5 out of 6 people found the following comment useful :- Had a lot of potential, 25 April 2001
Author:
FstrGray82 from Virginia
One of my friends rented this movie last year. Honestly, being an NC-17,
we
naturally expected more than what we saw. The scenes in this movie
weren't
enough to get an R rating. The plot was good, and it was a good script.
However, the performances were poorly executed. The actress who played
the
wife was dull and dry with the delivery of her lines. However, the ending
had a great twist, and this was a good film, especially being on such a
low
budget, but some of the acting was low budget as well. A 5 at
most.
3 out of 4 people found the following comment useful :- On a budget of 200k, you can't beat this film., 3 September 2005
Author:
FyreAndRain from Alabama
*** This comment may contain spoilers ***
First, the bad: 1) The movie is mis-marketed by the packaging. There is
a lot more to Trois than just the complications arising from the
forbidden three-way tryst. The movie becomes a
mystery/thriller/suspense and the shift is almost disconcerting if all
you have to go on is the box art.
2) The lighting sucks and the camera work is simplistic. The filmmakers
are young and had a small budget and it shows in these two areas. The
lighting often makes the viewer feel they've mistakenly changed
channels to a daytime soap opera and the camera work (with the
exception of the excellent opening "home video" scenes) is nothing to
boast about.
3) There are about three times in the film that the delivery of a
certain line fails completely, and is so bad that it nearly sinks the
entire scene in which it appears.
4) Is the number of sets used. Literally. Two houses, an office, and a
bar. Four sets. That's about it.
Now, the good: 1) Excellent acting. The lead for this role does a
fantastic job playing a young, ambitious, newlywed husband. All of the
additional characters are strong. Every main character has at least one
chance to really shine dramatically and they all step up to the
challenge. A lame performance never ruins a scene, and the dialogue is
(for the most part) delivered convincingly in a natural way.
2) Superb production value: "but wait a minute, you just said there
were four sets and the lighting sucked!" True, but the budget for this
film was $200k. If you handed $200k to the Steven Spielberg or James
Cameron, I'm willing to bet they couldn't have managed half of the
things this movie does on a shoestring. It's an excellent effort and
the results they got for their money are astounding.
3) An intriguing, original plot. The story, which starts out relatively
simple, takes a couple of twists and turns that actually create a
complex web of confusion and deceit that makes the story work.
4) An excellent, tasteful sex scene. If you bought this movie hoping
for porn, you'll be let down. The sex shots are tight, sensual, and
mature. They propel the story forward and do justice to the topic
without glamourizing it or taking the focus off the story to focus on
the sex.
In short: if you feel like lately you've sat through one too many
summer 'blockbusters' with the same old hackneyed plots, huge effects,
and zero heart, this might be the movie you're looking for. Or if you
laughed all the way through "Love and a Bullet" and thought it was
excellent, you might like this one.
3 out of 4 people found the following comment useful :- Trois Gets a Three, 3 April 2000
Author:
IboChild from View Park, California, USA
First of all, let me make one thing crystal clear. When I paid my money
to
see this movie, I didn't walk into the theatre expecting something worthy
of
Academy Award consideration. However, what I did expect was a story that
had some semblance of logic (and perhaps a few cheap thrills). I also
expected a film that in some way dealt with the often avoided issue of
Black
sexuality. But once again like several recent Black "thrillers," I was
left
disappointed. What's the deal with these independent filmmakers? You
make
a film that presents itself as a steamy erotic thriller, but with PG-rated
sex and no nudity to speak of. What's the point? Audiences would have
been
better served by renting an old copy of FATAL ATTRACTION or even SHE'S
GOTTA
HAVE IT, than paying their hard earned money to see basically the same
thing
that you could catch for free on a network daytime drama. An erotic
thriller without any steamy sex or nudity is like a western with no
gunfight
or a romantic comedy with little romance and no comedy. On another level,
the poorly structured story makes absolutely no sense. Without giving
away
the ending, the writers set up things that don't pay off later in the
script
and "pay off" with things that were not properly set up. By doing so,
they
break a cardinal rule of any type thriller or mystery story by not playing
fair. Also, the scenes are not arranged for maximum dramatic effect. It
lacks the escalating tension that made FATAL ATTRACTION so effective in
its
examination of infidelity. There are also several subplots in the film
which serve to trivialize important issues (e.g., physical abuse, child
care). Additionally, the film relies too heavily on stereotypes,
particularly as they relate to the lesbian/bi-sexual character of Jade.
