Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
An aging alcoholic cop is assigned the task of escorting a witness from police custody to a courthouse 16 blocks away. There are, however, chaotic forces at work that prevent them from making it in one piece.
This suspense thriller unfolds as the audience is introduced to David Dunn. Not only is he the sole survivor of a horrific train-crash that killed 131 people he doesn't have a scratch on him. Elijah Price is an obscure character who approaches Dunn with a seemingly far fetched theory behind it all. Written by
Elijah asks David what made him choose protection as a career out of all the things he could have done, such as "founding a chain of restaurants". In reality, Bruce Willis is one of the founders of the Planet Hollywood restaurant chain. See more »
At several points they show comic book images which are supposed to be from the "silver age", the 1950s-1960s. However, the art displayed in them is not accurate for the period and is closer to the style predominant in the industry in the 1990s. See more »
I have something called Osteogenesis Imperfecta. It's a genetic disorder. I don't make a particular protein very well and it makes my bones very low in density... very easy to break.
See more »
As the movie starts, the FBI warning shatters like a window breaking. See more »
Fugue in C major, BWV 953 (from 'Klavierbuchlein fur Wilhelm Bach')
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing
Courtesy of The Estate of Glenn Gould See more »
My kudos to M. Night Shyamalan for proving the consistency of his moviemaking abilities. "Unbreakable" is a movie that is rich in both technical brilliance as well as script quality.
First, let me get my one objection for the movie off my chest. The ending could have been done better. The majority of the length of "Unbreakable" does an excellent job of building suspense, with the wonderfully muted, melancholy acting adding depth and tension to the plot. My problem is that it fails to live up to its own expectations; the ending does not consummate entirely what I expected it to. Somehow, in a movie that took painstaking details to illustrate every step and glance, concluding it in the manner that it did felt almost blasphemous. Maybe in a nameless action thriller it could be passed off as mere hackery. But here, it seems strangely out of place, kind of an enigma in itself...
Now that the ugly part is over with, I feel almost obligated to sing the praises of "Unbreakable". Shyamalan's prowess with photographic techniques and processes shows through in this, with rich reds and blacks given to scenes of moist emotion and colder colors dedicated to the bleak, uncaring (uncared for?) world. One technique I particularly liked was the manipulation of photographic mediums, some parts using crisp 35mm films and others using angry, shuttered magnetic (or 16mm?) film. In the end, it all worked very well, because each technique seemed to integrate seamlessly with the plot and mood (notice the confusion and panic at the very end?) "Traffic" is a good example of processing overdose. "Unbreakable", on the other hand, hones it perfectly. The lushness of this movie comes in close second to the wonderful eye candy of "American Beauty". I could watch it again easily... with the sound turned off!
On the more human side of the spectrum, the acting was wonderful. How nice it is to see Bruce Willis proving himself to be a true A-class actor! His unassuming and insecure behavior worked *perfectly* for this role. Samuel L. Jackson, like always, did a bang-up job with what the script gave him. Robin Wright and Spencer Clark's characters seemed a bit two dimensional, but they seemed to be minor roles compared to the prominence of Willis and Jackson's characters. A little character development would have been appreciated, but if the ending was a result of the time-constraint guillotine, then I would expect the developmental scenes to have gone too.
The thing that people seem to complain most about this movie is the plot. I like the premise. A little fantasy in our movies isn't such a bad thing once in a while, is it?
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