A mysterious diver hiding in Amsterdam's canal system embarks on a rampage of gruesome murders, terrifying city officials and leaving few clues for the city's best detective, who doesn't ... See full summary »
Monique van de Ven,
Stalingrad, 1942: just as he is complaining about the "blockheads" who are in control, a German named Herbert (Achternbusch) gets hit. Fast forward forty years after the war to Munich's ... See full summary »
Four notorious bank robbers - Klaus from Germany, Albert from France, Juan from Spain and Carina from Tangiers meet up in an isolated Castle to divide a large number of diamonds hidden ... See full summary »
Maria Luisa Geisberger,
Framed by the last unfocused protests of 60s and 70s Japanese radicalism, this is a raw and rather ragged take on the doomed young lovers' motif (Thieves Like Us, Badlands) but where their American forebears take flight on the open road our troubled Japanese anti-heroes are set in a frieze of emotional and physical inertia and spend much of their time helplessly moping about in a roadside café.
This rarely-seen film boasts some great twilight cinematography of inhuman hinterlands (highway verges, the edges of an airport, blank vistas of ribbon development) and an unwavering faith in the central performances that borders on the indulgent but ultimately pays off in depicting the ferment of teenage desire and frustration.
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