A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named ... See full summary »
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy ... See full summary »
Jake Roedel and Jack Bull Chiles are friends in Missouri when the Civil War starts. Women and Blacks have few rights. Jack Bull's dad is killed by Union soldiers, so the young men join the ... See full summary »
A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scout the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter. Written by
John Sacksteder <email@example.com>
The official Web site of the movie was one of the first to track a production day by day, with journal entries, commentary, still photographs and video. The Web site visitors were asked to help pick a new name for the production when the original title, "Kingdom Come", was awarded by the M.P.A.A. to a rival production. See more »
Near the end of the film, Donald and Francis arrive back to town on horseback. Several men are walking behind them. Two men in Russian style hats are wearing modern day aviator sunglasses. See more »
[first lines - overlapping conversations]
Alright ladies, let's go. I'm Vauneen, I take care of you from this point on. Ya get down, and we're going to get you to work real soon...
Alright gents, let's hand-up your firearms.
It's a town's rule.
These firearms are the property of the Central Pacific Railroad.
That don't matter, Mr. Dillon says no firearms in town, so no firearms in town, come on...
You can't take these weapons...
I said, leave that...
Well then you can't come into Mr. ...
[...] See more »
I have been following this director for a while and I always liked his films but this time he has exceeded my expectations.
'The Claim' is like an ancient greek tragedy and Dillon is its' hero. Dillon is a man who goes West with his wife and new born daughter in order to find gold. In the process he sells his wife and his daughter in exchange for that gold. Years later his wife will come back to haunt him and Dillon comes to realize how empty his life has been, how irrelevant wealth can be to happiness. The story is so beautifully told and the last scene where the people of the new city of Lisboa prey on Dillon's gold is a metaphor or at least I would like it to be. I think Winterbottom wanted to show how the world will never change, how people will continue to go after that gold. Dillon came and went, but he didn't leave anything behind him. He achieved all those things, he was a pioneer he went out West, he was one of the people who built America but he didn't win his daughter's heart. And it makes one wonder, what was the point of his life. 'The Claim' is the story of America itself, an America that was built on greed, on the quest for new lands, new conquers and prosperity. Peter Mullan gives us an excellent performance, as well as Sarah Polley as the elegant young daughter and Milla Jovovich. Nastasia Kinsky has a rather insignificant role and Wes Bentley is disappointing. Overall, a very good film, a piece of art by Winterbottom and a story that you won't forget for a while.
8 of 11 people found this review helpful.
Was this review helpful to you?