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A prospector sells his wife and daughter to another gold miner for the rights to a gold mine. Twenty years later, the prospector is a wealthy man who owns much of the old west town named Kingdom Come. But changes are brewing and his past is coming back to haunt him. A surveyor and his crew scout the town as a location for a new railroad line and a young woman suddenly appears in the town and is evidently the man's daughter. Written by
John Sacksteder <email@example.com>
The movie was filmed at Fortress Mountain in the Province of Alberta, Canada. Fortress Mountain, part of the Canadian Rockies, rises to a height of 3,007 meters (9,865 feet). The movie was filmed at a location above 2,440 meters (approximately 8,000 feet). The sets were close to the popular ski 71.5 miles) to the west of Calgary. The film set location was popular with snowboarders, who threatened to shut the production down through hooliganism, according to the official movie Web site. Differences were smoothed over when it was made apparent that the production company planned to return the site to its natural state. As the production neared completion, the producers rejected an offer to preserve the gold-rush town set for tourism, instead burning it down to provide a fitting climax for the film. See more »
Around the 1:43 mark when the prospector is torching the town we see a ski lift running in the background with people on it. Again around the 1:54 mark in the last few minutes of the film we see the ski lift again in the background for a good 10-15 seconds. See more »
[first lines - overlapping conversations]
Alright ladies, let's go. I'm Vauneen, I take care of you from this point on. Ya get down, and we're going to get you to work real soon...
Alright gents, let's hand-up your firearms.
It's a town's rule.
These firearms are the property of the Central Pacific Railroad.
That don't matter, Mr. Dillon says no firearms in town, so no firearms in town, come on...
You can't take these weapons...
I said, leave that...
Well then you can't come into Mr. ...
[...] See more »
One of my favourite things about this fine film is that the characters have European accents; too often films set in the American frontier of the 19th Century have their characters speaking in unlikely modern American accents. It adds greatly to the film's believability, as well as reminding the viewer that these were people who left their homelands, usually to escape extreme poverty, and started a new life in what was (to the white man) unknown territory; this utter anonymity helps explain the actions of some of the characters in the film. Indeed the central theme, the cost of sacrificing what one has for a possible better life, is an aspect of emigration itself; the poem "Noreen Bán" recited by Hope Byrne recalls the tragedy of mass emigration from Ireland after the Great Famine, so its impact on Dillon is multiplied.
Great credit is also due to the actors, excellent performances all round.
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