Jim and Connie's postwar New York building troubles keep Jim from working on his novel. Ex-WAC from Jim's army days Roberta moves in, further upsetting Connie but pleasing Jim's friend Ed. ... See full summary »
Former burlesque star May and her daughter Peggy dance in the chorus. When May has a fight with featured dancer Bubbles, Bubbles leaves the show and Peggy takes her place. When Peggy falls ... See full summary »
Singers Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the disapproving father of Lorelei's fiancé to keep an eye on her, as well as a rich, enamored old man and many other doting admirers.
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve ... See full summary »
Years after his wife, Ellen, was lost at sea, Nick has her declared legally dead and remarries. That same day, Ellen is rescued from a desert island and returns home. This unfinished remake of "My Favorite Wife" was the last film Marilyn Monroe worked on before her death in 1962. Most of the footage was unseen, until it was restored into a 37-minute short which aired on television on June 1, 2001. Written by
Recently on AMC a restored (as best as possible with the few completed filmed scenes) version of this never completed film was shown during a special about the late Marilyn Monroe. Complete with 20th Century Fox's logo/fanfare music and the films opening credits and music the story is presented albeit with so many plot holes it's virtually impossible to follow anything. The entire showing runs about thirty eight minutes and has an odd surreal feeling about it especially after watching the special about Marilyn Monroes final days and the making or at least attempted making of Something's Got To Give. Most of the cast members are now dead which additionally gave it a quasi-haunted feeling. It's hard to say how the picture had it been completed done at the box office or how it would be viewed today. It was eventually remade as `Move Over Darling' with James Garner, Doris Day and Polly Bergen and that film was nothing overly spectacular. To sum it up it's one of those `What might have been' instances.
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