Horror following a group of medical students who come across the body of the world's most notorious vampire, Dracula (Stephen Billington). When a mysterious stranger appears and offers the ... See full summary »
Jason Scott Lee,
In the near future, Uffizi and Luke travel to the remote reaches of war torn Romania to rescue Elizabeth and finish the vampire once and for all. Along the way, they encounter TV news journalist and a corps of rebels trying to fight the vampire uprising which plagues their country.
Jason Scott Lee,
When Sarah Hopson realizes her successful high-rise New York lifestyle is devoid of meaning, she packs her bags and heads for her home town in the Scottish Borders to look for Sam, her ... See full summary »
The Romanian count known as Dracula is summoned to London by Arthur Holmwood, a young Lord who is one the verge of being wed. Unknown to Arthur's future bride Lucy, her future husband is ... See full summary »
A romanced story of Attila the Hun, from when he lost his parents in childhood until his death. Attila is disclosed as a great leader, strategist and lover and the movie shows his respect ... See full summary »
In the millenium version of this classic Gothic horror we find Abraham Van Helsing (Plummer), who has tangled with Count Dracula (Butler) in the past, working as an English antiques dealer. Simon (Miller) is a vampire hunter in training under his apprenticeship. Van Helsing and Simon travel from London to New Orleans to rescue Van Helsing's daughter Mary (Waddell) from the family's life long nemesis - Dracula. Written by
Sujit R. Varma
Script doctor Scott Derrickson tells the story of how he got the job working on this film. He got a phone call from Harvey Weinstein, saying, "I just bought this script, called, 'Dracula 2000'." Derrickson replied, "Oh, yeah? Is it good?" "It stinks!" "So why did you buy it?" "Because it's called, 'Dracula 2000'." Derrickson did the re-write. Derrickson's rewrite was subsequently discarded by Weinstein and the script was rewritten by Ehren Kruger. See more »
The opening sequence (set pre-2000) contains a shot of London, including the Houses of Parliament, with a black-roofed building opposite (which, in fact, was not built until 2000). Later during the movie, now set in the present day, a similar shot correctly shows this building under construction, with bare foundations. See more »
As the credits roll, interspersed in the words, are coloured pictures of things important to the movie's premise, including a row of teeth, a bat, and a cross. These pictures are seen both on the left and right sides. See more »
So...the title is a bit dodgy. "Dracula 2000". Ick. Nevertheless, I was pleasantly surprised by the quality of the film. To begin with, an interesting cast. Christopher Plummer has, previously, suffered from what I call "Michael Caine" syndrome; making any film that will write him a cheque, Johnny Lee Miller was amusing in "Trainspotting" and, let's not kid each other, there is no mystery as to why Jennifer Esposito and Jeri Ryan were cast. Round it out with some second and third tier young "Actors du jour" and you probably haven't spent too much money.
Now...the most irritating aspect of the film is the almost surreal amount of flagrant Virgin Records placement. Seriously....Mary works in one of the stores which means we get prominent t-shirt coverage....not to mention the gawdy neon sign, the truck in the garage etc.....however, Dracula needs virgins, right?
By far the most interesting part of this film was the story behind the creation of Dracula. Taking the myth back to the time of the crucifixion, with Judas Iscariot suffering some fairly serious guilt issues leading to his suicide and eventual "re-birth"....good angle: it helped to explain the vampires aversion to all things holy and dislike of silver (as in 30 pieces of...). Still don't get the mirror-phobia but hey....
Someone on the creative team of this film has a sweet little visual gag in store. Check out the scene in the Laffayette Cemetery...there is a crypt bearing the name "Spencer Hepburn". Nice one.
The ending is a little rushed and it seems that Miller might have left the set early that day, since he apparently vanishes. It also leaves blatant amounts of room for a sequel, but I wouldn't hold my breath.
That I even considered seeing this film was primarily due to Wes Craven's participation. However, I found it to be an imaginative and fairly tasteful modernisation of one of the all-time cinematic horror legends.
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