7.2/10
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Unbreakable (2000)

A man learns something extraordinary about himself after a devastating accident.

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Popularity
875 ( 242)

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2 wins & 12 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Audrey Dunn (as Robin Wright Penn)
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Kelly
Johnny Hiram Jamison ...
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Babysitter
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Comic Book Clerk
Elizabeth Lawrence ...
School Nurse
Davis Duffield ...
David Dunn Age 20 (as David Duffield)
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Orange Suit Man
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ER Doctor
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Storyline

This suspense thriller unfolds as the audience is introduced to David Dunn. Not only is he the sole survivor of a horrific train-crash that killed 131 people he doesn't have a scratch on him. Elijah Price is an obscure character who approaches Dunn with a seemingly far fetched theory behind it all. Written by Filmtwob <webmaster@filmfreak.co.za>

Plot Summary | Plot Synopsis

Taglines:

Shattering cinemas soon. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for mature thematic elements including some disturbing violent content, and for a crude sexual reference | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

22 November 2000 (USA)  »

Also Known As:

No Ordinary Man  »

Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend:

$30,330,771 (USA) (24 November 2000)

Gross:

$94,999,143 (USA) (13 April 2001)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

| |

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The name Elijah is a Biblical reference. Elijah was prophesied to return to Earth to pave the way for the coming of the Son of David, a savior. See more »

Goofs

The cardboard orange juice carton has a plastic twist cap on the top. These cartons did not appear until the early 1990's. (Patent 5,065,938 November 19, 1991) See more »

Quotes

Joseph Dunn: Do you think you could beat up Bruce Lee?
David Dunn: No.
Joseph Dunn: I mean, if you knew karate?
David Dunn: Nope.
Joseph Dunn: What if he wasn't allowed to kick, and you were *really* mad at him?
David Dunn: No, Joseph.
See more »

Crazy Credits

In Memory of Elizabeth Lawrence See more »

Connections

Referenced in Saturday Night Live: Jamie Foxx/Ne-Yo (2012) See more »

Soundtracks

Prelude in G major, BWV 902 (from 'Prelude and Fughetta in G major')
Written by Johann Sebastian Bach
Performed by Glenn Gould
Courtesy of Sony Classical
By Arrangement with Sony Music Licensing
Courtesy of The Estate of Glenn Gould
See more »

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User Reviews

 
Personal Significance
17 August 2004 | by (New York) – See all my reviews

It seems this movie has taken a bit of heat, known by many as Shyamalan's "worst" film. It is often written off as slow moving, and the twist at the end as unoriginal and boring. I've heard people say the acting and camera work was awkward and stale and that the casting was poor. Ironically enough, as more people begin to dislike this movie, the more I seem to fall in love with it. This film has a lot of personal bearing with me, both as a student of psychology and a lover of movies and just plain art. I feel like I've taken this film under my wing during its times of criticism, and now I'd like to try and show everyone what exactly I love about it so much.

Shyamalan really showed a stroke of brilliance by getting Serra to be his cinematographer and to play around with the aestetics of the film. I don't know how or where Shyamalan is getting these guys for his movies, but I definitely love the style of each frame he shells out. Serra had been involved with predominately foreign films before Unbreakable. This was his first big American film, and I think you gotta give a little credit to Shyamalan for that. His unique and creative touch really added to the direction. In keeping with the "comic book" theme of the movie, you will notice that almost every shot is taken as if you are looking through or in between something. Like the squares of a comic strip. There is also a dark, slightly blue colored filter used throughout most of the film. This gives the movie a very bold, but eerie tone. Showing that the world can be a rough and scary place, but it can also be fought and overcome. It is evident that time and effort went into every shot. It may not slap many viewers in the face as brilliant, but it really strikes a chord with me.

As for the score, I am more than willing to argue that this is, hands down, James Newton Howard's best score of his very successful career. It is compelling and booming. It's very powerful, but not over-the-top and excessive. For anyone with the soundtrack, check out 'The Orange Man' and 'Visions'. These are two of the most powerful pieces of any film score around. And I stress the word "powerful". Yeah, he's no Hermann or Morricone, but the emotional weight and emotive power of his chords and his overall composition are just downright chilling.

The writing and the direction are just as captivating as the score. Almost every line of dialogue and every scene seems to be placed out on an island, alone so that everyone can stop and judge it. Some people might view this as cocky and/or boring direction, but I see it as daring and unique. Much of Shyamalan's writing is done that way. ('&#8230;I see dead people&#8230;' '...They call me Mr. Glass&#8230;' etc. etc.) Another aspect of the film that tickles my fancy is the underlying themes. I do believe, to a certain extent, that people do have somewhat supernatural powers at times. People have been known to make miracles and do unbelievable things. Maybe these things could be 'developed' in some way. These theories are, in a way, intertwined with some aspects of psychology, such as selective attention and self-actualization. If you care to discuss some of these ideas, let me know and I will relate them to the film through my eyes. In short, I do believe there is a superhero in everyone. It may not be through supernatural powers, but it may simply be through the act of reaching out to a person in need. Other themes of the movie, like how completely different people can always be connected in some way and how everyone has their vulnerabilities and weaknesses are intriguing, yet universal. From a psychological point of view, Shyamalan really gets inside the head of OI patients (osteogenesis imperfecta). He then brings this psyche to the next level with Jackson's character. Elijah, is very passionate but very tortured and evil. His interactions with Willis bring depth and focus to both the characters and the story. Certain scenes in the movie are really quite striking and powerful. The shots of Willis in his security poncho. The train station scene. Elijah's breathtaking fall on the stairs and many more speak so loudly to me and say so much in just a simple clip. For some reason this movie just speaks to me, like art. If anyone cares to discuss more about this film, that'd be cool. There is a lotta other cool stuff to talk about with this movie. Just thinking about it makes me want to watch it a few more times. It may not be the feel good film of the year, or the masterpiece that everyone was looking for, but it definitely sits well with me.


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