In
terms of acting, Gretchen Palmer stands out with her over-the-top
performance as Jade, which occasionally gave the film some much needed
camp
appeal. On the other hand, Gary Dourdan as Jermaine was weak. He's so
cold
and insensitive, one wonders how his wife, Jasmine (Kenya Moore in a
typical
B-movie performance) agreed to his "indecent proposal" in the first place.
If independent filmmakers are going to compete with big budget studio fare
such as FATAL ATTRACTION, they must be willing to "push the envelope."
Instead, TROIS along with a series of other recent independently produced
sexual thrillers insist on playing it safe by toning down the sex and the
more provocative elements in their films. For what reason, who knows?
Hopefully, some other filmmaker will "step up to the plate" and really
deal
with Black sexuality rather than skirt around it. On a positive note,
despite it's many flaws, TROIS is still better than Rob Hardy's anemic
first
feature, CHOCOLATE CITY. The film is also to be commended for its small
scale, but reasonably effective grass-roots marketing champaign. As a
gesture in support of Black independent films, I have delayed submission
of
this critique until the film has all but left the theatres. For those who
haven't seen it, check it out on video and express your own
views.
4 out of 6 people found the following comment useful :- Best Black Sexual Thriller I've Seen, 15 December 1999
Author:
ava-8 from Los Angeles, CA
I caught this film at the Acapulco Black Film Fest. I think Trois
successfully captures something that we rarely see on the big
screen --Black
sexuality. It's not raunchy, but not tame by any means. It doesn't take
itself too seriously, but delves deeply into the politics of marriage,
fidelity and lust. And there is a cool, unexpected twist at the end ala
Fatal Attraction. I liked it. Kenya Moore and Gretchen Palmer are
beautiful. And the men are wonderful... two of the hottest looking Black
actors out there -- Gary Dourdan and Bryce Wilson. I hear this comes out
Valentine's Day 2000 or somewhere around there. I'd recommend checking it
out.
6 out of 10 people found the following comment useful :- absolute garbage, 14 December 2001
Author:
Cabral Richards from Toronto, Canada
This is absolutely the worst film I've ever seen. Not only does it
contain some of the worst acting, dialogue and directing ever
burned onto celluloid, it is nothing but pure trash.
It amazes me that money was actually used to fund this
project.
I can't imagine how anybody thought this was something worth
making based on the horrendous script and premise.
Soloman K. Smith delivers probably the worst performance in
history as does Gretchen Palmer. This is embarassing.
NEVER EVER watch this movie.
1 out of 1 people found the following comment useful :- Strange but entertaining, 27 January 2002
Author:
Dominique from Port Charlotte,Florida
*** This comment may contain spoilers ***
I seen Trois last summer and I thought the movie was pretty good.The
acting
wasn't Academy Award winning,but somewhat suitable.This movie contained
one
too many spoilers.First the not so raunchy love scenes could have been
worked on more to make it look realistic and at the same
time,steamy.Next,Kenya Moore's role was so stupid.Why in the hell would
she
except an offer like that from her husband and then gets mad when she
finds
a videotape of her husband and some other woman in her car doing it?Her
character was so unrealistic and unconvincing.Next,the role of the husband
played by Gary Dourdan was so cold,Gretchen Palmer's character was okay
and
Solomon K. Smith's character was probably the most dumbest of them all.He
was so wacky and just as unrealistic and unconvincing as Kenya Moore's
character.And the twist.There were way too many twist in the story.The
characters,the sex scenes,and the confusing twist could have been more
complex.Would I recommend this to anyone?WATCH AT YOUR OWN RISK!!!! 5 OUT
OF
10
2 out of 3 people found the following comment useful :- Terrible, 12 August 2001
Author:
kenandraf from Honolulu,Hawaii
Very badly made film in terms of directing,screenplay,script and acting.It
does not even have much originality as it is a rip off of FATAL
ATTRACTION.Still,it could have been much better in it's promise to be a
good
sexual thriller but alas,the movie was just handled poorly.Yes,the lead
actors were very good looking but they had very amateurish skills,just like
the poor skills of the movie makers around them.Avoid this one at all
cost......
