6.3/10
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Auggie Rose (2000)

An insurance salesman's humdrum existence takes a turn when a stranger, ex-con Auggie Rose, unexpectedly dies in his arms. Assuming the identity of the dead man, the salesman embarks on a ... See full summary »

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Roy Mason
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Noreen
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Landlord
Randall Slavin ...
Robber

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Storyline

An insurance salesman's humdrum existence takes a turn when a stranger, ex-con Auggie Rose, unexpectedly dies in his arms. Assuming the identity of the dead man, the salesman embarks on a double life, keeping it secret from his live-in girlfriend. Written by Anonymous

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Changing your identity can be deadly See more »

Genres:

Drama | Mystery | Romance

Motion Picture Rating (MPAA)

Rated R for language and some violence | See all certifications »
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18 March 2001 (USA)  »

Also Known As:

Beyond Suspicion  »

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1.85 : 1
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Did You Know?

Goofs

When Nolan talks to the couple (Mr. and Mrs. Lark) about the insurance in his office, the cup in front of Mr. Lark changes positions several times between shots. It's in his right hand, then next to his right arm, then in his right hand again. See more »

Quotes

John C. Nolan: I think you should go home and make love to your wife and pray nothing bad happens and ask yourself every day, "If it were to end right here, right now, would it be enough?"
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User Reviews

 
Wonderfully intriguing and entrancing fable about changing one's life
29 June 2008 | by (United Kingdom) – See all my reviews

This is a truly superb film, and American TV director Matthew Tabak (whoever he is!) should be out there directing big Hollywood movies all the time, as he shows so much talent as the writer and director of this picture that he should be an icon by now. Is there no justice? His absence from the big screen for eight years is as puzzling as that of Gilles Mimouni, who after making 'l'Appartement' simply disappeared. This film is so sensitively and beautifully conceived and scripted, and so dazzlingly directed, that it is a real addition to the true cineaste's most select DVD collection. And all the performances are wonderful. The lead is Jeff Goldblum, in perhaps his finest performance ever. And most exciting of all is the fascinating Anne Heche, who has a face so full of character that she knocks any twenty other actresses into the shade without even trying and doesn't even need plastic surgery (please note, idiot-starlets!). The lighting cameraman has enhanced this by giving her face a mysterious and eerie glow, bordering on the supernatural. Her role is of a girl who seems to have dropped in from the sky anyhow. This film conveys a sense of the invisible forces at work in human destiny, and you can feel the spirits breathing down your neck. Old timer Joe Santos adds a superb character part to the mix. Richard T. Jones is outstanding. Everybody is good. This is a true ensemble success. The recipe for this wholly successful movie seems to have been: 'add some tabak and stir'. The story starts with a traumatic incident in which a man is killed by one of those disgusting little shits with a gun, robbing a deli to pay for his next heroine fix presumably. Jeff Goldblum is there at the time and the man dies in his presence. He becomes obsessed with this man, who was he, why does he have no next of kin who will claim his body, what is the mystery behind his life? This leads to a meeting with the amazing Anne Heche and a confusion of identities for Goldblum, who starts to lead the life of the dead man and abandon his own. It is weird stuff, but totally convincing. The original title of the film 'Auggie Rose' is the name of the dead man, whose identity ends up spanning two different men. If it were not for the intensity of Goldblum and the spellbinding performance by Heche, this film could have flopped. But the writer/director and the stars obviously completely believed in what they were doing, and therefore they pulled it off and have made a film which is really a minor classic.


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