7.2/10
5,627
78 user 51 critic

Harrison's Flowers (2000)

When a Newsweek photojournalist disappears in war-torn Yugoslavia, his wife travels to Europe to find him.

Director:

Writers:

(book), (screenplay) | 3 more credits »

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From $1.99 (SD) on Amazon Video

ON DISC
3 wins & 1 nomination. See more awards »
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Cast

Cast overview, first billed only:
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Johanna Pollack
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Mary Francis
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Margaux Lloyd
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Cathy
Christian Charmetant ...
Jeff
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Chris Kumac, Photojournalist
Scott Anton ...
Cesar Lloyd (as Scott Michael Anton)
Christopher Clarke ...
David
Dragan Antonic ...
Chetnik
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Storyline

Harrison Lloyd is a Pulitzer-winning photojournalist. His wife and family are making it hard for him to keep his mind on his work when he's in a war zone, and he wants to change jobs to something less stressful. But he's got one last assignment, in war-torn Yugoslavia, in 1991, at the height of the fighting. Word comes back that he apparently died in a building collapse, but his wife Sarah (also a journalist for Newsweek) refuses to believe that he's dead and goes looking for him. She's helped immensely by the photo-journalists Eric Kyle and Marc Stevenson that she runs into over there; together, they're determined to make it through the chaotic landscape to Vukovar, which is not only the nexus of the war but where she believes Harrison is located. Meanwhile, Harrison's son Cesar is looking after his father's prized greenhouse, keeping hope, and flowers, alive. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Add Synopsis

Taglines:

Sometimes love is the only proof you need.

Genres:

Drama | Romance | War

Motion Picture Rating (MPAA)

Rated R for strong war violence and gruesome images, pervasive language and brief drug use | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

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Release Date:

15 March 2002 (USA)  »

Also Known As:

A felejtés virágai  »

Filming Locations:

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Box Office

Budget:

$8,000,000 (estimated)

Opening Weekend USA:

$867,635, 17 March 2002, Limited Release

Gross USA:

$1,843,570, 7 April 2002
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

When Eric, Sarah and Marc are driving through the war-torn countryside trying to make their way to the hospital where they believe Harrison might be, the large SUV they are driving has a giant "TV" painted in white on the front windshield. Seen from the inside, the letters are huge, but from outside they are much smaller. See more »

Quotes

Marc Stevenson: I saw snipers shooting kids, and then making checkmarks on the wall.
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Connections

Referenced in Film Geek (2005) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Realistic and by most part very accurate display of urban warfare
17 November 2004 | by See all my reviews

As someone who had lived through this war [I live in Osijek, town frequently mentioned in the movie, only 30 kilometers from Vukovar] and have seen the atrocities first hand, I'll start by commenting the realistic value. To my surprise, the Harrison flowers turned out to be very accurate in portraying what it was like. The details, such as locations, army uniforms and equipment, names, places, scenes and the geographic and historic facts, are pretty much all spot-on true. There are few barely noticeable mistakes, but it'd be nitpicking on my behalf even mentioning them. So, to anyone interested in seeing what the end 20th centuries warfare really looks like, I highly recommend it. It's miles ahead of Holywoods cheezy Rambo-style war movies and by it's ruthless realism it really is a visual kick in the gut.

As for the plot - the love story that serves as a guideline seems pretty much unnecessary and hard to believe. It has occurred to me that it'd be far more believable if Andie MacDowel was the photojournalist lost in the war-zone and her husband goes to get her out, not the other way around. So, those looking for a warm love tale, this will hardly be the best choice. Those interested in seeing the insanity of the easter-Europe 1991. war conflict, the cruelty and danger of modern photojournalism - I can hardly think of anything better than this.


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