Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
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Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig salesman, known as the Scalper, to sell them his leads, the two embark on a series of house calls--always in neighborhoods that are dangerous for one or the other partner. Then they find out they may lose their exclusive wig distributorship to competitors. Through a series of comic twists, the pair are given large orders for wigs by both sides of the Protestant/Catholic conflict. Should they compromise their principles in order to keep their business? Will it destroy their friendship? Could one of their wigs in the hands of the IRA actually put one or both of them in jail or even get them killed? Written by
This is a strange film. It can be very amusing, but also very frightening. You don't have to take sides in the conflict in Ireland to appreciate that the people there have been living on the edge for some time.
If you want Cheech or Chong then stay away. But if you want to feel uncomfortable, have a laugh, and perhaps feel just a little bit of empathy for your fellow human beings then this is a great film.
Personally, I could do with less F*ing language, but it is important to consider the characters involved. In real life they just don't go around saying 'golly gosh' and 'darn'.
Billy Connolly is a perfect choice for his role, and is an integral part of the film. A mad scotsman? Why? Because only the Irish have the strengh of character and mind to stay sane under the condition in which they have had to live. And even then .....
Don't watch this film for the laughs. Don't watch it for the actors. Don't even watch it for the sake of Billy Connolly. Watch it to see that spark of humanity that we sometimes refer to as the soul.
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