| Photos (See all 11 | slideshow) | Videos (see all 3) |
| Ian Hart | ... | Toni Cocozza | |
| Kelly Macdonald | ... | Irene | |
| Brian Cox | ... | Chisolm | |
| Alun Armstrong | ... | Bill | |
| Tommy Flanagan | ... | Michaelangelo | |
| Iain Cuthbertson | ... | Connolly | |
| Una McLean | ... | Dainty | |
| Jimmy Chisholm | ... | Kenny | |
| Jimmy Yuill | ... | Rod Edmunds | |
| Richard E. Grant | ... | Himself | |
| Jimmy Tarbuck | ... | Himself | |
| Stewart Ennis | ... | Doorman | |
| Paul Doonan | ... | Nicol | |
| Anne Lacey | ... | Coat check girl | |
| Alex Howden | ... | Kojak | |
| Douglas Eadie | ... | Hard man | |
| Jami Ferreira | ... | Drowned rat (as Jamie Murphy) | |
| Brian McDermott | ... | Youth In Supermarker | |
| Alex McAvoy | ... | Aldo | |
| Pauline Lockhart | ... | Big T assistant | |
| Billy McColl | ... | John, the watchman | |
| Iain Fraser | ... | Joe, the bartender | |
| Calum Beaton | ... | Boy on stairs | |
| rest of cast listed alphabetically: | |||
| Lisa Stuart | ... | Casino Girl (uncredited) | |
Directed by | |||
| Peter Capaldi | |||
Writing credits(in alphabetical order) | ||
| Peter Capaldi | ||
Produced by | |||
| Elaine Collins | .... | associate producer | |
| Ruth Kenley-Letts | .... | producer | |
| Matthew Kuipers | .... | line producer | |
| Andrew Macdonald | .... | executive producer | |
Original Music by | |||
| Stanislas Syrewicz | |||
Cinematography by | |||
| Stephen Blackman | |||
Film Editing by | |||
| Martin Walsh | |||
Casting by | |||
| Jill Trevellick | |||
Production Design by | |||
| Martyn John | |||
Art Direction by | |||
| Mike Gunn | |||
Set Decoration by | |||
| Rebecca Gillies | |||
Costume Design by | |||
| Kate Carin | |||
Makeup Department | |||
| Claire Davies | .... | makeup artist | |
| Sindy Hely | .... | makeup trainee | |
| Sara Kramer | .... | hair designer | |
| Sara Kramer | .... | makeup designer | |
| Marion McCormack | .... | makeup assistant | |
| Irene Napier | .... | hair designer | |
| Irene Napier | .... | makeup designer | |
Production Management | |||
| Callum McDougall | .... | executive in charge of production | |
| Ulla Zwicker | .... | production supervisor: USA | |
Art Department | |||
| Anthony Andrews | .... | painter | |
| Mick Boleyn | .... | construction manager | |
| Craig Byrne | .... | carpenter | |
| Liam Collins | .... | dressing props | |
| Sam Curren | .... | stand-by painter (as Sam Curran Snr.) | |
| Jim Dyson | .... | painter | |
| Jamie Gray | .... | stand-by assistant art director (as James Gray) | |
| Muffin Green | .... | dressing props | |
| Roddy Hogg | .... | stand-by carpenter | |
| Simon Hogg | .... | carpenter foreman | |
| Karen Long | .... | graphic designer | |
| Anne McCredie | .... | stand-by props | |
| Martin McNee | .... | propmaker | |
| Claire Pidgeon | .... | art department assistant | |
| Tony Sheridan | .... | property master | |
| Tricia Sloss | .... | scenic artist | |
| Robert Wischhusen-Hayes | .... | prop buyer | |
Sound Department | |||
| Ben Barker | .... | foley editor | |
| Sandy Buchanan | .... | adr mixer | |
| Ed Colyer | .... | adr mixer | |
| Ed Colyer | .... | foley mixer | |
| Adam Daniel | .... | assistant sound re-recording mixer | |
| Graham Daniel | .... | sound re-recording mixer | |
| Gillian Dodders | .... | adr editor | |
| Gillian Dodders | .... | dialogue editor | |
| Stan Fiferman | .... | foley artist | |
| Glenn Freemantle | .... | supervising sound editor | |
| Jim Greenhorn | .... | sound mixer | |
| Fiona McEwan | .... | sound trainee | |
| David McMillan | .... | boom operator | |
| Ray Merrin | .... | sound re-recording mixer | |
| Tom Sayers | .... | assistant sound editor | |
| Lyle Scott-Darling | .... | assistant sound re-recording mixer | |
| Ruth Sullivan | .... | foley artist | |
| David Tyler | .... | assistant foley mixer | |
| Nick Watson | .... | stereo sound consultant: Dolby | |
| Mark Kenna | .... | consultant: Dolby film sound (uncredited) | |
Special Effects by | |||
| Peter Akass | .... | special effects supervisor | |
Stunts | |||
| Ray De-Haan | .... | stunt double (as Ray de Haan) | |