2 out of 3 people found the following comment useful :- Cheap thrills and guilty pleasures, 16 February 2001
Author:
jbratter-2 from United States
Trois is a sexy thriller about the before and after-math of a threesome
(two
girls and a guy). The participants are a young Black married couple in
Atlanta who seek to spice up their love life and an openly bisexual woman
who wants to keep custody of her son. This film admirably attempts to
explore the complex dynamics of monogamous sexuality, from sexual
preference
to sexual power. The gravest downfall is the attempt to combine too many
twists and turns that don't pay off or gel well with the story's initial
tone.
3 out of 5 people found the following comment useful :- Utter crap unfortunately, 18 February 2003
Author:
Robert Nicholas (Rob-77) from Perth, Western Australia
This movie was so painfully bad, that despite all my better judgment I
actually made it through to the end. All that can go wrong in a movie did-
utterly terrible acting, predictable ending, discontinuity, did I mention
that my dog can do a better performance? Finally, for a movie whose title
is
quite obvious in meaning, the actual "trios" is over in about 30 seconds,
shot in what seems like soft focus and barely warrants the rating the film
got.
I highly recommend this film if you have obnoxious family members visiting
(or friends), who refuse to leave your home, as a last ditch effort to
retain your sanity.
2 out of 10.
5 out of 9 people found the following comment useful :- Trois Gets a Three, 3 April 2000
Author:
IboChild from View Park, California, USA
First of all, let me make one thing crystal clear. When I paid my money to
see this movie, I didn't walk into the theatre expecting something worthy
of
Academy Award consideration. However, what I did expect was a story that
had some semblance of logic (and perhaps a few cheap thrills). I also
expected a film that in some way dealt with the often avoided issue of
Black
sexuality. But once again like several recent Black sexual "thrillers," I
was left disappointed. What's the deal with these independent filmmakers?
You make a film that presents itself as a steamy erotic thriller, but with
PG-rated sex and no nudity to speak of. What's the point? Audiences would
have been better served by renting an old copy of FATAL ATTRACTION or even
SHE'S GOTTA HAVE IT, than paying their hard earned money to see basically
the same thing that you could catch for free on a network daytime drama.
An
erotic thriller without any steamy sex or nudity is like a western with no
gunfight or a romantic comedy with little romance and no comedy. On
another
level, the poorly structured story makes absolutely no sense. Without
giving away the ending, the writers set up things that don't pay off later
in the script and "pay off" with things that were not properly set up. By
doing so, they break a cardinal rule of any type of thriller or mystery
story by not playing fair. Also, the scenes are not arranged for maximum
dramatic effect. It lacks the escalating tension that made FATAL
ATTRACTION
so effective in its examination of infidelity. There are also several
subplots in the film which only serve to weaken the main plot and
trivialize
important issues (e.g., physical abuse, child care). Additionally, the
film
relies too heavily on stereotypes, particularly as they relate to the
lesbian/bi-sexual character of Jade. In terms of acting, Gretchen Palmer
stands out with her over-the-top performance as Jade, which occasionally
gave the film some much needed camp appeal. On the other hand, Gary
Dourdan
as Jermaine was weak. He's so cold and insensitive, one wonders how his
wife, Jasmine (Kenya Moore in a typical B-movie performance) agreed to his
"indecent proposal" in the first place. If independent filmmakers are
going
to compete with big budget studio fare such as FATAL ATTRACTION, they must
be willing to "push the envelope." Instead, TROIS along with a series of
other recent independently produced sexual thrillers insist on playing it
safe by toning down the sex and the more provocative elements in their
films. For what reason, who knows? Hopefully, some other filmmaker will
"step up to the plate" and really deal with Black sexuality rather than
skirt around it. On a positive note, despite it's many flaws, TROIS is
still
better than Rob Hardy's anemic first feature, CHOCOLATE CITY. The film is
also to be commended for its small scale, but reasonably effective
grass-roots marketing champaign. As a gesture in support of Black
independent films, I have delayed submission of this critique until the
film
has all but left the theatres. For those who haven't seen it, check it out
on video and share your own views with the moviegoing public.
