| Patrick Warburton | ... | Richard Hudson | |
| Eugene Roche | ... | Used Car Dealer | |
| Ron Morgan | ... | Bill | |
| Emily Newman | ... | Laura | |
| Paul Malevich | ... | Leo | |
| Lynette Bennett | ... | Mother | |
| Joe Durrenberger | ... | Chet | |
| Ernie Vincent | ... | The Man | |
| Max Kerstein | ... | Ruggerio | |
| Mel Hampton | ... | Flaps | |
| Pat Crowder | ... | Salvation Army Woman | |
| Marilyn Rising | ... | Becky | |
| Lora Witty | ... | Mrs. Shantz (as Laura Witty) | |
| Lane Siller | ... | Milo | |
| J. Keith van Straaten | ... | Dickie J. Hewlitt | |
| Josh Hammond | ... | Young Richard | |
| Leslie Lauten | ... | Bathing Cap Girl | |
| Barry Sigismondi | ... | Pool Attendant | |
| John Maynard | ... | Moderator | |
| Ezra Buzzington | ... | Piano Player (as Ezra Bussington) | |
| Larry DeLassus | ... | Waiter at Bar (as Larry Delassus) | |
| Danny Allen | ... | Good Samaritan | |
| Charles Deering | ... | Highway Cop | |
| Tom Morris | ... | Cop In Lot | |
| Thien Nguyen | ... | Waiter at Chinese Restaurant | |
| Gharles Guillen | ... | Pedestrian | |
| Delaina Mitchell | ... | The Man's Secretary | |
| John Reynolds | ... | Studio Gate Guard | |
| Ken Perkins | ... | Night Studio Gate Guard | |
| Estelle Cohen | ... | Typist | |
| Laicie Manrelle | ... | Little Girl in Field | |
| Christopher Young | ... | Motel Nite Clerk | |
| Paul Jewett | ... | Asylum Orderly | |
| Nick Sakoyannis | ... | Asylum Orderly | |
| Fuller French | ... | Voice of the Good Samiritan (voice) | |
| rest of cast listed alphabetically: | |||
| Catfish Bates | ... | Customer (uncredited) | |
| Walter Bender | ... | Salesman (uncredited) | |
| Kim Haas | ... | Girl by Pool (uncredited) | |
| Robert Hagearty | ... | Customer (uncredited) | |
| Bill Hoversten | ... | Salesman (uncredited) | |
Directed by | |||
| Robinson Devor | |||
Writing credits | ||
| Charles Willeford | (novel "The Woman Chaser") | |
| Robinson Devor | (written by) | |
Produced by | |||
| Fuller French | .... | co-executive producer | |
| Rodney Greene | .... | associate producer | |
| Soly Haim | .... | producer | |
| Joe McSpadden | .... | executive producer | |
| Rosemary Welden | .... | associate producer | |
| Susannah Julien | .... | associate producer (uncredited) | |
Original Music by | |||
| Daniele Luppi | |||
Cinematography by | |||
| Kramer Morgenthau | |||
Film Editing by | |||
| Mark Winitsky | |||
Production Design by | |||
| Sandrine Junod | |||
| Christine Youngstrom | |||
Art Direction by | |||
| Michael Voelker | (uncredited) | ||
Set Decoration by | |||
| Charisse Anssar | |||
| Kim Haas | |||
| Heidi Toll | |||
| Beth Wooke | |||
| Jason Knight | (uncredited) | ||
| Chris Young | (uncredited) | ||
Costume Design by | |||
| Fern Rose Mitchell | |||
Makeup Department | |||
| Bonnie Dubeck | .... | assistant makeup artist | |
| Michelle Marshall | .... | key makeup artist | |
| Melody Worley | .... | hair stylist | |
Production Management | |||
| Robert Litt | .... | unit production manager | |
| Dessie Markovsky | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Charles Arthur Berg | .... | first assistant director (as Charles Berg) | |
| D.S. Bhasine | .... | second second assistant director | |
| Anthony Carregal | .... | second assistant director (as Tony Carregal) | |
| Rosser Goodman | .... | first assistant director | |
| Amity Leigh | .... | second second assistant director | |
| Alexa Sheehan | .... | second assistant director (as Alexa Motley) | |
| Ilan Solimany | .... | second assistant director | |
Art Department | |||
| Gavin Brook | .... | lead man | |
| Jason Knight | .... | lead man | |
| Nick Sakoyannis | .... | lead man | |
| Michael Voelker | .... | property master | |
| Chris Young | .... | lead man | |
Sound Department | |||
| Eric Alexander | .... | boom operator: second unit | |
| Eric Alexander | .... | cable wrangler: second unit | |
| Lee Archer | .... | production sound mixer | |
