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The Claim (2000)

R  |   |  Drama, Romance, Western  |  2 February 2001 (UK)
6.5
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Ratings: 6.5/10 from 5,128 users   Metascore: 62/100
Reviews: 91 user | 70 critic | 28 from Metacritic.com

A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named ... See full summary »

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Cast

Cast overview, first billed only:
...
...
Lucia
...
...
...
...
Annie
...
Francis Bellanger
...
Mr. Sweetley
Randy Birch ...
Priest
Tom McCamus ...
Mr. Burn
Frank Zotter ...
Photographer
Artur Ciastkowski ...
Delany
...
Young Dillon
...
Young Elena
...
Saloon Actor
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Storyline

A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scout the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter. Written by John Sacksteder <jsackste@bellsouth.net>

Plot Summary | Add Synopsis

Taglines:

Everything has a price.

Genres:

Drama | Romance | Western

Motion Picture Rating (MPAA)

Rated R for sexuality, and some language and violence | See all certifications »

Parents Guide:

 »
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Details

Country:

| |

Language:

Release Date:

2 February 2001 (UK)  »

Also Known As:

Kingdom Come  »

Filming Locations:

 »

Box Office

Budget:

CAD 20,000,000 (estimated)

Opening Weekend:

$5,326 (USA) (5 January 2001)

Gross:

$403,932 (USA) (18 May 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (DVD edition)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Filming had to be halted when director Michael Winterbottom got frostbite in his ears. See more »

Goofs

Around the 1:43 mark when the prospector is torching the town we see a ski lift running in the background with people on it. Again around the 1:54 mark in the last few minutes of the film we see the ski lift again in the background for a good 10-15 seconds. See more »

Quotes

Vauneen: [first lines - overlapping conversations] Alright ladies, let's go. I'm Vauneen, I take care of you from this point on. Ya get down, and we're going to get you to work real soon...
Deputy: Alright gents, let's hand-up your firearms.
Donald Dalglish: Why?
Deputy: It's a town's rule.
Donald Dalglish: These firearms are the property of the Central Pacific Railroad.
Deputy: That don't matter, Mr. Dillon says no firearms in town, so no firearms in town, come on...
Donald Dalglish: You can't take these weapons...
Vauneen: I said, leave that...
Deputy: Well then you can't come into Mr. ...
[...]
See more »

Connections

Featured in My Big Break (2009) See more »

Soundtracks

Se Velha
Written by Americo Durao & Antonio Menano
Published by SPA
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User Reviews

 
Haunting
25 April 2001 | by (Denver Colorado) – See all my reviews

One thing I loved about this film is also the thing that took it down a notch: The place looked so real. It did not seem like a movie set. It did not even seem like a movie, with actors saying their lines. It was more like you were eavesdropping on a town. One way they showed this was overlapping dialogue. There would be several different conversations at once. You'd catch the tail end of one, the main thrust of another, and the beginning of yet another conversation. All this contributed to make it one of the most realistic movies I've ever seen.

The disadvantage in this is that I think the director spent too much camera time on incidental dialogue, and not enough on dialogue involving the main plot. Some incredibly emotional scenes were cut short. Just when you think you're going to get hit with it, it moves to a scene where Milla is talking to Bentley about something trivial. And those shots lasted far too long. I understand that in movie making, you don't want to focus on the sentimental, because if you do, it can come out maudlin and manipulative. But in this case, I felt a little cheated.

Still...I was deeply moved by several scenes in the movie. So it wasn't devoid of all emotion. I just felt in places it could have been stronger.

Nastassja Kinski was perfect for her role, and I don't say that about her very often. She looked every bit like she could have an 18 year old daughter, and yet she was also incredibly childlike and delicate herself. And beautiful, in a pale, pathetic, used way. Actually, the best term to describe her in this movie is "haunting."

Peter Mullan was awesome. I have never seen him in anything, but I was fascinated. Milla was like an over-ripe exotic bird. She was excellent at nailing greedy desperation. As for the subplot with Wes Bentley and Sarah Polley, I was not terribly moved by it. These two were not bad, but not outstanding in any way, either.

Scenery was fantastic. You know how some movies stick with you for awhile? This is one of those.


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