Just keep in mind that this is not a horror movie. But it's a good mystery and a good mood piece and a damn good film altogether.
My score: 7 (out of 10)