| Jean-Paul Belmondo | ... | Edouard | |
| Arielle Dombasle | ... | Margot | |
| Patrick Bouchitey | ... | Jeff Benard | |
| Thylda Barès | ... | Lulu | |
| André Penvern | ... | Colonel de Villeneuve | |
| Jackie De la Nuez | ... | Old chief | |
| Ronny Bandomo Casanova | ... | Little boy | |
| Carlos Padrón | ... | Lab doctor | |
| Fernando Echevarría | ... | Chinese | |
| Daniel Hernandez | ... | Cab driver | |
| Héctor Echemendia | ... | Scientist 1 | |
| Salvador Palomino | ... | Scientist 2 | |
| Alberto Noel Pena | ... | Scientist 3 | |
| Óscar Bringas | ... | Train engineer | |
| Carlos Manssola | ... | Rambo 1 | |
| Leonardo Darias | ... | Rambo 2 | |
| Ernesto Queral | ... | Rambo 3 | |
| Alberto Reytor | ... | Rambo 4 | |
| Ismael Morales | ... | Indian warrior |
Directed by | |||
| Philippe de Broca | |||
Writing credits(in alphabetical order) | ||
| Philippe de Broca | ||
| Serge Frydman | dialogue | |
Produced by | |||
| Christine Gozlan | .... | executive producer | |
| Alain Sarde | .... | delegate producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Jean-François Robin | |||
Film Editing by | |||
| Henri Lanoë | |||
Casting by | |||
| Dan Berthier | |||
Production Design by | |||
| Carlos Urdavinia Hurtado | |||
| Aramís Balebona Recio | |||
Costume Design by | |||
| Paulette Breil | |||
| Liz Álvarez | (as Liz Álvarez Marti) | ||
Makeup Department | |||
| Charly Koubesserian | .... | key makeup artist | |
Production Management | |||
| Alain Centonze | .... | production manager | |
| Martin Coiffier | .... | unit manager | |
| Karine Raphaël | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Denis Bergonhe | .... | first assistant director | |
| Marianne Capian | .... | second assistant director | |
Sound Department | |||
| Jean-François Auger | .... | sound mixer | |
| Henri Morelle | .... | sound | |
| Laurent Quaglio | .... | sound mixer | |
| Pierre Tucat | .... | boom operator | |
Visual Effects by | |||
| Christian Guillon | .... | visual effects producer | |
| Sergeï Lourié | .... | digital compositor | |
Camera and Electrical Department | |||
| Emilie de la Hosseraye | .... | still photographer | |
Other crew | |||
| Laurent Cavalier | .... | executive producer: Venezuela | |
| Corinne Devaux | .... | choreographer | |
| Yann Nerot | .... | administrator | |
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| The Wages of Fear | Avatar | The Motorcycle Diaries | Big Fish | Moonraker |
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| Full cast and crew | Company credits | IMDb Adventure section |
| IMDb France section |
*** This review may contain spoilers ***
This French film should go straight to the guillotine! It's an insult to the French film industry. But as I am a generous person I'll give it 4/10. Now don't go racing off to collect a DVD just to see why I am making such a fuss. Take my word for it.
The film opens with a stupendous waterfall. Magnificent. Just take in the sight and sound! Is this a promise of what is to follow? Sadly no. What follows is a disaster.
The film has little or no story. What action there is revolves around three people, a retired dentist seeking solitude in the jungle, a twelve year old who happened to drop in from a far away planet and an excitable woman astronomer seeking out the site where a UFO had apparently hit the earth. In the film the characters are wet most of the time due to the frequent showers or falling into the river. As a consequence the man reluctantly gives them shelter This knits together what story there is. There are frequent arguments and the women keep running away and have to be saved from the dangers of the jungle.
Nearby there is a depression in the earth no bigger than a preserving pan which attracts the attention of the astronomer who whereupon quizzes one of the local natives (who cannot understand a word of French)about the indentation in the earth. Stranger still is the fact that the girl from the distant planet speaks French fluently.
There is a band of kidnappers combing the river to see where they can make a buck or two. Eventually they kidnap the little girl and make off with her.
Belmondo in excellent bewhiskered make-up as the elderly man has not much to do and one wonders why he accepted the part in the first place. On the other hand the incidental music is very good and worthy of a much better production. The same can be said of the photography. The main fault is the choice of material. Some scenarios are best left untouched on the shelf.
You won't find many reviews of this one. I think I've told you why..