5.9/10
473
13 user 13 critic

Strictly Sinatra (2001)

Small-time crooner find himself on the receiving end of the threatening attentions of a gangster, whose wife has fallen for the singer's Sinatra-like aura.

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Cast

Cast overview, first billed only:
...
...
...
Chisolm
...
...
Michaelangelo
...
Connolly
Una McLean ...
Dainty
Jimmy Chisholm ...
Kenny
...
Rod Edmunds
...
Himself
...
Himself
Stewart Ennis ...
Doorman
Paul Doonan ...
Nicol
Anne Lacey ...
Coat check girl
Alex Howden ...
Kojak
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Storyline

In Glasgow, Toni Cocozza, age 28, aspires to be a lounge singer; his repertoire is strictly Sinatra, backed by Bill, an aging piano player and his only friend. Toni dreams big and enters a local television talent show. About that time, a local Mob boss decides Toni is great entertainment and invites him to be his guest at a casino. Toni chats up Irene, a cigarette girl, he gets an odd job or two from Chisolm, the mobster's number two, the audition goes bust, and Toni's future is uncertain. One thing leads to another with the Mob. Is Toni at a crossroads, or is there in reality no turning or going back? Written by <jhailey@hotmail.com>

Plot Summary | Add Synopsis

Taglines:

Toni wanted a crowd... he got the mob

Genres:

Drama | Romance

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »
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Details

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Release Date:

9 November 2001 (UK)  »

Also Known As:

Strictly Sinatra  »

Box Office

Opening Weekend:

$1,232 (USA) (24 June 2001)

Gross:

$1,232 (USA) (24 June 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Alun Armstrong was cast at the 11th hour after Ian Bannen died in a car crash in the early stages of production. See more »

Quotes

Toni Cocozza: Are you saying I'm stupid?
Bill: You couldn't stand the pace of stupid!
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Connections

References Pal Joey (1957) See more »

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User Reviews

 
Good film, outstanding music
2 November 2006 | by (Tulsa OK) – See all my reviews

There is something which, for me, is more compelling about films set in Europe which are made by filmmakers in their home areas. Even if Spielberg, Allen, Mamet or the like, from America, with all their talent and resources, make films in Great Britain, France, Spain, etc.

  • they never seem to gain the true "feel" of the locale as well as
native producers and directors. As an example, absolutely nobody can evoke the true character and feel of Madrid and the rest of Spain like the great Amodóvar.

Although this small film is hardly in the category of one of Amodóvar's, it provides a true "feel" for Scotland and Glasgow, including its often gray, dreary atmosphere, in the most authentic manner, making the amusing, light story even better.

The music is great, the acting and characters engaging, and somehow the characters seem both realistic and fanciful, sometimes simultaneously, a trick many larger films miss.

As a bonus, we also can now see where Mike Myers likely obtained the accent he employed for the "Fat Bastard" character in his Austin Powers work.


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