A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the... See full summary »
The publicist Claudio and the housewife and choral teacher Helena have been married for many years, but they do not understand and respect the feelings and view point of the partner. ... See full summary »
In the '40s, three brothers decide to live a great adventure and enlisting in the Roncador-Xingu Expedition, which has a mission to tame the Central Brazil. The Villas Boas brothers: ... See full summary »
Lisbela is a young woman who loves going to the movies. Leléu is a con man, going from town to town selling all sort of things and performing as master of ceremonies for some cheesy numbers... See full summary »
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. Cesare, however, is wounded and captured during... See full summary »
A pawn shop proprietor buys used goods from desperate locals--as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.
The movie depicts the political crisis that led to the suicide of president Getúlio Vargas, in the 19 days that preceded August 24, 1954. The crisis began with the attempted assassination ... See full summary »
A trip to the mental institution hell. This odyssey is lived by Neto, a middle class teenager, who lives a normal life until his father sends him to a mental institution after finding drugs... See full summary »
Cássia Kis Magro
A movie about a Brazilian entrepreneur who rivalled American's richest man at his time, well-known Rockfeller. Irineu Evangelista de Souza in 1867 had $155.000 contos de reis, meanwhile the Brazilian Governement annual budget was 97.000 contos de reis. The movie shows his life from poverty to riches and back to poverty again, as is common in Brazil, rich people die poor. Written by
Aluisio Mentor Melo
MAUA, the Brazilian film about the 19th century national hero of the same name is a masterpiece of its genre. Master director Sergio Rezende has been producing a series of historical epics these past few years, and his latest is his best. It is also the best Brazilian film of the 1999/2000 November to April film season, according to many. I agree wholeheartedly. The period details, the superb acting, beautiful sets and historical relevance to today's Brazil, compared to the country's state 110 to 150 years ago all contribute to make this, a film not to be missed. The film maker contrasts the country's economy in two different centuries, in this, the 500th anniversary of "Brazil" as a Western-style country, to great effect. In MAUA, open markets, free trade and other liberal economic policies currently pursued by the Brazilian government get the greatest promotion that issues like these can ever get. They are dramatized, and persuasively pitched to the public through MAUA's life story. He has always been considered the pioneer of Brazil-oriented (as opposed to Portuguese Empire-oriented) business development and distribution of wealth, as well as a champion for the abolition of slavery. This film will cement his image as a semi-god in Brazil's history. The film will also be remembered for a long time, for the fine historical epic and drama that it is.
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