Own the rights?
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5 out of 6 people found the following comment useful :-
Had a lot of potential, 25 April 2001
Author: FstrGray82 from Virginia
One of my friends rented this movie last year. Honestly, being an NC-17, we naturally expected more than what we saw. The scenes in this movie weren't enough to get an R rating. The plot was good, and it was a good script. However, the performances were poorly executed. The actress who played the wife was dull and dry with the delivery of her lines. However, the ending had a great twist, and this was a good film, especially being on such a low budget, but some of the acting was low budget as well. A 5 at most.
3 out of 4 people found the following comment useful :-

On a budget of 200k, you can't beat this film., 3 September 2005
Author: FyreAndRain from Alabama
*** This comment may contain spoilers ***
First, the bad: 1) The movie is mis-marketed by the packaging. There is a lot more to Trois than just the complications arising from the forbidden three-way tryst. The movie becomes a mystery/thriller/suspense and the shift is almost disconcerting if all you have to go on is the box art.
2) The lighting sucks and the camera work is simplistic. The filmmakers are young and had a small budget and it shows in these two areas. The lighting often makes the viewer feel they've mistakenly changed channels to a daytime soap opera and the camera work (with the exception of the excellent opening "home video" scenes) is nothing to boast about.
3) There are about three times in the film that the delivery of a certain line fails completely, and is so bad that it nearly sinks the entire scene in which it appears.
4) Is the number of sets used. Literally. Two houses, an office, and a bar. Four sets. That's about it.
Now, the good: 1) Excellent acting. The lead for this role does a fantastic job playing a young, ambitious, newlywed husband. All of the additional characters are strong. Every main character has at least one chance to really shine dramatically and they all step up to the challenge. A lame performance never ruins a scene, and the dialogue is (for the most part) delivered convincingly in a natural way.
2) Superb production value: "but wait a minute, you just said there were four sets and the lighting sucked!" True, but the budget for this film was $200k. If you handed $200k to the Steven Spielberg or James Cameron, I'm willing to bet they couldn't have managed half of the things this movie does on a shoestring. It's an excellent effort and the results they got for their money are astounding.
3) An intriguing, original plot. The story, which starts out relatively simple, takes a couple of twists and turns that actually create a complex web of confusion and deceit that makes the story work.
4) An excellent, tasteful sex scene. If you bought this movie hoping for porn, you'll be let down. The sex shots are tight, sensual, and mature. They propel the story forward and do justice to the topic without glamourizing it or taking the focus off the story to focus on the sex.
In short: if you feel like lately you've sat through one too many summer 'blockbusters' with the same old hackneyed plots, huge effects, and zero heart, this might be the movie you're looking for. Or if you laughed all the way through "Love and a Bullet" and thought it was excellent, you might like this one.
