A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named ... See full summary »
After a man finally gets over his former girlfriend, who has moved to Los Angeles and become a television star, and falls in love with another woman, the former girlfriend's show is canceled and she wants him back.
Rosie and Vincent know each other for ten years, and are married for five. She doesn't like her job, he isn't too pleased working with her dad. They're trying to have a baby. One morning ... See full summary »
There's little wonder in the working-class lives of Bill, Eileen, and their three grown daughters. They're lonely Londoners. Nadia, a cafe waitress, places personal ads, looking for love; ... See full summary »
Nick, is a young Scottish soccer player living in the big city. He meets Karen, and the two fall in love and move in together. Soon after, Nick exhibits signs of serious illness. As his ... See full summary »
In February 2002 in the Shamshatoo Refugee Camp in the North West Frontier Province in Pakistan, there are 53,000 refugees living in sub-human conditions since 1979 with the Soviet Union ... See full summary »
The story of two Scottish "squaddies" (young, trainee soldiers) who hitchhike to Budapest to go to a concert of the band Simple Minds. The film is a love triangle between the two soldiers and one beautiful Hungarian girl.
A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scout the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter. Written by
John Sacksteder <email@example.com>
The Manchester Guardian, his hometown newspaper, reported that director Michael Winterbottom had left his wife for 'Sarah Polley', who had played Hope in the film. The romance, which started on set, fizzled out and Polley returned to, and eventually married, her long-time companion, David Wharnsby. See more »
Around the 1:43 mark when the prospector is torching the town we see a ski lift running in the background with people on it. Again around the 1:54 mark in the last few minutes of the film we see the ski lift again in the background for a good 10-15 seconds. See more »
[first lines - overlapping conversations]
Alright ladies, let's go. I'm Vauneen, I take care of you from this point on. Ya get down, and we're going to get you to work real soon...
Alright gents, let's hand-up your firearms.
It's a town's rule.
These firearms are the property of the Central Pacific Railroad.
That don't matter, Mr. Dillon says no firearms in town, so no firearms in town, come on...
You can't take these weapons...
I said, leave that...
Well then you can't come into Mr. ...
[...] See more »
Beautiful but lacks a real grit and emotional core
Daniel Dillon owns much of the town of Kingdom Come, an area he obtained in exchange for a woman and a baby that travelled with him as a young man. Now he has the chance to become richer when Mr Dalglish arrives in town from the railroad company to scope the area for a possible railway route. At the same time, the woman he traded in exchange for the claim to the land all those years ago, Elena, returns with her daughter Hope to ask for money from Dillon.
Director Winterbottom is almost enough to draw me to watch a film, while the great potential in the cast brought me the rest of the way. The film is rather slow and deliberate but this is not a problem as it suits the atmosphere of the town and the film. However the various threads are perhaps too restrained and insular for the film's own good. It is clear that Winterbottom is mirroring the coldness of his surroundings in the hearts of his characters, but it makes it difficult to be involved in the emotions of the story. Also the fact that everything is quite polite and restrained doesn't quite fit with what I expect from a small frontier town based around mining and prostitution.
Likewise the characters were too mellow for the majority of the film - certainly Dillon does not seem like a man who has that in his past, he isn't anywhere near as complex as he should have been. This is not enough to ruin the film though; it still is interesting and reasonably involving as a collection of threads around the town. If only it had had more in the way of heart it would have been a much better film.
The cast are pretty good even though they are restricted by the material. Mullan is always worth watching and he does a reasonable job here. Jovovich is a very risky proposition sometimes but she stands out here mainly because her character allows her to show more of an emotional range. Kinski is wasted in a role that is key to the thrust of the film but is badly used and badly developed. Polley and Bentley are both very able actors but neither manage to convince; they are OK but their characters are not allowed to go where they needed to.
The story is interesting and, after seeing this, I will now try and read the original material it came from as I can see the potential that was quite missed by this version of it. The emotions of the story and the characters are not allowed to develop and it really robs the film of much of it's power. It looks great and feels very worthy but it is hard not to feel like something is missing. Well worth a look but it requires patience to enjoy.
7 of 10 people found this review helpful.
Was this review helpful to you?