Set in 1950s Los Angeles, Richard Hudson (Warburton) is a shrewd car dealer who moves from San Francisco and sets up a used-car dealership. Tiring of this job, he turns the lot over to an ... See full summary »
When Fred Frenger gets out of prison, he decides to start over in Miami, Florida, where he starts a violent one-man crime wave. He soon meets up with amiable college student/prostitute ... See full summary »
Jennifer Jason Leigh
Late-night radio host Dale Sweeney's usual line up of odd-ball, conspiracy-obsessed callers is interrupted by a panicked phone call in an indecipherable language. When FBI agents arrive ... See full summary »
Paul Francis Sullivan
David Alan Basche,
One of the most important images of the Czech New Wave 60s, which was ranked among the top ten domestic films of all time. Feature debut screenwriter and director Ivan Passer is currently ... See full summary »
The desert can be a lonely place for the people who live there or for those who are traveling through. It is also the teller of different stories including the story of a traveling salesman... See full summary »
Franck Poupart is a slightly neurotic door-to-door salesman in a sinister part of Paris' suburbs. He meets Mona, a teenager, who's been made a prostitute by her own aunt. Franck would like ... See full summary »
In 1747, a handsome but rebellious Scotsman named Richard Abdee is auctioned off as a slave on a Caribbean island controlled by French and British sugar-planters. When caught having sex ... See full summary »
Set in 1950s Los Angeles, Richard Hudson (Warburton) is a shrewd car dealer who moves from San Francisco and sets up a used-car dealership. Tiring of this job, he turns the lot over to an assistant and starts writing his first movie, The Man Who Got Away. It turns out to be an uncommercial picture chronicling the story of a truck driver who goes berserk, runs over a little girl and dies fending off a platoon of police officers. In making his film, Richard enlists the help of his father-in-law, Leo (Paul Malevich), a washed-up former film director whose notable possession is a Rouault painting of a clown. Through Leo, Richard pitches his idea to the Man (Ernie Vincent), the chief executive of Mammoth Pictures who green-lights the project. Conflict inevitably arises when Richard's obsession for making the movie his way clashes with the Man. Other kooky characters include Richard's mother (Lynette Bennett), a former ballerina who lures her hirsute lug of a son into a comic pas de deux ; ... Written by
Just saw 35 films at Sundance and hands down, this film stands out while most of the others are just a blur. Patrick Warburton plays "The Director" (the author's original title for the story)and he plays it to deadpan perfection. Shot in color and then transferred to a high contrast black and white title stock, paints this film in a lush visual treat. Plot and dialog holds true to the original 60's pulp and creates a harsh charm that is both parody and innovative filmmaking. Looking forward to seeing this one again as soon as it is released.
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