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Gangs of New York (2002)

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In 1863, Amsterdam Vallon returns to the Five Points area of New York City seeking revenge against Bill the Butcher, his father's killer.

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(story), (screenplay) | 2 more credits »
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757 ( 11)
Nominated for 10 Oscars. Another 48 wins & 117 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Reverend Raleigh (as Alec Mccowen)
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Jimmy Spoils (as Larry Gilliard Jr.)
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Storyline

Having seen his father killed in a major gang fight in New York, young Amsterdam Vallon is spirited away for his own safety. Some years later, he returns to the scene of his father's death, the notorious Five Points district in New York. It's 1863 and lower Manhattan is run by gangs, the most powerful of which is the Natives, headed by Bill "The Butcher" Cutting. He believes that America should belong to native-born Americans and opposes the waves of immigrants, mostly Irish, entering the city. It's also the time of the Civil War and forced conscription leads to the worst riots in US history. Amid the violence and corruption, young Vallon tries to establish himself in the area and also seek revenge over his father's death. Written by garykmcd

Plot Summary | Plot Synopsis

Taglines:

America Was Born In The Streets.

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for intense strong violence, sexuality/nudity and language | See all certifications »

Parents Guide:

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Details

Country:

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Language:

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Release Date:

20 December 2002 (USA)  »

Also Known As:

Pandillas de Nueva York  »

Box Office

Budget:

$100,000,000 (estimated)

Opening Weekend:

$1,049,746 (Japan) (20 December 2002)

Gross:

$77,679,638 (USA) (11 April 2003)
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Company Credits

Show detailed on  »

Technical Specs

Runtime:

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Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Before the battle at the beginning of the film, several gangs introduce themselves. The Dead Rabbits, the Bowery Boys, and the Forty Thieves were real life New York gangs in the Five Points in the 1860s and 1870's. Their appearance, weapons of choice, and behavior are accurate. Many members became politicians later on. See more »

Goofs

When Amsterdam follows Jenny onto the tram after she steals his medal, her hand reaches into a man's jacket. In the next scene, she takes her hand from her lap, as if for the first time, and reaches into his coat. See more »

Quotes

Amsterdam Vallon: Challenge.
Bill: Challenge accepted.
See more »

Crazy Credits

Aside from the altered studio logos, there are no opening credits and title, except for the beginning of the movie saying "Miramax Films Presents". The rest of the credits and the title are at the end of the movie. The title of the film is made up of pieces of type that would have been used in the 19th Century to print newsletters, posters, and flyers like the ones seen throughout the film. See more »

Connections

Referenced in Mike & Mike: Episode dated 1 February 2016 (2016) See more »

Soundtracks

Cantata
Arranged and Performed by Jeff Atmajian
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Frequently Asked Questions

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User Reviews

He actually did it!
12 February 2003 | by (Athens, Greece) – See all my reviews

You'd think Scorcese has bitten a bit more than he could possibly chew, this time. Well, he didn't. Gangs of new York is not an "epic masterpiece" and it ain't that because I seriously doubt the directors aim was that. It's a great movie in it's own account, but you have to watch it in the right way.

The plot: Tight enough and well paced, with a couple of lows (expected for a three-hour film) but generally it comes out pretty neat. Some may find it disturbing, as it contains extreme violence and it does not portray an America of happy workers, even happier slaves, benevolent rich and just authorities - instead, it portraits the true 1860 society. Definitely not for those who like their films with plenty of sugar on the top.

The epic and the drama: Well, basically the film is the story of two men. Around them things evolve and a brave new world comes forth - but we only get to watch snapshots of that world. Until the last sequence, that is when the whole city "explodes" (in some occasions literally...) and the streets are being covered in blood, and the two aspects (the main story and the events of the era) are being tied together in the same continuum.

At the same time, the director attempts to portrait the whole birth and growth of the United States, in a kind of parabole, but without loosing his focus on the main story and the surrounding. Scorsese dives deeply into the psychology of his heroes, without giving out any explanation of their acts other than the probable - he lets us figure it out ourselves, and that's a God-given gift.

The visuals: The film is disturbing, as it contains extreme violence. There are literally streams of blood, hacking, slashing, crushing - even some action movie fans (hey dude, look, he smashed his head with that thing... cool, man!") might find some parts of the film interesting. The last sequence is visually astounding, and it's by it's own account a reason to watch this film over and over again... if you got the stomach to actually cope with the disturbing images, that is.

The actors: I didn't think it would come a day when I'd say that Leo Di Caprio can act, but ...here I go: The kid can act. And quite good too. Guess he needed a Scorsese to put him in the right path. Same with Cameron Diaz - she has got some potential, seems so. Too bad she wastes it in films like "the sweetest thing" and other throw-ups like that. And... Daniel Day Lewis. Truly, with this performance, they should give him the Academy award. He portrays the vile "Butcher" in a way few would be able of, and he adds depth to a character that could very easily end up "two-dimensional". He is stunningly good.

New York, New York: Scorsese gets involved in something that compares to his previous work the way a fancy little sports car compares to a huge truck: A grandioso film of epic proportions and of great ambition. He does deliver, I believe. But this film shall not be acknowledged universally, because there is too much violence, corruption, lack of the good old white vs black (good vs evil, I mean) concept and does not sweeten the pill in any way. It's disturbing and raw, and it's a great. It's not a political film - in such, the director usually picks a stance, a "true" hero, an opposing view, and builds upon those. In this case, the director is truly endistancemented and keeps that distance, even from his "hero". There are no "good" people in that movie, all are acting like chess pieces in a predetermined way, but at the same time they try to burst out and do their own.

The verdict: A fabulous film, which is going to be recognized for such in some years


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