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Gangs of New York (2002)

7.5
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Ratings: 7.5/10 from 244,190 users   Metascore: 72/100
Reviews: 1,133 user | 228 critic | 39 from Metacritic.com

In 1863, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father's killer.

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Title: Gangs of New York (2002)

Gangs of New York (2002) on IMDb 7.5/10

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Nominated for 10 Oscars. Another 49 wins & 70 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Reverend Raleigh (as Alec Mccowen)
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Jimmy Spoils (as Larry Gilliard Jr.)
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Storyline

1863. America was born in the streets. In this movie, we see Amsterdam Vallon returning to the Five Points of America to seek vengeance against the psychotic gangland kingpin Bill the Butcher who murdered his father years ago. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area. However this is more said than done. Written by Omar

Plot Summary | Plot Synopsis

Taglines:

America Was Born In The Streets.

Genres:

Crime | Drama | History

Motion Picture Rating (MPAA)

Rated R for intense strong violence, sexuality/nudity and language | See all certifications »

Parents Guide:

 »
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Details

Country:

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Language:

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Release Date:

20 December 2002 (USA)  »

Also Known As:

Pandillas de Nueva York  »

Box Office

Budget:

$97,000,000 (estimated)

Opening Weekend:

$227,236 (Hong Kong) (14 March 2003)

Gross:

$77,679,638 (USA) (11 April 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The POV shot where Amsterdam re-emerges into the Five Points after recuperating from his wound (specifically, the four or five men loafing on either side of the alley) is a visual reference to a Jacob Riis photo, "Bandit's Roost," used as cover art on some editions of Herbert Asbury's "Gangs of New York." See more »

Goofs

This movie depicts Bill the Butcher as having lived during 1862. But in the real world, Bill the Butcher died on March 8, 1855. See more »

Quotes

Boss Tweed: You're a good one for the fighting, Bill. But you can't fight forever.
Bill: I can go down doing it.
Boss Tweed: And you will!
Bill: What did you say?
Boss Tweed: I said, you're turning your back on the future.
Bill: Not our future.
See more »

Crazy Credits

We Gratefully acknowledge all the individuals and institutions who contributed their historical knowledge to this film. See more »

Connections

Features Djembefola (1991) See more »

Soundtracks

Paddy's Lamentation
Traditional
Arranged by Linda Thompson and Teddy Thompson
Performed by Linda Thompson
Linda Thompson appears courtesy of Rounder Records
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

He actually did it!
12 February 2003 | by (Athens, Greece) – See all my reviews

You'd think Scorcese has bitten a bit more than he could possibly chew, this time. Well, he didn't. Gangs of new York is not an "epic masterpiece" and it ain't that because I seriously doubt the directors aim was that. It's a great movie in it's own account, but you have to watch it in the right way.

The plot: Tight enough and well paced, with a couple of lows (expected for a three-hour film) but generally it comes out pretty neat. Some may find it disturbing, as it contains extreme violence and it does not portray an America of happy workers, even happier slaves, benevolent rich and just authorities - instead, it portraits the true 1860 society. Definitely not for those who like their films with plenty of sugar on the top.

The epic and the drama: Well, basically the film is the story of two men. Around them things evolve and a brave new world comes forth - but we only get to watch snapshots of that world. Until the last sequence, that is when the whole city "explodes" (in some occasions literally...) and the streets are being covered in blood, and the two aspects (the main story and the events of the era) are being tied together in the same continuum.

At the same time, the director attempts to portrait the whole birth and growth of the United States, in a kind of parabole, but without loosing his focus on the main story and the surrounding. Scorsese dives deeply into the psychology of his heroes, without giving out any explanation of their acts other than the probable - he lets us figure it out ourselves, and that's a God-given gift.

The visuals: The film is disturbing, as it contains extreme violence. There are literally streams of blood, hacking, slashing, crushing - even some action movie fans (hey dude, look, he smashed his head with that thing... cool, man!") might find some parts of the film interesting. The last sequence is visually astounding, and it's by it's own account a reason to watch this film over and over again... if you got the stomach to actually cope with the disturbing images, that is.

The actors: I didn't think it would come a day when I'd say that Leo Di Caprio can act, but ...here I go: The kid can act. And quite good too. Guess he needed a Scorsese to put him in the right path. Same with Cameron Diaz - she has got some potential, seems so. Too bad she wastes it in films like "the sweetest thing" and other throw-ups like that. And... Daniel Day Lewis. Truly, with this performance, they should give him the Academy award. He portrays the vile "Butcher" in a way few would be able of, and he adds depth to a character that could very easily end up "two-dimensional". He is stunningly good.

New York, New York: Scorsese gets involved in something that compares to his previous work the way a fancy little sports car compares to a huge truck: A grandioso film of epic proportions and of great ambition. He does deliver, I believe. But this film shall not be acknowledged universally, because there is too much violence, corruption, lack of the good old white vs black (good vs evil, I mean) concept and does not sweeten the pill in any way. It's disturbing and raw, and it's a great. It's not a political film - in such, the director usually picks a stance, a "true" hero, an opposing view, and builds upon those. In this case, the director is truly endistancemented and keeps that distance, even from his "hero". There are no "good" people in that movie, all are acting like chess pieces in a predetermined way, but at the same time they try to burst out and do their own.

The verdict: A fabulous film, which is going to be recognized for such in some years


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