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A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scout the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter. Written by
John Sacksteder <email@example.com>
The movie was filmed at Fortress Mountain in the Province of Alberta, Canada. Fortress Mountain, part of the Canadian Rockies, rises to a height of 3,007 meters (9,865 feet). The movie was filmed at a location above 2,440 meters (approximately 8,000 feet). The sets were close to the popular ski 71.5 miles) to the west of Calgary. The film set location was popular with snowboarders, who threatened to shut the production down through hooliganism, according to the official movie Web site. Differences were smoothed over when it was made apparent that the production company planned to return the site to its natural state. As the production neared completion, the producers rejected an offer to preserve the gold-rush town set for tourism, instead burning it down to provide a fitting climax for the film. See more »
Around the 1:43 mark when the prospector is torching the town we see a ski lift running in the background with people on it. Again around the 1:54 mark in the last few minutes of the film we see the ski lift again in the background for a good 10-15 seconds. See more »
[first lines - overlapping conversations]
Alright ladies, let's go. I'm Vauneen, I take care of you from this point on. Ya get down, and we're going to get you to work real soon...
Alright gents, let's hand-up your firearms.
It's a town's rule.
These firearms are the property of the Central Pacific Railroad.
That don't matter, Mr. Dillon says no firearms in town, so no firearms in town, come on...
You can't take these weapons...
I said, leave that...
Well then you can't come into Mr. ...
[...] See more »
My fave film of 2001 yet. In another week I may not have gone to see this, so I'm glad there were no other releases that appealed to me, because I wouldn't want to have missed this - I enjoyed it more than I was expecting to. Yes, it is reminiscent of 'Heaven's Gate', but this is probably better, if only for the fact that you won't have to devote half a day to see it. It has its flaws certainly - for instance, Wes Bentley's character doesn't really convince - but its positives far outweigh those: it looks great, the performances are excellent, and it's moving without being sentimental. Although her character was maybe just a little too sweet and humble for me (but that's not really her fault) Sarah Polley steals the show. Peter Mullan was class too, but (again, not the actor's fault) I did find it hard to reconcile how old he looked given the timescale and his character as depicted in flashback - though I guess the hard life of a prospector in 1860's America would have taken it's toll. This movie does give you a feel for how life would have been at that time and place, and for the importance the railways played in the country's development. The moral of the story is the old one about selling your soul for filthy lucre, you have to live with your sins and your mistakes, and you can't put a price on love. I rarely pay to go see a movie twice, but I might just make an exception for this one. Don't miss.
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