| Tracey Eddon | .... | stunt double | |
| Steve Griffin | .... | stunts | |
| Paul Heasman | .... | stunt double | |
| Derek Lea | .... | stunt double | |
| Lee Sheward | .... | stunt coordinator | |
| Mark Southworth | .... | stunt double | |
Camera and Electrical Department | |||
| John Adamson | .... | electrician | |
| John Bailie | .... | focus puller | |
| Paul Bates | .... | electrician | |
| David Byrne | .... | assistant camera: second unit | |
| Ben Chads | .... | focus puller: second unit | |
| Paul Chedlow | .... | still photographer | |
| James Coulter | .... | grip | |
| Arthur Donnelly | .... | electrician | |
| Richard Holt | .... | focus puller: second unit | |
| Baz Irvine | .... | photographer: second unit | |
| Tony Kay | .... | video assist operator | |
| Alysia Maciejowska | .... | camera trainee | |
| Frank McConologue | .... | best boy | |
| Alan McSheehy | .... | focus puller: second unit | |
| Mark Ritchie | .... | gaffer | |
| John Ryhmer | .... | rigger | |
| Xandy Sahla | .... | Steadicam operator (as Alexander Sahla) | |
| Sean Savage | .... | camera operator | |
| Robert Shacklady | .... | focus puller: pick-up shots | |
| Iain Struthers | .... | clapper loader | |
| Pat Sweeney | .... | generator operator | |
| Graham Walker | .... | electrician | |
| Ben Wilson | .... | focus puller: second unit | |
| Rab Young | .... | rigger | |
Costume and Wardrobe Department | |||
| Judy Conway | .... | costume trainee | |
| Denise Coombes | .... | costume trainee | |
| Susie McGuiness | .... | stand-by wardrobe assistant | |
| John Norster | .... | assistant costume designer | |
| Dena Thanopoulos | .... | wardrobe mistress | |
Editorial Department | |||
| Freya Billington | .... | post-production coordinator | |
| Justinian Buckley | .... | assistant editor | |
| Peter Christelis | .... | conforming editor | |
| Julian Pryce | .... | conforming editor | |
| John Stanborough | .... | color timer | |
Music Department | |||
| Becky Bentham | .... | music supervisor | |
| Zbigniew Graca | .... | conductor | |
| Yann McCullough | .... | assistant music engineer | |
| Steve Orchard | .... | score mixing engineer | |
| Rafal Paczkowski | .... | score recording engineer | |
| Nic Ranie | .... | orchestrator: score | |
Transportation Department | |||
| Brian Morrison | .... | action vehicles | |
| Ronnie Morrison | .... | action vehicles | |
Other crew | |||
| Michael Campbell | .... | location assistant | |
| Stella Capaldi | .... | production secretary | |
| Vicky Christensen | .... | extras coordinator | |
| Helen Dolan | .... | assistant production accountant | |
| Patrick Isherwood | .... | production accountant | |
| Josh Kanuck | .... | stand-in | |
| Helmut Luking | .... | animal handler | |
| Ella MacLean | .... | script supervisor trainee | |
| Judith Milne | .... | floor runner | |
| Janice Mordue | .... | title designer | |
| Duncan Muggoch | .... | location manager | |
| Paula O'Rawe | .... | production runner | |
| Pat Rambaut | .... | script supervisor | |
| Joanne Smith | .... | general manager | |
| Pamela Spence | .... | production coordinator | |
| Dave Stewart | .... | animal provider | |
| Beverley Syme | .... | location assistant | |
| Shirley Whiteside | .... | unit publicist | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
As a lifetime Sinatra fanatic, I was drawn to this movie with interest and little knowledge of the plot. I thought the film was a fairly well told story of a "star struck" wannabe with a gentle heart, who decides he willing to do anything to realize his aspirations, and follow in Ol Blue Eyes footsteps. The musical score is excellent and lends to the period of work that Cocozza's idol gave to the world. Ian Hart does his best to detail what a 28 yr old "loser" feels like, and the depths he will sink to "make it".The one drawback was the often difficulty in understanding the Scottish dialect that too often impairs the ability to discern key dialogue exchanges. All in all, I'd recommend it..especially to the millions of Sinatra fans still around who continue to perceive his talent/persona in a "god-like" fashion.