3 out of 4 people found the following comment useful :-

Trois Gets a Three, 3 April 2000
Author: IboChild from View Park, California, USA
First of all, let me make one thing crystal clear. When I paid my money to see this movie, I didn't walk into the theatre expecting something worthy of Academy Award consideration. However, what I did expect was a story that had some semblance of logic (and perhaps a few cheap thrills). I also expected a film that in some way dealt with the often avoided issue of Black sexuality. But once again like several recent Black "thrillers," I was left disappointed. What's the deal with these independent filmmakers? You make a film that presents itself as a steamy erotic thriller, but with PG-rated sex and no nudity to speak of. What's the point? Audiences would have been better served by renting an old copy of FATAL ATTRACTION or even SHE'S GOTTA HAVE IT, than paying their hard earned money to see basically the same thing that you could catch for free on a network daytime drama. An erotic thriller without any steamy sex or nudity is like a western with no gunfight or a romantic comedy with little romance and no comedy. On another level, the poorly structured story makes absolutely no sense. Without giving away the ending, the writers set up things that don't pay off later in the script and "pay off" with things that were not properly set up. By doing so, they break a cardinal rule of any type thriller or mystery story by not playing fair. Also, the scenes are not arranged for maximum dramatic effect. It lacks the escalating tension that made FATAL ATTRACTION so effective in its examination of infidelity. There are also several subplots in the film which serve to trivialize important issues (e.g., physical abuse, child care). Additionally, the film relies too heavily on stereotypes, particularly as they relate to the lesbian/bi-sexual character of Jade. In terms of acting, Gretchen Palmer stands out with her over-the-top performance as Jade, which occasionally gave the film some much needed camp appeal. On the other hand, Gary Dourdan as Jermaine was weak. He's so cold and insensitive, one wonders how his wife, Jasmine (Kenya Moore in a typical B-movie performance) agreed to his "indecent proposal" in the first place. If independent filmmakers are going to compete with big budget studio fare such as FATAL ATTRACTION, they must be willing to "push the envelope." Instead, TROIS along with a series of other recent independently produced sexual thrillers insist on playing it safe by toning down the sex and the more provocative elements in their films. For what reason, who knows? Hopefully, some other filmmaker will "step up to the plate" and really deal with Black sexuality rather than skirt around it. On a positive note, despite it's many flaws, TROIS is still better than Rob Hardy's anemic first feature, CHOCOLATE CITY. The film is also to be commended for its small scale, but reasonably effective grass-roots marketing champaign. As a gesture in support of Black independent films, I have delayed submission of this critique until the film has all but left the theatres. For those who haven't seen it, check it out on video and express your own views.
4 out of 6 people found the following comment useful :-

Best Black Sexual Thriller I've Seen, 15 December 1999
Author: ava-8 from Los Angeles, CA
I caught this film at the Acapulco Black Film Fest. I think Trois successfully captures something that we rarely see on the big screen --Black sexuality. It's not raunchy, but not tame by any means. It doesn't take itself too seriously, but delves deeply into the politics of marriage, fidelity and lust. And there is a cool, unexpected twist at the end ala Fatal Attraction. I liked it. Kenya Moore and Gretchen Palmer are beautiful. And the men are wonderful... two of the hottest looking Black actors out there -- Gary Dourdan and Bryce Wilson. I hear this comes out Valentine's Day 2000 or somewhere around there. I'd recommend checking it out.
6 out of 10 people found the following comment useful :-

absolute garbage, 14 December 2001
Author: Cabral Richards from Toronto, Canada
This is absolutely the worst film I've ever seen. Not only does it
contain some of the worst acting, dialogue and directing ever
burned onto celluloid, it is nothing but pure trash. It amazes me that money was actually used to fund this project. I can't imagine how anybody thought this was something worth
making based on the horrendous script and premise. Soloman K. Smith delivers probably the worst performance in
history as does Gretchen Palmer. This is embarassing. NEVER EVER watch this movie.
1 out of 1 people found the following comment useful :-

Strange but entertaining, 27 January 2002
Author: Dominique from Port Charlotte,Florida
*** This comment may contain spoilers ***
I seen Trois last summer and I thought the movie was pretty good.The acting wasn't Academy Award winning,but somewhat suitable.This movie contained one too many spoilers.First the not so raunchy love scenes could have been worked on more to make it look realistic and at the same time,steamy.Next,Kenya Moore's role was so stupid.Why in the hell would she except an offer like that from her husband and then gets mad when she finds a videotape of her husband and some other woman in her car doing it?Her character was so unrealistic and unconvincing.Next,the role of the husband played by Gary Dourdan was so cold,Gretchen Palmer's character was okay and Solomon K. Smith's character was probably the most dumbest of them all.He was so wacky and just as unrealistic and unconvincing as Kenya Moore's character.And the twist.There were way too many twist in the story.The characters,the sex scenes,and the confusing twist could have been more complex.Would I recommend this to anyone?WATCH AT YOUR OWN RISK!!!! 5 OUT OF 10
2 out of 3 people found the following comment useful :-
Terrible, 12 August 2001
Author: kenandraf from Honolulu,Hawaii
Very badly made film in terms of directing,screenplay,script and acting.It does not even have much originality as it is a rip off of FATAL ATTRACTION.Still,it could have been much better in it's promise to be a good sexual thriller but alas,the movie was just handled poorly.Yes,the lead actors were very good looking but they had very amateurish skills,just like the poor skills of the movie makers around them.Avoid this one at all cost......
