| Susan May Pratt | ... | Gilda Mattei | |
| Chris Noth | ... | Michael De Santis | |
| Jeremy Davies | ... | Adam | |
| John Pierson | ... | Jim Johnson | |
| Michele Placido | ... | Giorgio Mattei | |
| Laila Robins | ... | Barbara Mattei | |
| Josef Sommer | ... | Carl Greenslate | |
| Mary Louise Wilson | ... | Evelyn Greenslate | |
| rest of cast listed alphabetically: | |||
| Samantha Buck | ... | Andrea | |
| Jonathan Lisecki | ... | Dave Pierce | |
Directed by | |||
| Myra Paci | |||
Writing credits(in alphabetical order) | ||
| Myra Paci | ||
Produced by | |||
| Ruth Charny | .... | producer | |
| Janet Grillo | .... | producer | |
| Myra Paci | .... | producer | |
| Jonathan Shoemaker | .... | co-producer | |
Original Music by | |||
| Carter Burwell | |||
Cinematography by | |||
| Teodoro Maniaci | |||
Film Editing by | |||
| Robin Lee | |||
| Beatrice Sisul | |||
Casting by | |||
| Karen Meisels | |||
Production Design by | |||
| Dina Goldman | |||
Art Direction by | |||
| David Schlesinger | |||
Costume Design by | |||
| Sarah J. Holden | |||
Makeup Department | |||
| Claus Lulla | .... | makeup artist | |
| Susan Reilly LeHane | .... | key makeup artist (as Susan Reilly) | |
| Sanna Riley | .... | assistant makeup artist | |
Production Management | |||
| Sophia Lin | .... | production manager | |
| Derek Yip | .... | production manager: additional photography | |
Second Unit Director or Assistant Director | |||
| Steven C. Lawrence | .... | second second assistant director | |
| Michael Lerman | .... | first assistant director | |
| Sol Tryon | .... | second assistant director | |
Art Department | |||
| Brooke Bramley | .... | property master | |
| John Huss | .... | set dresser | |
| Christine Kim | .... | art coordinator | |
| Charlotte Newman | .... | set dresser | |
| Tim Smith | .... | assistant property master | |
| Christian Villalba | .... | on set dresser | |
Sound Department | |||
| Michael Axinn | .... | supervising sound editor | |
| Yoo Sup Chang | .... | sound intern | |
| Dan Ferat | .... | production sound mixer | |
| Fredrick Helm | .... | adr recordist | |
| Bruce Lacey | .... | dialogue editor | |
| Griffin Richardson | .... | boom operator | |
| Kent Sparling | .... | re-recording mixer | |
| Doug Winningham | .... | assistant sound effects editor | |
Visual Effects by | |||
| Keith Yurevitz | .... | digital artist | |
Camera and Electrical Department | |||
| Matthew Clark | .... | gaffer | |
| Matthew Craig | .... | electrician | |
| Sylvain D'Hautcourt | .... | first assistant camera | |
| Melissa Guimaraes | .... | electrician | |
| Matthew Hale | .... | best boy grip | |
| Doug Kennedy | .... | grip | |
| Deidre Lally | .... | best boy electric | |
| Evin Lowe | .... | electrician | |
| Brian McKee | .... | key grip | |
| Marie Mennella | .... | camera production assistant | |
| Timothy Reilly | .... | grip | |
| Craig Striano | .... | grip | |
| Dwight Tudor | .... | second assistant camera | |
| Joshua Van Praag | .... | grip | |
| Josh Van Prang | .... | grip | |
| Bryan Wachtel | .... | electrician | |
| Jeremy Weishaar | .... | first assistant camera | |
| JoJo Whilden | .... | still photographer | |
| Rory Wilson | .... | electrician | |
Casting Department | |||
| Meredith Jacobson | .... | extras casting | |
Costume and Wardrobe Department | |||
| Laura Steinman | .... | wardrobe | |
| Kristen Weir | .... | wardrobe supervisor | |
Editorial Department | |||
| Miran Miosic | .... | assistant editor | |
Music Department | |||
| Terri D'Ambrosio | .... | music supervisor | |
Transportation Department | |||
| Brian Lieberz | .... | transportation | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
What exactly is the point of this boring, predictable, cliche-ridden little zit of a film? Are we to be subjected henceforth to the home movies of everyone under age 30? Is this to be our new Inferno? Chris Noth is good but doesn't seem to be in the same film with anyone else. The rest look like they're trying to remake from memory one of Woody Allen's lesser "serious" efforts.