Unfinished remake of "My Favorite Wife," due to the firing of Marilyn Monroe from the film. She was eventually re-hired, but died in August, 1962. Film was never completed.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
On the day before her eighteenth birthday, Charlotte Hill makes a decision to change. Not wanting to follow in the footsteps of her alcoholic mother, she enlists a sober partner named ... See full summary »
A low budget industrial film shot for the Eastman Kodak company in 1963, The Triumph Of Lester Snapwell is a mildly funny film that shows all the troubles of a man named Lester Snapwell (... See full summary »
Jerry is an unfortunate married man of small stature, and possesses an unmerciful mother-in-law. Sent to the market, he meets pretty Kitty: an appointment is made, and he returns home late ... See full summary »
Sam escapes to a tranquil Australian beach seeking solitude, lazy sunshine and the soothing hush of the ocean. However, it's not long before his estranged girlfriend Rachel, left far behind in England, tries to track him down.
Directors:
Martin Briggs-Watson,
Andrew William Robb
Years after his wife, Ellen, was lost at sea, Nick has her declared legally dead and remarries. That same day, Ellen is rescued from a desert island and returns home. This unfinished remake of "My Favorite Wife" was the last film Marilyn Monroe worked on before her death in 1962. Most of the footage was unseen, until it was restored into a 37-minute short which aired on television on June 1, 2001. Written by
L. Hamre
"Something's Gotta Give"
Written by Johnny Mercer
Courtesy of Twentieth Century Music Corporation
Instrumental version performed by Ray Anthony and His Orchestra See more »
I gotta say, i was terribly gloomy while watching the footage of what could've been a very interesting work in Marilyn Monroe's résumé.
I haven't watched the original movie in which Something's Gotta Give was based, so i really can't say it would've lived up to the original.
The one thing i can say though is that i've never seen Monroe looking so stunning on screen. She was 36 and more beautiful than ever! She had lost that dizzy kinda dumb blonde look she had in the 50's, even the famous breathy affectation in her voice was gone. No gimmicks this time. She was determined to prove that she was indeed an actress and apparently those years she spent in the Actor's Studio improving her acting really paid off. The footages leave us only wondering how delightful it would have been to watch this new, much more mature and sophisticated woman she was evolving into. Her acting was quite sharp and despite of her constant mental confusion she still turned out refreshingly sexy and funny on the screen. Watch as her astonishingly slim figure gracefully strolls across the set in this flowery summer dress. She was cheery and smiling here.
Her character was a young wife and mom and ,as absurd as it may sounds, she seemed to have nailed it. As a mom, she was caring and loving (watch her effusively playing with the kids) and as a young wife she was just absolutely charming. The film even includes some scenes in which she splashes around the poll naked. And believe me there's nothing tasteless here, in fact she was just being a plain goof ball. It's very funny to watch 'cause you can totally tell she was having the best time while shooting it.
I was completely charmed by Dean Martin's character and Cyd Charisse was just being her regular elegant self. They truly assembled a terrific cast for this!
The documentary that comes before the 37 minute film is somewhat biased but effective either way.
Seeing this only puzzles me more and more regarding Monroe's tragic demise. Clearly she was not the most stable person, but with the new contract she got with Fox, all these new perspectives springing up and all, nothing hinted she was on the verge of something like that. That's why i think the suicide assumption becomes less and less believable.
Anyway, hands down, Monroe's still absolute.
30 of 30 people found this review helpful.
Was this review helpful to you?
I gotta say, i was terribly gloomy while watching the footage of what could've been a very interesting work in Marilyn Monroe's résumé.
I haven't watched the original movie in which Something's Gotta Give was based, so i really can't say it would've lived up to the original.
The one thing i can say though is that i've never seen Monroe looking so stunning on screen. She was 36 and more beautiful than ever! She had lost that dizzy kinda dumb blonde look she had in the 50's, even the famous breathy affectation in her voice was gone. No gimmicks this time. She was determined to prove that she was indeed an actress and apparently those years she spent in the Actor's Studio improving her acting really paid off. The footages leave us only wondering how delightful it would have been to watch this new, much more mature and sophisticated woman she was evolving into. Her acting was quite sharp and despite of her constant mental confusion she still turned out refreshingly sexy and funny on the screen. Watch as her astonishingly slim figure gracefully strolls across the set in this flowery summer dress. She was cheery and smiling here.
Her character was a young wife and mom and ,as absurd as it may sounds, she seemed to have nailed it. As a mom, she was caring and loving (watch her effusively playing with the kids) and as a young wife she was just absolutely charming. The film even includes some scenes in which she splashes around the poll naked. And believe me there's nothing tasteless here, in fact she was just being a plain goof ball. It's very funny to watch 'cause you can totally tell she was having the best time while shooting it.
I was completely charmed by Dean Martin's character and Cyd Charisse was just being her regular elegant self. They truly assembled a terrific cast for this!
The documentary that comes before the 37 minute film is somewhat biased but effective either way.
Seeing this only puzzles me more and more regarding Monroe's tragic demise. Clearly she was not the most stable person, but with the new contract she got with Fox, all these new perspectives springing up and all, nothing hinted she was on the verge of something like that. That's why i think the suicide assumption becomes less and less believable.
Anyway, hands down, Monroe's still absolute.