Twenty-something Richard travels to Thailand and finds himself in possession of a strange map. Rumours state that it leads to a solitary beach paradise, a tropical bliss - excited and intrigued, he sets out to find it.
1863. America was born in the streets. In this movie, we see Amsterdam Vallon returning to the Five Points of America to seek vengeance against the psychotic gangland kingpin Bill the Butcher who murdered his father years ago. With an eager pickpocket by his side and a whole new army, Vallon fights his way to seek vengeance on the Butcher and restore peace in the area. However this is more said than done. Written by
In one scene Boss Tweed is describing to a few men the city's need for a grand new courthouse before being interrupted. This is a reference to the infamous old New York County Courthouse, now known as the Tweed Courthouse, where Tweed and Tammany Hall had stolen millions from the city that was earmarked for the construction of the building, which became the most expensive civic building of the 19th century because of Tammany's theft of funds. See more »
Before the beginning battle takes place, the Priest and his followers stand in Paradise Square awaiting their adversaries. As Bill's men arrive, we see them appear from behind some buildings, and behind these buildings we see a number of large treetops, as if behind the square is a forested area. The problem here is that after the battle, the camera pulls back to show how and where the 5-Corners district is situated in the heart of mid-1840s Manhattan. As the shot zooms out and increases in altitude to reveal the computer-generated cityscape, there are no CGI trees in the scene that correspond with the ones behind the live-action set built to represent the Paradise Square area. See more »
Our name is called "The Dead Rabbits" to remind all of our suffering, and as a call to those who suffer still to join our ranks. However far they may have strayed from our common home across the sea. For with great numbers must come great strength in the salvation of our people.
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Aside from the studio logos (which have been altered), there are no opening credits, nor a title. All of the credits (and title) are at the end of the movie. The title of the film is made up of pieces of type that would have been used in the 19th Century to print newsletters, posters and flyers like the ones seen throughout the film. See more »
For about three months now, I have (on an almost daily basis) passed a movie theatre not far from my home. On the side of this movie theatre is a huge poster advertising the movie "Gangs of New York". Meanwhile, all I heard about on television was the buzz about the upcoming "Gangs of New York". So, when this highly publicized movie finally opened, I went and saw it.
I went to the theatre, I bought my ticket, I found a seat in a very crowded theatre and I sat. For three hours I sat in that dark theatre and I watched what was one of the most amazing movies I have ever had privilege to see.
It is hard to even begin to explain why this movie was amazing, but it was. The way it was shot is brilliant. The cinematography is spectacular. The story is completely enthralling.
Although the movie was just shy of three hours long, it was not at all boring to watch. The story was captivating and although I knew how it was going to end (because, after all, it is a movie based on a true-ish story), it was incredible to watch how it got that end.
Above all, the movie was beautiful to watch. I have to admit to those who have not yet seen it that "Gangs" is quite violent. However, the violence was well shot and it was fairly necessary to the story.
All of the actors put in extremely good performances. Leonardo DiCaprio really proved that he's not just a pretty face and that he does actually have a great deal of talent (which can also be seen in his other movie of the season, "Catch Me If You Can"). Cameron Diaz' performace also proves that she can do much more than the standard romantic comedy. Also, after hearing reports of Daniel Day Lewis' REALLY getting into his character, I admit that it was completely worth it. His character (William Cutting/Bill the Butcher) is so complex and although you know you hate him, you can't decide why (for there are so many reasons).
In conclusion, if you have not seen this movie yet, go. Go now. See it. This is one of the epic movies of our time. I heard that Scorcese has been conceptualizing this movie for over twenty years; I could tell. The story this movie tells is one that I had never heard and the way in which it was told makes it seem very important for us to know. The message that is conveyed, although not an entirely wholesome one, is an important one to learn and, if considered, is very relevant to our time. However, my only message to you is this: see this movie.
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