2 out of 3 people found the following comment useful :-
Cheap thrills and guilty pleasures, 16 February 2001
Author: jbratter-2 from United States
Trois is a sexy thriller about the before and after-math of a threesome (two girls and a guy). The participants are a young Black married couple in Atlanta who seek to spice up their love life and an openly bisexual woman who wants to keep custody of her son. This film admirably attempts to explore the complex dynamics of monogamous sexuality, from sexual preference to sexual power. The gravest downfall is the attempt to combine too many twists and turns that don't pay off or gel well with the story's initial tone.
3 out of 5 people found the following comment useful :-

Utter crap unfortunately, 18 February 2003
Author: Robert Nicholas (Rob-77) from Perth, Western Australia
This movie was so painfully bad, that despite all my better judgment I actually made it through to the end. All that can go wrong in a movie did- utterly terrible acting, predictable ending, discontinuity, did I mention that my dog can do a better performance? Finally, for a movie whose title is quite obvious in meaning, the actual "trios" is over in about 30 seconds, shot in what seems like soft focus and barely warrants the rating the film got.
I highly recommend this film if you have obnoxious family members visiting (or friends), who refuse to leave your home, as a last ditch effort to retain your sanity.
2 out of 10.
5 out of 9 people found the following comment useful :-

Trois Gets a Three, 3 April 2000
Author: IboChild from View Park, California, USA
First of all, let me make one thing crystal clear. When I paid my money to see this movie, I didn't walk into the theatre expecting something worthy of Academy Award consideration. However, what I did expect was a story that had some semblance of logic (and perhaps a few cheap thrills). I also expected a film that in some way dealt with the often avoided issue of Black sexuality. But once again like several recent Black sexual "thrillers," I was left disappointed. What's the deal with these independent filmmakers? You make a film that presents itself as a steamy erotic thriller, but with PG-rated sex and no nudity to speak of. What's the point? Audiences would have been better served by renting an old copy of FATAL ATTRACTION or even SHE'S GOTTA HAVE IT, than paying their hard earned money to see basically the same thing that you could catch for free on a network daytime drama. An erotic thriller without any steamy sex or nudity is like a western with no gunfight or a romantic comedy with little romance and no comedy. On another level, the poorly structured story makes absolutely no sense. Without giving away the ending, the writers set up things that don't pay off later in the script and "pay off" with things that were not properly set up. By doing so, they break a cardinal rule of any type of thriller or mystery story by not playing fair. Also, the scenes are not arranged for maximum dramatic effect. It lacks the escalating tension that made FATAL ATTRACTION so effective in its examination of infidelity. There are also several subplots in the film which only serve to weaken the main plot and trivialize important issues (e.g., physical abuse, child care). Additionally, the film relies too heavily on stereotypes, particularly as they relate to the lesbian/bi-sexual character of Jade. In terms of acting, Gretchen Palmer stands out with her over-the-top performance as Jade, which occasionally gave the film some much needed camp appeal. On the other hand, Gary Dourdan as Jermaine was weak. He's so cold and insensitive, one wonders how his wife, Jasmine (Kenya Moore in a typical B-movie performance) agreed to his "indecent proposal" in the first place. If independent filmmakers are going to compete with big budget studio fare such as FATAL ATTRACTION, they must be willing to "push the envelope." Instead, TROIS along with a series of other recent independently produced sexual thrillers insist on playing it safe by toning down the sex and the more provocative elements in their films. For what reason, who knows? Hopefully, some other filmmaker will "step up to the plate" and really deal with Black sexuality rather than skirt around it. On a positive note, despite it's many flaws, TROIS is still better than Rob Hardy's anemic first feature, CHOCOLATE CITY. The film is also to be commended for its small scale, but reasonably effective grass-roots marketing champaign. As a gesture in support of Black independent films, I have delayed submission of this critique until the film has all but left the theatres. For those who haven't seen it, check it out on video and share your own views with the moviegoing public.
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