The Ultimate Warrior's meteoric rise to fame and fortune following his defeat of Hulk Hogan, his rivalries with other wrestlers such as Randy Savage and Rick Rude, and his rapid burn-out when the pressures of fame got too much for him.
André the Giant
It is the most anticipated yearly event in Sports Entertainment, an annual pop culture touch point. For more than 25 years, WrestleMania has hosted the biggest matches, the biggest stars, ... See full summary »
John Brzenk is troubled by when to call it quits; should he retire when he is on top or wait until someone takes his title. After twenty-five solid years of total world domination, John ... See full summary »
Now it can be told. In 1995, two wrestling companies squared off on Monday night television to compete head to head in an unprecedented confrontation. On one side, Vince McMahon, the ... See full summary »
WWF Champion Triple H vs. The Rock vs. Mick Foley vs. The Big Show, Two Falls Match: WWF Intercontinental & European Champion Kurt Angle vs. Chris Jericho vs. Chris Benoit, Ladder Match: ... See full summary »
WWF Title (Iron Man Match): Bret Hart vs. Shawn Michaels, The Undertaker vs. Diesel, Backlot Brawl: Roddy Piper vs. Goldust, The Warrior vs. Hunter Hearst Helmsley, Jake Roberts, Yokozuna &... See full summary »
WWE Title: Kurt Angle vs. Brock Lesnar, World Heavyweight Title: Triple H vs. Booker T, The Rock vs. Steve Austin, Hulk Hogan vs. Vince Mcmahon, WWE Women's Title: Victoria vs. Trish ... See full summary »
This documentary focuses on the lives of professional wrestlers Terry Funk, Mick Foley (Mankind), Jake Roberts (Jake the Snake) and Darren Drozdov (Droz). As the film progresses, the story of their lives unfolds, as we also learn how the wrestling industry is not the plastic-weapons fake-slap sideshow that many have perceived it as. We are shown how moves, although not actually injuring anyone, are not fake, and extreme training is required to be able to perform the stunts without being harmed. We are also treated to interviews with the family of Mick Foley and what it is like for them to know their father literally puts his life on the line every week and how it feels to have other children call their father a "fake". Vince McMahon, owner of World Wrestling Entertainment, also makes a few appearances, responding to criticism on various wrestling situations, including, once again, his real athletes, very real organization being called fake by sources such as USA Today and various news... Written by
Former WWF mid card wrestler Koko B. Ware is briefly featured in the movie. In his scene he speaks about letting his trademark mascot, a bird named Franke "Fly Away". Sadly, three years after the completion of this film, Frankie the bird perished when the apartment building Koko was living in burnt to the ground. See more »
[after a match]
Barry W. Blaustein:
So where are you going next?
My daughter's. She's, uh, doing her master's in psychology. So she's a real freak.
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Closing dedication: This film is dedicated to my wife, Lorrie and our children, Kasey and Corey, who have stood by patiently with love and support as I blabbed about wrestling for the last five years. See more »
You've got to wonder about wrestlers. They're always on the road, they're always carrying knocks and injuries, they don't get paid much (except the few at the absolute top), they get no respect from the public at large, they don't actually compete in the legitimate sense of the word and the vast majority of them are quickly forgotten. Yet nearly all of the wrestlers in Beyond the Mat continue to seek the spotlight. Why? I guess Terry Funk sums it up best: "It's fun."
However, it's a strange type of fun. After all, I'm not sure that most people would class being hit over the head with steel chairs as 'fun'. Nor would most people relish the thought of being thrown off a steel cage. But as the film points out, wrestlers are hardly normal. At the same time, though, they're still people. They have the same problems as all of us. It's just that they earn their living by running around in spandex and by beating the crap out of one another.
Of all the different strands in Beyond the Mat, I like the Terry Funk section the most. It just shows how bizarre wrestling is. Here you have a man in his fifties who has degenerative arthritis and who wakes up in the morning, like many old men, in his y-fronts. Yet in the ring he's a bloodthirsty maniac. But at the same time he's a loving father who cries at his daughter's wedding and he has an excellent rapport with the man who he has his most brutal matches with. As dim-witted as wrestling is, nothing out of the ring is simple.
And the Funk section illustrates the problem that most wrestler face: they can't give up the spotlight. I mean, just take one of Funk's friends, Dennis Stamp. He hasn't wrestled in years but he still trains (by jumping up and down on a trampoline in his underwear) in the vain hope of getting another match. And when he's finally made the referee in Funk's 'retirement' match, he's beside himself with excitement at the prospect of being part of the main event. It seems like when you don't get paid much, when you're forced to do lousy jobs and when no one really knows who you are, the only compensation for such a depressing existence is a few cheers.
But although the film touches upon the dark side of wrestling, it's quite touching seeing Funk trying to persuade his friend Stamp to be part of his match. The man may be vicious in the ring, but outside it he's warm-hearted. And I like the way that when he persuades his friend to be part of his match, and when he walks away, he nearly trips over. Despite everything, he's just a lovable old guy. However, I also like the scene because Stamp is such a fool. He's so desperate to be someone and so desperate to be recognised, that he cuts a promo when he's explaining why he can't make the event ("I'm not booked!). It's as if reality and wrestling are blurred. He can't tell them apart.
Another wrestler who's been messed up by the business is Jake Roberts. He doesn't get on with his daughter and he's forced to pay for his drug habit by wrestling in fourth-rate events in backwater towns. He's even filmed urinating into a bucket and then falling asleep backstage. It really does give a depressing picture of what it is to be a professional wrestler your existence revolves around the road, run down hotels and small towns. No wonder so many of them are screwed up. But Roberts has even more reason to be screwed up than most. He's the product of a rape and his sister was kidnapped and murdered. And he has a terrible relationship with his father. They can barely look at one another. There's no connection there at all. And it's quite shocking hearing Roberts describe how he gave up his dreams just to shove wrestling down his father's throat (his dad was a wrestler and Robert's resolved to be better than him). Suddenly you can see why Robert's created such a compelling character. He was just drawing on his own life. Again reality and wrestling is blurred.
Perhaps the only one in the film that has a decent handle on things is Mick Foley. He has a clear plan (he wants to retire by the age of 35) and he has a solid family to support him. Somehow you know that he's going to be fine. Not that there aren't a few bumps on the way. In one scene he's forced to watch footage of his wife and kids screaming when he's repeatedly hit over the head with a steel chair. It's a real wake-up call. I mean, as entertaining as it is for sadistic bastards like myself, you just can't make you family endure that time after time. But it's his family that will keep Foley on the straight and narrow. However, for the other wrestlers who don't have stable personal lives, they'll have to seek love in cheers and applause. It seems like wrestling is a drug that most wrestlers can't crack.
Not that a few don't try. There's an amusing scene when a wrestler called New Jack, who has four justifiable homicides, auditions for a Hollywood casting agent. The people there are slimy beyond belief. They make the carnies in wrestling look honest in comparison.
But why the film succeeds so emphatically is because everything is just presented as it is. No judgements are made and nobody is looked down upon. Yeah, wrestling may be something on the fringes of society, but the film shows that as weird as it is, the people aren't really that weird after all. They're just people with the same problems we all have.
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