Character actor Michael Shannon has been nominated for his second Oscar for his role in the 2016 thriller Nocturnal Animals. "No Small Parts" takes a look at some of the other characters he's played in the past.
When billionaire Jean-Marc Clement learns that he is to be satirized in an off-Broadway revue, he passes himself off as an actor playing him in order to get closer to the beautiful star of the show, Amanda Dell.
Jeff Carter has put an end to the town's delinquency with a boys' club. Young hoodlum Danny shows up and influences teenagers Doris, Willy and Leo. They hang out at a juke joint where Eve ... See full summary »
The titular river unites a farmer recently released from prison, his young son, and an ambitious saloon singer. In order to survive, each must be purged of anger, and each must learn to understand and care for the others.
Showgirls Lorelei Lee and Dorothy Shaw travel to Paris, pursued by a private detective hired by the suspicious father of Lorelei's fiancé, as well as a rich, enamored old man and many other doting admirers.
Years after his wife, Ellen, was lost at sea, Nick has her declared legally dead and remarries. That same day, Ellen is rescued from a desert island and returns home. This unfinished remake of "My Favorite Wife" was the last film Marilyn Monroe worked on before her death in 1962. Most of the footage was unseen, until it was restored into a 37-minute short which aired on television on June 1, 2001. Written by
It had been erroneously long-claimed that Marilyn Monroe's erratic behavior pushed the film more than $1 million over budget in just a few weeks of filming. While it is true that Mariln's behavior was somewhat 'difficult,' in truth, her behavior was no more 'erratic' than any other actor then, or now. The reason for this false story was that Fox - already in a massive financial debacle to the filming of Cleopatra (it's cost - even today - make it the single most expensive film - in 2016, it's cost would be over $1billiion) was desperately looking to put 'blame' on. The Fox PR department crafted this story, but, when one understands the cost of Cleopatra to the minuscule, by comparison budget of 'Something's Got To Give,' it's very clear that 'Something's' fate, and seemngly the fate of Fox, itself where to be 'blamed' on Marilyn, as she was considered the 'easiest' to blame. This added pressure to Marilyn, who clearly knew what was going on in the studio's offices. See more »
Ellen Wagstaff Arden:
[Ellen, frolicking naked in the pool, while Nick Arden - upstairs in the bedroom, can see her]
Come on, the water's so refreshing! Especially after doing... you know what!
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This could have been one quite-good movie. AMC assembled the footage that was shot prior to MM's death-- but if you're reading this, chances are you know this-- and from every indication, it could have turned out to be an enjoyable sex farce, perhaps a groundbreaking one, as it pushed the envelope just a little further.
First, Monroe looked great in the tests as well as in the completed footage. She could get her act together if handled right. Second, and this fact cannot be overlooked, she was playing a MOTHER-- of children-- for the first time. And a sexy, mid-30s mother at that! Way back in 1962, 40-odd years before "Desperate Housewives," sexy moms were unheard of. Nobody considered that a woman was still a woman, even after having a kid or two.
Second, "Something's Got To Give" had a great cast. Both Dean Martin and Cyd Charisse were perfect as the other two angles in this screwball triangle, Martin quite convincing as a comic suburban dad and Charisse exemplary as Monroe's sexual foil. And the cameos from comedians ranging from Wally Cox to Steve Allen only added to the parfait.
But above and beyond Monroe and the casting, "SGTG" had George Cukor at the helm. Cukor knew a few things about comedy and could bring a presence to any film bearing his directorial touch. He knew what makes things funny. Think the Tracy-Hepburn classics. Think "The Women." Think "What Price Hollywood." No, DON'T think "My Fair Lady" nor "A Star Is Born."
There's talk about finishing this film digitally. Just one question: why? Unless someone can digitally resurrect George Cukor from the grave, there'd be no point.
Something's got to give? Something DID give, damn it. Marilyn Monroe gave into her demons, and what might have been a new start for Monroe's career as we witnessed maturing sexuality never got a chance.
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