Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ...
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Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
A down-on-his-luck music manager discovers a teenage girl with an extraordinary voice while on a music tour in Afghanistan and takes her to Kabul to compete on the popular television show, Afghan Star.
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig salesman, known as the Scalper, to sell them his leads, the two embark on a series of house calls--always in neighborhoods that are dangerous for one or the other partner. Then they find out they may lose their exclusive wig distributorship to competitors. Through a series of comic twists, the pair are given large orders for wigs by both sides of the Protestant/Catholic conflict. Should they compromise their principles in order to keep their business? Will it destroy their friendship? Could one of their wigs in the hands of the IRA actually put one or both of them in jail or even get them killed? Written by
Look, I told you: I don't know who you've been talking to but he's a fucking liar! You'll find no herpes here!
That's what you said.
[points to his head]
Oh. I thought you said 'herpes'.
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An Everlasting Piece is definitely one of the better Irish comedies I've seen in a long time. Though not on par with the Barrytown Trilogy or Divorcing Jack, the three leading characters are witty and strong. I'm very partial to Brian F. O'Byrne's thoughtful, subdued yet humorous portrayal of Protestant George Post. His best line is arguably, "He's as Orange as that chair." The film features many funny and poignant moments that make the film enjoyable to anyone who appreciates Ireland and its people.
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