| Steve Hollenbeck | .... | sound editor | |
| Steve Hollenbeck | .... | sound re-recording mixer | |
| Dessie Markovsky | .... | sound designer | |
| Leonel Pedraza | .... | sound mixer: second unit | |
| Emile Razpopov | .... | supervising sound editor | |
| Peter D. Saphier | .... | foley artist | |
| Xavier Sol | .... | sound editor | |
| Xavier Sol | .... | sound re-recording mixer | |
| Stacey A. Washer | .... | boom operator (as Stacey Washer) | |
| Brent D. Winter | .... | sound editor (as Brent Winter) | |
Visual Effects by | |||
| Christopher Dusendschon | .... | in-show optical effects compositor: THDX (uncredited) | |
| Christopher Dusendschon | .... | optical element Hazeltine colorist: THDX (uncredited) | |
Casting Department | |||
| Ilona Friedman | .... | extras casting coordinator | |
| Paul Jewett | .... | extras casting associate | |
Costume and Wardrobe Department | |||
| Deborah Haymond | .... | set costumer | |
| Lorraine Alexis Mahru Toomey | .... | key costumer (as Loraine Mahru) | |
| Coy Michael | .... | wardrobe assistant | |
| Shana Weissman-Mintz | .... | assistant costume designer | |
Editorial Department | |||
| Matt Evans | .... | additional editor | |
| Bobby Gates | .... | additional editor (as Robert Gates) | |
| Phyllis Hart | .... | negative cutter | |
| Vivian Hengsteler | .... | negative cutter (as Vivian Hengstelar) | |
| Susannah Julien | .... | post-production coordinator | |
| Michael Thau | .... | additional editor | |
| Laura Weiss | .... | assistant editor | |
Music Department | |||
| Senor Amor | .... | music supervisor (as Señor Amor) | |
| Thomas Barquee | .... | music editor | |
| Paul Dugre | .... | music recordist | |
| Daniele Luppi | .... | orchestrator | |
Transportation Department | |||
| Larry DeLassus | .... | driver (as Larry Delassus) | |
| A.J. Garett | .... | transportation captain | |
| Nick Sakoyannis | .... | driver | |
| Chris Young | .... | driver | |
Other crew | |||
| Mary Anne Campagna | .... | provider: clown painting | |
| Brandon Coleman | .... | location manager | |
| Peter Croninger | .... | office production assistant | |
| Dan Del Campos | .... | unit publicist | |
| Larry DeLassus | .... | key set production assistant (as Larry Delassus) | |
| Michael Donner | .... | post-production accountant | |
| John English | .... | location consultant | |
| Mark Headly | .... | production consultant | |
| Calvin Jones | .... | office production assistant | |
| Karen Kaiser | .... | production coordinator | |
| Mike McDermott | .... | production accountant | |
| Mary Ann Pomonis | .... | provider: artwork | |
| Bruce Resnik | .... | script supervisor | |
| Dan Rezenees | .... | production assistant | |
| Angelilah Rosa | .... | production assistant | |
| Lane Siller | .... | location manager | |
| Renee Thompson | .... | stand-in (as Sita Thompson) | |
| Georgina Wood | .... | production assistant | |
| Bob Berney | .... | sales (uncredited) | |
| Andrew Hurwitz | .... | attorney (uncredited) | |
| Barry Poage | .... | assistant to producers: post-production (uncredited) | |
| Mark Pogachefsky | .... | publicist (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I first heard of Charles Willeford when Miami Blues came out. I read that book & found it fantastic. I thought the movie of Miami Blues was a minor masterpiece. I began to work backwards in Willeford's novels & got to this one which I found, like much of his earliest work, very bizarre. A used car salesman who dances a ballet with his mother. This film has captured that quality perfectly, treating it with utmost respect & love & lots of very well-tempered humor. Every detail of this film works perfectly, the acting, lighting, music, quality of sound, even, or especially, the perfect pitch of B-movie voices. Less lethal than Jim Thompson, less schematic than James M. Cain, more resourceful than David Goodis, Charles Willeford now has had two well-deserved minor film masterpieces made of his work.