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Beyond the Mat (1999)

7.6
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Ratings: 7.6/10 from 6,134 users   Metascore: 73/100
Reviews: 77 user | 71 critic | 23 from Metacritic.com

Heartfelt documentry focusing on the lives of professional wrestlers and how their sport is not fake.

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3 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
Barry W. Blaustein ...
Himself - Narrator
Vince McMahon ...
Himself
Jim Ross ...
Himself - Sr. VP of Talent
Jim Bell ...
Himself - Sr. VP of Merchandising
Darren Drozdov ...
Himself
Roland Alexander ...
Himself
Tony Jones ...
Himself - XPW Wrestler
Michael Modest ...
Himself
...
Himself
Mick Foley ...
Himself
Danny Zucker ...
Himself - Childhood Friend
Dave Meltzer ...
Himself - Journalist
Jake Roberts ...
Himself
Ed Beckley ...
Himself - Promoter
...
Herself
Edit

Storyline

This documentry focuses on the lives of professional wrestlers Terry Funk, Mick Foley (Mankind), Jake Roberts (Jake the Snake), and Darren Drozdov (Droz). As the film progresses the story of their lives unfolds, as well as we learn how the wrestling industry is not the plastic-weapons fake-slap sideshow that many have perceived it as. We are shown how moves, although not actually injuring anyone, are not fake, and extreme training is required to be able to perform the stunts without being harmed. We are also treated to interviews with the family of Mick Foley and what it is like for them to know their father literally puts his life on the line every week and how it feels to have other children call their father a "fake". Vince McMahon, owner of World Wrestling Federation Entertainment, also makes a few appearances, responding to criticism on various wrestling situations, including, once again, his real athletes very real orginization being called fake by sources such as USA Today and ... Written by JoJo mac

Plot Summary | Add Synopsis

Taglines:

The movie Vince McMahon does not want you to see! See more »


Motion Picture Rating (MPAA)

Rated R for language and violent content | See all certifications »
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Details

Official Sites:

Country:

Language:

Release Date:

17 March 2000 (USA)  »

Also Known As:

Beyond the Mat: Unrated Director's Cut  »

Box Office

Budget:

$500,000 (estimated)

Opening Weekend:

$9,532 (USA) (22 October 1999)

Gross:

$2,047,570 (USA) (12 May 2000)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

Since the initial release of the film, Extreme Championship Wrestling (ECW) and World Championship Wrestling (WCW) were closed down and purchased by World Wrestling Entertainment. See more »

Quotes

Jake Roberts: I'm going to make you beg. You're going to get down on your hands and knees. You will be the one that grovels for the money. And how appropriate... that the money you grovel for is your very own. Wallowing in the muck of avarice.
See more »

Crazy Credits

Closing dedication: This film is dedicated to my wife, Lorrie and our children, Kasey and Corey, who have stood by patiently with love and support as I blabbed about wrestling for the last five years. See more »

Connections

Referenced in The Wrestler (2008) See more »

Soundtracks

Let The Good Times Roll
Written by Leonard Lee, Shirley Goodman
Vocals: Dina Lee Russo (as Deena Russo) & Carl Graves
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Superb documentary
23 October 2005 | by (http://rioranchofilmreviews.blogspot.com/) – See all my reviews

You've got to wonder about wrestlers. They're always on the road, they're always carrying knocks and injuries, they don't get paid much (except the few at the absolute top), they get no respect from the public at large, they don't actually compete in the legitimate sense of the word and the vast majority of them are quickly forgotten. Yet nearly all of the wrestlers in Beyond the Mat continue to seek the spotlight. Why? I guess Terry Funk sums it up best: "It's fun."

However, it's a strange type of fun. After all, I'm not sure that most people would class being hit over the head with steel chairs as 'fun'. Nor would most people relish the thought of being thrown off a steel cage. But as the film points out, wrestlers are hardly normal. At the same time, though, they're still people. They have the same problems as all of us. It's just that they earn their living by running around in spandex and by beating the crap out of one another.

Of all the different strands in Beyond the Mat, I like the Terry Funk section the most. It just shows how bizarre wrestling is. Here you have a man in his fifties who has degenerative arthritis and who wakes up in the morning, like many old men, in his y-fronts. Yet in the ring he's a bloodthirsty maniac. But at the same time he's a loving father who cries at his daughter's wedding and he has an excellent rapport with the man who he has his most brutal matches with. As dim-witted as wrestling is, nothing out of the ring is simple.

And the Funk section illustrates the problem that most wrestler face: they can't give up the spotlight. I mean, just take one of Funk's friends, Dennis Stamp. He hasn't wrestled in years but he still trains (by jumping up and down on a trampoline in his underwear) in the vain hope of getting another match. And when he's finally made the referee in Funk's 'retirement' match, he's beside himself with excitement at the prospect of being part of the main event. It seems like when you don't get paid much, when you're forced to do lousy jobs and when no one really knows who you are, the only compensation for such a depressing existence is a few cheers.

But although the film touches upon the dark side of wrestling, it's quite touching seeing Funk trying to persuade his friend Stamp to be part of his match. The man may be vicious in the ring, but outside it he's warm-hearted. And I like the way that when he persuades his friend to be part of his match, and when he walks away, he nearly trips over. Despite everything, he's just a lovable old guy. However, I also like the scene because Stamp is such a fool. He's so desperate to be someone and so desperate to be recognised, that he cuts a promo when he's explaining why he can't make the event ("I'm not booked!). It's as if reality and wrestling are blurred. He can't tell them apart.

Another wrestler who's been messed up by the business is Jake Roberts. He doesn't get on with his daughter and he's forced to pay for his drug habit by wrestling in fourth-rate events in backwater towns. He's even filmed urinating into a bucket and then falling asleep backstage. It really does give a depressing picture of what it is to be a professional wrestler – your existence revolves around the road, run down hotels and small towns. No wonder so many of them are screwed up. But Roberts has even more reason to be screwed up than most. He's the product of a rape and his sister was kidnapped and murdered. And he has a terrible relationship with his father. They can barely look at one another. There's no connection there at all. And it's quite shocking hearing Roberts describe how he gave up his dreams just to shove wrestling down his father's throat (his dad was a wrestler and Robert's resolved to be better than him). Suddenly you can see why Robert's created such a compelling character. He was just drawing on his own life. Again reality and wrestling is blurred.

Perhaps the only one in the film that has a decent handle on things is Mick Foley. He has a clear plan (he wants to retire by the age of 35) and he has a solid family to support him. Somehow you know that he's going to be fine. Not that there aren't a few bumps on the way. In one scene he's forced to watch footage of his wife and kids screaming when he's repeatedly hit over the head with a steel chair. It's a real wake-up call. I mean, as entertaining as it is for sadistic bastards like myself, you just can't make you family endure that time after time. But it's his family that will keep Foley on the straight and narrow. However, for the other wrestlers who don't have stable personal lives, they'll have to seek love in cheers and applause. It seems like wrestling is a drug that most wrestlers can't crack.

Not that a few don't try. There's an amusing scene when a wrestler called New Jack, who has four justifiable homicides, auditions for a Hollywood casting agent. The people there are slimy beyond belief. They make the carnies in wrestling look honest in comparison.

But why the film succeeds so emphatically is because everything is just presented as it is. No judgements are made and nobody is looked down upon. Yeah, wrestling may be something on the fringes of society, but the film shows that as weird as it is, the people aren't really that weird after all. They're just people with the same problems we all have.


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