The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they ... See full summary »

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Cast

Credited cast:
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Nick Beat (as Mark Boone Jr.)
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Nica
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Hank
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Sophie
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B Cool
Rest of cast listed alphabetically:
Jovana Brown ...
Devi
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Bouncer
Camilla Overbye Roos
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Restaurant Manager
Nicholson Williams ...
Piano Player
Marc Wint ...
Landlord
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Storyline

The Beat Nicks are musician Nick Nero and poet Nick Beat, a pair of self-styled truth-seekers who'd better find a gig or they'll be out on the street. Their luck begins to change when they find a box on the beach, a treasure chest of infinite beats that will set the stage for the ultimate success, a gig at the Monkey Club. But when Nick Nero falls in love with Nica, the club owners captive bride, he learns that they are some truths better left unsought. Hard knocks and a trip to rock bottom reunites the Nicks to preform the gig of a lifetime, and return the box to its source. Written by Anonymous

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A mystical misadventure about two guys named Nick.

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Comedy

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21 February 2002 (USA)  »

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Connections

Remake of The Beatnicks (1996) See more »

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User Reviews

 
not my cup of tea
4 December 2016 | by (Canada) – See all my reviews

The Beatnicks is an kooky, shambling little indie that I can't really say whether or not I liked, because not much of anything happens the whole time. The filmmakers have obviously tried hard to capture the quaint feeling of the beat generation, whether or not they succeeded though isn't for me to say, I kind of avoid stuff in that style, never appealed to me. It's a strange little story concerning Nick Nero (Norman Reedus) and Nick Beat (Mark Boone Jr), two aimless wandering performers who are down on their luck and desperate for a gig. Most of the film is just them wandering around, pontificating on life and art and not much else. Reedus clashes with mysterious night club owner Mack Drake (a slick Eric Roberts) over the affections of his moll-esque girlfriend (Elodie Bouchez), whilst Boone gets handed a series of arbitrary, cryptic tasks by enigmatic stranger Hank (the underrated Patrick Bachau). And that's it. There are pockets of the film filled with nothing but air, places where they've tried to stretch 'not much' into 'a whole lot' and have caused their creative well to run dry. In a film about beat poets who I imagine spend most of their time filling up time and space with constant stream of consciousness output, dead air isn't a good thing to have lingering around in your story. An odd duck of a film that didn't really chime with me, but some may find it worth a gander.


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