Set in 1950s Los Angeles, Richard Hudson (Warburton) is a shrewd car dealer who moves from San Francisco and sets up a used-car dealership. Tiring of this job, he turns the lot over to an ... See full summary »
In this pilot for a proposed TV series, B.T. Brady is a flippant, but somewhat klutzy female private detective in Hollywood who sets out to solve the murder of a obnoxious mystery writer. ... See full summary »
Cliff De Young
When the mother of Junior and his younger brother Scooter, twenty-something, dies, they realize they need a woman around the house, since they haven't a clue how to cook or keep house. ... See full summary »
When Fred Frenger gets out of prison, he decides to start over in Miami, Florida, where he starts a violent one-man crime wave. He soon meets up with amiable college student/prostitute ... See full summary »
Jennifer Jason Leigh
Stuart Whitman is Shatter, an international hitman who is hiding out in Hong Kong after he has completed a contract out on an African leader. Shatter soon finds out that everyone wants him ... See full summary »
Political satire about an underground militant group that kidnaps African-Americans who have sold out their race. The story follows as the group led Curtis-Hall and Rhames kidnaps an ... See full summary »
David C. Johnson
Eriq La Salle,
Set in 1950s Los Angeles, Richard Hudson (Warburton) is a shrewd car dealer who moves from San Francisco and sets up a used-car dealership. Tiring of this job, he turns the lot over to an assistant and starts writing his first movie, The Man Who Got Away. It turns out to be an uncommercial picture chronicling the story of a truck driver who goes berserk, runs over a little girl and dies fending off a platoon of police officers. In making his film, Richard enlists the help of his father-in-law, Leo (Paul Malevich), a washed-up former film director whose notable possession is a Rouault painting of a clown. Through Leo, Richard pitches his idea to the Man (Ernie Vincent), the chief executive of Mammoth Pictures who green-lights the project. Conflict inevitably arises when Richard's obsession for making the movie his way clashes with the Man. Other kooky characters include Richard's mother (Lynette Bennett), a former ballerina who lures her hirsute lug of a son into a comic pas de deux ; ... Written by
Just saw 35 films at Sundance and hands down, this film stands out while most of the others are just a blur. Patrick Warburton plays "The Director" (the author's original title for the story)and he plays it to deadpan perfection. Shot in color and then transferred to a high contrast black and white title stock, paints this film in a lush visual treat. Plot and dialog holds true to the original 60's pulp and creates a harsh charm that is both parody and innovative filmmaking. Looking forward to seeing this one again as soon as it is released.
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